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[古典] [Tr24] [OF] Theodor Leschetizky - Morceaux - Tobias Bigger - 2020(古典,钢琴)

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发表于 2020-12-8 15:03:24 | 显示全部楼层 |阅读模式
Theodor Leschetizky - Morceaux
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): BIS
Продолжительность: 00:58:46
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/176,4
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
2 Piano Pieces, Op. 38
01. No. 1, Menuetto capriccioso (7:25)
02. No. 2, Mazurka impromptu (7:15)
4 Piano Pieces, Op. 36
03. No. 1, Aria (4:05)
04. No. 2, Gigue (2:15)
05. No. 3, Humoresque (2:16)
06. No. 4, La source (3:17)
2 Piano Pieces, Op. 43
07. No. 1, Serenata (5:22)
08. No. 2, La piccola (2:10)
Pastels, Op. 44
09. No. 1, Prélude (3:04)
10. No. 2, Gigue all' antica (2:01)
11. No. 3, Humoresque (4:27)
12. No. 4, Intermezzo en octaves (2:02)
2 Piano Pieces, Op. 47
13. No. 1, Nocturne (6:17)
14. No. 2, Scherzo (6:55)

Исполнители:
Tobias Bigger, piano

Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-08-07 09:11:46
--------------------------------------------------------------------------------
Analyzed: Tobias Bigger / Leschetizky: Piano Works
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR14      -3.09 dB   -21.26 dB      7:25 01-2 Piano Pieces, Op. 38: No. 1, Menuetto capriccioso
DR16      -0.93 dB   -21.95 dB      7:15 02-2 Piano Pieces, Op. 38: No. 2, Mazurka impromptu
DR14      -8.50 dB   -26.40 dB      4:05 03-4 Piano Pieces, Op. 36: No. 1, Aria
DR13      -6.74 dB   -25.08 dB      2:15 04-4 Piano Pieces, Op. 36: No. 2, Gigue
DR14      -6.86 dB   -25.18 dB      2:16 05-4 Piano Pieces, Op. 36: No. 3, Humoresque
DR12      -9.30 dB   -25.05 dB      3:17 06-4 Piano Pieces, Op. 36: No. 4, La source
DR13      -7.67 dB   -25.57 dB      5:22 07-2 Piano Pieces, Op. 43: No. 1, Serenata
DR11      -5.36 dB   -24.42 dB      2:10 08-2 Piano Pieces, Op. 43: No. 2, La piccola
DR12     -12.66 dB   -30.19 dB      3:04 09-Pastels, Op. 44: No. 1, Prélude
DR14      -1.92 dB   -21.53 dB      2:01 10-Pastels, Op. 44: No. 2, Gigue all' antica
DR14      -4.68 dB   -24.55 dB      4:27 11-Pastels, Op. 44: No. 3, Humoresque
DR13      -0.49 dB   -18.00 dB      2:02 12-Pastels, Op. 44: No. 4, Intermezzo en octaves
DR13      -8.41 dB   -27.74 dB      6:17 13-2 Piano Pieces, Op. 47: No. 1, Nocturne
DR14      -0.24 dB   -20.42 dB      6:55 14-2 Piano Pieces, Op. 47: No. 2, Scherzo
--------------------------------------------------------------------------------
Number of tracks:  14
Official DR value: DR13
Samplerate:        176400 Hz
Channels:          2
Bits per sample:   24
Bitrate:           3863 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Theodor Leschetizky is a towering figure in the history of piano playing. Born in 1830, he studied in Vienna and began his career as a piano teacher when he was just fourteen. Having moved to St Petersburg in 1852, he enjoyed great success as a pianist which in turn boosted his popularity as a teacher. After returning to Vienna in 1878, he concentrated increasingly on teaching, becoming an internationally renowned and sought-after mentor to a large number of pianists. Although Leschetitzky was also active as a composer, his music is largely ignored nowadays, and in his liner notes Tobias Bigger relates how he came across it indirectly, through an interest in Ignaz Friedman, one of Leschetizky’s most famous students. Much of Leschetitzky’s production consists of character pieces for piano, and a closer study convinced Bigger of the particular qualities of many of them. He was particularly impressed by the fact that even though they convey Leschetitzky’s own joy in masterful piano playing and place considerable demands on the performer, there are no displays of empty keyboard acrobatics. For his first disc on BIS, Bigger has selected pieces from Leschetitzky’s later production, and primarily those that are not readily available in recorded form.
                                                                                       
                       
                       
                       
                       
                       
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