Netherlands Radio Philharmonic Orchestra, Jaap van Zweden - Anton Bruckner: Symphony 3 D minor
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания: 2013
Жанр: Classical, Orchestral
Издатель (лейбл): Challenge Classics
Продолжительность: 00:59:33
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Источник (релизер): spiritofturtle.comТреклист:
Symphony No. 3 in D minor, WAB 103 (1876-1877)
01. I. Gemigt, mehr bewegt, misterioso - D minor
02. II. Andante. Bewegt, feierlich, quasi Adiago - E-flat major
03. III. Scherzo. Ziemlich schnell
04. IV. Finale - AllegroRecording at: Studio MCO 5, Hilversum, Holland
Recording dates: 21-23 December 2011
Recording Producer, Mix & Editing: Bert van der Wolf
Recording: NorthStar Recording Services BV
A&R Challenge Records International: Wolfgang Reihing
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-07-29 19:13:48
--------------------------------------------------------------------------------
Analyzed: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden / Bruckner: Symphony No. 3 in D minor (1876-1877) Edition Nowak, 1981 (Zweiter Fassung, 1877)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -8.30 dB -28.03 dB 22:06 01-Symphony No. 3 in D minor, WAB 103: I. Gemäßigt, mehr bewegt, misterioso
DR13 -11.24 dB -31.14 dB 16:02 02-Symphony No. 3 in D minor, WAB 103: II. Andante: Bewegt, feierlich, quasi Adiago
DR13 -7.92 dB -26.37 dB 7:08 03-Symphony No. 3 in D minor, WAB 103: III. Scherzo: Ziemlich schnell
DR14 -8.22 dB -27.40 dB 14:18 04-Symphony No. 3 in D minor, WAB 103: IV. Finale: Allegro
--------------------------------------------------------------------------------
Number of tracks: 4
Official DR value: DR13
Samplerate: 5644800 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
================================================================================
Об альбоме (сборнике)
Bruckner – Symphony no. 3 Anton Bruckner meticulously noted it in his calendar: autumn 1872, first rejection of the performance of the Third Symphony in Vienna; autumn 1875, second rejection; September 27, 1877, third rejection. Thanks to the efforts of his good friend Johann (von Ritter) Herbeck (who had conducted the premiere of Schubert’s “Unfinished” Symphony), Vienna’s Gesellschaft der Musikfreunde decided to programme the work on December 16, 1877, the second concert in the Gesellschaft series. Herbeck was to conduct the Vienna Philharmonic for the occasion in the “Golden Hall” of Vienna’s Musikverein. On October 28, however, Herbeck unexpectedly died, putting the premiere in doubt. That same evening, Bruckner sought the support of the influential Reichstag delegate and later Bruckner biographer August Gllerich, a close friend of Nikolaus Dumba, the Gesellschaft’s president. His efforts paid off, and the performance of the Third Symphony was saved. Alas, no conductor could be found who wanted to perform the work, so Bruckner, who was not used to leading an orchestra, took on the — to his mind, thankless — task. The results were predictable. Already in the rehearsals, things started going wrong. The orchestra’s musicians showed scant respect for the poor composer. They sabotaged the proceedings by intentionally playing out of tune and weaving odd notes and ornaments into the music. They stubbornly refused to repeat certain phrases and repeatedly laughed at Bruckner to his face. The great composer was the helpless conductor who baptized one of the most impressive compositions in music history in an exceedingly unpleasant atmosphere created largely by notorious troublemakers. Aside from the unfortunate rehearsals, other aspects of the concert were unfavourable for Bruckner: before the intermission, Joseph Hellmesberger conducted a programme that, to put it mildly, was excessively long: Beethoven’s Egmont Overture and the Violin Concerto in D minor by Louis Spohr followed multiple arias from Mozart’s Le nozze di Figaro and Peter von Winter’s Das unterbrochene Opernfest (already largely forgotten). Were that not enough, there was Beethoven’s Meeresstille und glu?ckliche Fahrt before Bruckner could present the Third Symphony.
/1 
发表于 2020-12-8 15:03:33
提升卡
置顶卡