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[古典] [DSD] [OF] [OF] ThomasAdès:Asyla,Tevot,Polaris,Brahms - 伦敦交响乐团,ThomasAdès,Samuel Dale Johnson - 2017(古典/管弦乐)

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发表于 2020-12-8 15:03:40 | 显示全部楼层 |阅读模式
Thomas Adès:
Asyla, Tevot, Polaris, Brahms
London Symphony Orchestra, Thomas Adès, Samuel Dale Johnson
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: Classical/Orchestral
Издатель (лейбл): LSO Live
Продолжительность: 01:02:55
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Thomas Adès (b. 1971)
Asyla, Op 17 (1997)
1 I. 5’50’’
2 II. 6’34’’
3 III. Ecstasio 6’35’’
4 IV. Quasi leggiero 5’02’’
5 Tevot (2005–6) 20’19’’
6 Polaris [Voyage for Orchestra] (2010) 13’30’’
7 Brahms, Op 21 (2001) 5’05’’Musicians:
Thomas Adès: composer, conductor
London Symphony Orchestra
Samuel Dale Johnson, baritoneКонтейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Recording:
Live in DSD 128fs, 9 March (Tevot, Polaris, Brahms) & 16 March (Asyla) 2016, at the Barbican, London
James Mallinson producer
Classic Sound Ltd recording, editing and mastering facilities
Jonathan Stokes for Classic Sound Ltd balance engineer, audio editor, mixing and mastering engineer
Neil Hutchinson for Classic Sound Ltd recording engineer.
Digital Converters: Horus
Editing Software: Pyramix
Mastering Engineer: Jonathan Stokes
Producer: James Mallinson
Recording Engineer: Jonathan Stokes, Neil Hutchinson
Recording location: Barbican London
Recording Software: Merging
Recording Type & Bit Rate: DSD128.
LSO Live 0798 (2017)
2ch DSD64/2.82MHz (2.48GB)
Источник (релизер): wardrobemalfunction (PS³SACD)
https://lsolive.nativedsd.com/albums/LSO0798-ades-asyla-tevot-polaris-brahms
Лог DR

==========================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-13 23:01:38
---------------------------------------------------------------------------------------------
Analyzed: London Symphony Orchestra, Thomas Adès / Adès: Asyla, Tevot & Polaris
---------------------------------------------------------------------------------------------
DR           Peak          RMS     Duration       Track
---------------------------------------------------------------------------------------------
DR16   -9.81 dB   -30.42 dB    5:50   01-Asyla, Op. 17 (1997): I. —
DR18 -10.28 dB   -30.97 dB    6:34   02-Asyla, Op. 17 (1997): II. —
DR16   -6.75 dB   -28.82 dB    6:35   03-Asyla, Op. 17 (1997): III. Ecstasio
DR17   -9.22 dB   -30.63 dB    5:02   04-Asyla, Op. 17 (1997): IV. Quasi leggiero
DR19   -5.54 dB   -29.46 dB  20:19   05-Tevot, Op. 24 (2005–6)
DR17   -9.25 dB   -30.15 dB  13:30   06-Polaris [Voyage for Orchestra], Op. 29 (2010)
DR16 -11.21 dB   -30.45 dB    5:05   07-Brahms, Op. 21 (2001)
----------------------------------------------------------------------------------------------
Number of tracks: 7
Official DR value: DR17
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
==========================================================


Об альбоме (сборнике)
An acclaimed conductor and pianist as well as a composer, Thomas Adès has outgrown his status as the wunderkind of the British scene and become one of the most imposing figures in contemporary music. For his LSO Live debut, he conducts all of his seminal ‘Trilogy’ works – Asyla, Tevot & Polaris – pieces that not only occupy a special place in his output, but in modern classical music as a whole.
‘This is an excellent recording all round, the the LSO responding superbly well to the many technical and expressive challenges posed in performing Adès’s orchestral music.’
~ Gramophon
‘The music is carried aloft by great, heaving cosmic waves through a universe glistening with heavenly sounds…These are technically challenging scores that take an orchestra to its limits. With Adès conducting, the London Symphony Orchestra reaches for the stars.’
~ Financial Times
‘The three pieces do share extra-musical associations too – their titles evoke notions of safe havens and the ways of finding them – but what links them more importantly is the sheer mastery of their orchestral writing, as this recording from the Barbican shows so vividly.’
~ The Guardian
                                                                                       
                       
                       
                       
                       
                       
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