Schumann: Symphony No. 4, Op. 120
Philharmonia Orchestra, Guido Cantelli
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1954/2020
Жанр: Classical/Orchestral
Издатель (лейбл): Warner
Продолжительность: 00:25:41
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Schumann: Symphony No. 4 in D Minor, Op. 120:
1. I. Ziemlich langsam - Lebhaft (9:08)
2. II. Romanze. Ziemlich langsam (4:04)
3. III. Scherzo. Lebhaft - Etwas zurückhaltend (4:53)
4. IV. Langsam - Lebhaft (7:36)Philharmonia Orchestra
Guido Cantelli, conductorКонтейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0Источник (релизер): WEB https://www.highresaudio.com/en/album/view/tf7a4y/guido-cantelli-schumann-symphon...p-120-remastered
Лог DR
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2020-03-28 17:32:16
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Analyzed: Guido Cantelli / Schumann: Symphony No. 4, Op. 120
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DR Peak RMS Duration Track
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DR11 -2.05 dB -17.06 dB 9:08 01-Schumann: Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam - Lebhaft
DR12 -9.50 dB -26.72 dB 4:04 02-Schumann: Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam
DR12 -2.67 dB -20.00 dB 4:53 03-Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft - Etwas zurückhaltend
DR10 -0.74 dB -15.69 dB 7:36 04-Schumann: Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft
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Number of tracks: 4
Official DR value: DR11
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4440 kbps
Codec: FLAC
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Об альбоме (сборнике)
Newly remastered - These important and very rare live recordings featuring the Philharmonia Orchestra derive from the Music Preserved archive and have never been released before. They have been carefully restored by Paul Baily.
The Glasgow Herald stated that Cantelli’s Schumann nearly raised the roof with its excitement but it also noted ‘the plasticity of line and transparent textures’. Debussy’s Le Martyre de Saint Sébastien was a Cantelli speciality and was noted by the Glasgow Herald for ‘its breathtaking moments’ which held the audience in rapt silence. Similarly, Debussy’s La Mer got praise for the conductor’s feeling for orchestral colouring and ‘rhythmic exactitude that mark the conductor at his best … There is no mistaking the greater impetuosity and attack in the Edinburgh account compared to the Kingsway Hall recording made four days later.’ (Mark Kluge)
These performances offer an intimate glimpse of a wonderful partnership between Cantelli and the Philharmonia Orchestra which was so tragically cut short.
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发表于 2020-12-8 15:03:43
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