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[古典] [Tr24] [OF] Rossini,Martinu,Offenbach - Hommage A Rossini - Raphala Grommes,WDR Funkhausorchester,Enrico Delamboye - 2018(古典)

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发表于 2020-12-8 15:04:00 | 显示全部楼层 |阅读模式
Raphaela Gromes - Hommage à Rossini
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical
Издатель (лейбл): Sony Classical
Продолжительность: 00:55:05
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.com
Треклист:
Gioacchino Rossini (1792 - 1868)
Bianca e Falliero (Arr. for Cello and Orchestra)
1. Tu non sai qual colpo atroce
Soirées musicales (Arr. for Cello and Piano)
2. V. L'invito
3. VII. La gita in gondola
4. VIII. La danza
Stabat Mater (Arr. for Cello and Orchestra)
5. II. Cuius animam
Bohuslav Martinu (1890 - 1959)
6. Variations on a Theme of Rossini, H. 290
Gioacchino Rossini (1792 - 1868)
Péchés de vieillesse, Album IX (Arr. for Cello and Piano)
7. No. 10, Une larme
Jacques Offenbach (1819 - 1880)
8. Hommage à Rossini, Fantaisie pour violoncelle et orchestra
Gioacchino Rossini (1792 - 1868)
La Cenerentola (Arr. for Cello and Orchestra)
9. Non più mesta

Исполнители:
Raphaela Gromes, cello
Julian Riem, piano
WDR Funkhausorchester
Enrico Delamboye, conductor

Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-11-11 17:16:45
--------------------------------------------------------------------------------
Analyzed: Raphaela Gromes / Hommage à Rossini
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR13      -0.80 dB   -19.02 dB      5:56 01-Bianca e Falliero - Tu non sai qual colpo atroce (Arr. for Cello and Orchestra)
DR12      -2.50 dB   -19.24 dB      3:24 02-Soirees musicales - V. L'invito (Arr. for Cello and Piano)
DR13      -0.50 dB   -19.37 dB      3:23 03-Soirees musicales - VII. La gita in gondola (Arr. for Cello and Piano)
DR13      -0.50 dB   -17.61 dB      2:54 04-Soirees musicales - VIII. La danza (Arr. for Cello and Piano)
DR11      -0.80 dB   -17.38 dB      6:12 05-Stabat Mater - II. Cuius animam (Arr. for Cello and Orchestra)
DR14      -0.50 dB   -17.99 dB      7:47 06-Variations on a Theme of Rossini, H. 290
DR15      -0.50 dB   -20.11 dB      9:51 07-Peches de vieillesse, Album IX - No. 10, Une larme (Arr. for Cello and Piano)
DR15      -0.80 dB   -20.36 dB     13:04 08-Hommage a Rossini, Fantaisie pour violoncelle et orchestra
DR12      -0.80 dB   -18.71 dB      3:09 09-La Cenerentola - Non piu mesta (Arr. for Cello and Orchestra)
--------------------------------------------------------------------------------
Number of tracks:  9
Official DR value: DR13
Samplerate:        48000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1398 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Gioachino Rossini died 150 years ago. This leading light of Italian opera wrote one of the most frequently performed and most famous operas in the whole history of music: Il barbieredi Siviglia. Now the star violoncellist and exclusive SONY Classical artist Raphael Gromespays tribute to Rossini with her latest album. Her Hommageà Rossininaturally features UneLarme (A Tear), Rossini’s only original work for violoncello and piano, but it also includes a number of arrangements of Rossini arias for violoncello and orchestra or piano and a set of variations on a theme from Rossini’s Mosèin Egittowritten by the Czech composer Bohuslav Martinů. But pride of place goes to a world-premiere recording of a piece by Jacques Offenbach, his Hommageà Rossinifor violoncello and orchestra. Long thought to be lost, this fantasy, dating from 1845, has now been reawokenfrom its Sleeping-Beauty-like slumber thanks to the musicological researches of RaphaelaGromesand can be performed again in time to mark Rossini’s sesquicentenary –173 years after it was composed. For this discographic sensation Raphael Gromesis accompanied by the WDR Fukhausorchesterunder Enrico Delamboye. In the pieces for violoncello and piano, conversely, her accompanist is the pianist Julian Riem, who is also responsible for the arrangements.
As a child, Raphaela Gromes wanted to become a singer and decided to take up the violoncello because the sounds that this instrument produces come closest to those of the human voice. In her efforts to achieve a “vocal approach” to her Rossini programme, she sought advice on the technical mysteries of bel canto from the soprano Juliane Banseand the mezzo-soprano Daphne Evangelatos. In this way she has been able to come closer to Rossini’s declared ideal of “sweet Italian singing that comes from the heart”.
As a result Raphaela Gromes brings a cantabile tone to a piece like the cavatina “Tunon saiqualcolpoatroce” from Rossini’s long-forgotten opera Bianca e Fallieroas well as to an excerpt from his Stabatmaterand three songs from his Soirées musicalesof the early 1830s. Among these three works are La danza, a fiendishly fast tarantella, and La gitain gondola, a delightful barcarolle in a rocking 12/8-metre. The album ends with an arrangement of the aria “Non piùmesta” from Rossini’s La Cenerentola, but before this Raphaela Gromes performs not only her Offenbach discovery but also Bohuslav Martinů’s 1942 Variations for violoncello and piano. The theme of this piece, which was dedicated to the famous violoncellist Gregor Piatigorsky, is that of the Preghierafrom Rossini’s opera Mosèin Egitto
                                                                                       
                       
                       
                       
                       
                       
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