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[古典] [TR24] [OF]伊尔加,施特劳斯,争吵,山孔 - 渴望天堂 - Albrecht Mayer,Bamberger Symphoniker,Jakub Hrusa - 2019(古典)

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发表于 2020-12-8 15:04:06 | 显示全部楼层 |阅读模式
Elgar · Strauss · Ravel · Goossens - Longing for Paradise
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:04:49
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
Sir Edward Elgar (1857 - 1934)
1 Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob)
Richard Strauss (1864 - 1949)
Concerto for Oboe and Small Orchestra in D Major, AV 144, TrV 292 (Rev. Version)
2 1. Allegro moderato
3 2. Andante
4 3a. Vivace
5 3b. Allegro
Maurice Ravel (1875 - 1937):
Le Tombeau de Couperin, M. 68 (Arr. for Oboe and Orchestra by Joachim Schmeißer)
6 1. Prélude
7 3. Forlane
8 2. Fugue
9 5. Menuet
10 4. Rigaudon
Eugène Goossens (1893 - 1962)
11 Concerto for Oboe and Orchestra in One Movement, Op. 45Albrecht Mayer, oboe
Bamberger Symphoniker
Jakub Hrůša, conductor
Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-05-17 06:05:38
--------------------------------------------------------------------------------
Analyzed: Albrecht Mayer / Longing for Paradise
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR13      -9.63 dB   -27.77 dB      4:19 01-Elgar: Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob)
DR13      -4.52 dB   -23.17 dB      9:05 02-1. Allegro moderato
DR14      -4.82 dB   -23.99 dB      8:39 03-2. Andante
DR13      -2.95 dB   -21.76 dB      5:05 04-3a. Vivace
DR13      -2.71 dB   -21.31 dB      3:05 05-3b. Allegro
DR13      -2.96 dB   -23.21 dB      3:23 06-1. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer)
DR13      -8.78 dB   -26.01 dB      6:18 07-3. Forlane (Arr. for Oboe and Orchestra by Joachim Schmeißer)
DR12      -8.61 dB   -27.30 dB      4:19 08-2. Fugue (Arr. for Oboe and Orchestra by Joachim Schmeißer)
DR14      -4.77 dB   -24.78 dB      4:54 09-5. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer)
DR16      -0.47 dB   -21.33 dB      3:17 10-4. Rigaudon (Arr. for Oboe and Orchestra by Joachim Schmeißer)
DR16      -0.46 dB   -22.62 dB     12:27 11-Goossens: Concerto for Oboe and Orchestra in One Movement, Op. 45
--------------------------------------------------------------------------------
Number of tracks:  11
Official DR value: DR14
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2254 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
When the world threatens to descend into chaos, the longing for Paradise grows apace. Time and again composers have invoked this discovery and turned it into music in many different ways. Now the internationally acclaimed oboist Albrecht Mayer has joined forces with the Bamberg Symphony and Jakub Hrůša to present several of these creations on his new album, Longing for Paradise.
Richard Strauss wrote his only Oboe Concerto shortly after the end of World War II, seemingly forgetting all the world’s upheavals. It is, Mayer enthuses, “a piece abounding in beauties, perhaps an intimation of Paradise. It requires maximum effortlessness. Perhaps Strauss himself soared in something like the pure riches of its euphony when he wrote it”. For years Mayer has been fond of preceding the Strauss concerto in his performances with a little piece by Edward Elgar: Soliloquy. The sole surviving movement of a fragmentary suite for oboe and orchestra, it was only completed and presented to the public in 1967.
Just as Richard Strauss sought artistic responses to his experiences after World War II, Maurice Ravel struggled to find solutions in the midst of the Great War. Originally composed for piano, Le Tombeau de Couperin was orchestrated by the composer in 1919. It is a “very morbid piece”, Albrecht Mayer emphasises: “Each movement is dedicated to a comrade who fell in the war. We’re therefore dealing with highly personal music embedded in baroque forms.”
Eugène Goossens’s Oboe Concerto of 1927 is a genuine trouvaille. He wrote it to fulfil a request from his brother Léon, one of the 20th century’s formative oboists. “Imagine Stravinsky writing a concerto for oboe, seasoning it with a pinch of British humour and adding a dash of regional sounds”. This stylistic mélange thus likewise becomes an expression of distant longing.
With his new album, “Albrecht Mayer once again reveals his innate feeling for polished thematic programmes: “We witness composers intent on projecting themselves into a more beautiful world. They dreamt their way into Paradise.”
                                                                                       
                       
                       
                       
                       
                       
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