Trio SR9 (Paul Changarnier, Nicolas Cousin, Alexandre Esperet) -
Alors, on danse ? (Transcr. for Three Marimbas)
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018
Жанр: Classical Crossover, Transcription
Издатель (лейбл): Naïve
Продолжительность: 00:52:37
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
1. Allemande de la Suite pour Trois violes 2’40
Antoine Forqueray (1672 - 1745)
2. Courante de la Suite pour clavecin n°4 HWV 437 1’35
Georg Friedrich Haendel (1685 - 1759)
3. Gavotte de la Sonate pour clavecin en Ré mineur K.64 1’43
Domenico Scarlatti (1685 - 1757)
4. Bourrée Les Nations "L'impériale" 1’05
François Couperin (1668 - 1733)
5. Sarabande de la Suite en La 2’26
Jean-Philippe Rameau (1683 -1764)
6. Menuet - n°13 des Vingt pièces pour clavier 1’01
Henry Purcell (1659 – 1695)
7. Gigue de la Suite Française n°5 BWV 816 3’14
Jean-Sébastien Bach (1685 - 1750)
8. Danse de Travers n°1 - En y regardant à deux fois 1’41
Erik Satie (1866 - 1925)9. Tarentelle Styrienne L. 69 5 ‘14
Claude Debussy (1862 - 1918)
10. Danse roumaine n°1 op.8a 4’56
Béla Bartok (1881 - 1945)
Danses Polovtsiennes du Prince Igor:
11. I. Andantino 2’47
12. II. Allegro vivo 1’11
13. III. Allegro 2’05
14. IV. Presto 1’01
15. V. Moderato alla breve 1’31
16. VI. Presto 2’31
Alexandre Borodine (1833 -1887)
17. Danse de Travers n°2 – Passer 1’26
Erik Satie (1866 - 1925)18. Danse rituelle du feu de l’Amour Sorcier 3’49
Manuel De Falla (1876 - 1946)
19. Narnchygäer (création) 8’21
François Tashdjian (1974)
20. Danse de Travers n°3 – Encore 2’12
Erik Satie (1866 - 1925)
Track 1 to 8, 9 to 17 and 18 to 20 are considered as, and presented like musical suites.
discogs
1. Allemande (De La Suite Pour Trois Violes) (02:40)
2. Courante (De La Suite Pour Clavecin n°4 HWV 437) (01:35)
3. Gavotte (De La Sonate Pour Clavecin En Ré Mineur K.64) (01:43)
4. Bourrée (Les Nations "L'impériale") (01:05)
5. Sarabande (De La Suite En La) (02:26)
6. Menuet N°13 (Des Vingt Pièces Pour Clavier) (01:01)
7. Gigue (De La Suite Française N°5 BWV 816) (03:14)
8. Danse De Travers N°1 (En Y Regardant à Deux Fois) (01:41)
9. Tarentelle Styrienne L. 69 (05:14)
10. Danse Roumaine N°1 Op.8a (04:56)
11. Danses Polovtsiennes Du Prince Igor (I. Andantino) (02:47)
12. Danses Polovtsiennes Du Prince Igor (II. Allegro Vivo) (01:11)
13. Danses Polovtsiennes Du Prince Igor (III. Allegro) (02:05)
14. Danses Polovtsiennes Du Prince Igor (IV. Presto) (01:01)
15. Danses Polovtsiennes Du Prince Igor (V. Moderato Alla Breve) (01:31)
16. Danses Polovtsiennes Du Prince Igor (VI. Presto) (02:31)
17. Danse De Travers N°2 (Passer) (01:26)
18. Danse Rituelle Du Feu (De L'Amour Sorcier) (03:49)
19. Narnchygäer (Création) (08:21)
20. Danse De Travers N°3 (Encore) (02:12)
itunes
1. Suite pour trois violes: II. Allemande (Transcr. for Three Marimbas) (02:40)
2. Suites de Pièces , Suite in D Minor, HWV 437: II. Courante (Transcr. for Three Marimbas) (01:35)
3. Gavotta in D Minor, K. 64 (Transcr. for Three Marimbas) (01:43)
4. Les Nations, Troisième ordre in D Minor "L’Impériale": No. 6, Bourrée (Transcr. for Three Marimbas) (01:05)
5. Nouvelles suites de Pièces de clavecin, Quatrième suite in A Minor, RCT 5: II. Sarabande (Transcr. for Three Marimbas) (02:26)
6. Vingt Pièces pour clavier: No. 13, Menuet (Transcr. for Three Marimbas) (01:00)
7. French Suite No. 5 in G Major, BWV 816: VII. Gigue (Transcr. for Three Marimbas) (03:14)
8. Pièces froides, Danses de travers: No. 1, En y regardant à deux fois (Transcr. for Three Marimbas) (01:41)
9. Danse, L. 69 (Transcr. for Three Marimbas) (05:14)
10. 2 Romanian Dances, Op. 8a, Sz. 43: No. 1, Allegro vivace (Transcr. for Three Marimbas) (04:56)
11. Prince Igor, Danses polovtsiennes (Transcr. for Three Marimbas): No. 1, Andantino (02:47)
12. Prince Igor, Danses polovtsiennes (Transcr. for Three Marimbas): No. 2, Allegro vivo (01:11)
13. Prince Igor, Danses polovtsiennes (Transcr. for Three Marimbas): No. 3, Allegro (02:05)
14. Prince Igor, Danses polovtsiennes (Transcr. for Three Marimbas): No. 4, Presto (01:00)
15. Prince Igor, Danses polovtsiennes (Transcr. for Three Marimbas): No. 5, Moderato alla breve (01:31)
16. Prince Igor, Danses polovtsiennes (Transcr. for Three Marimbas): No. 6, Presto (02:31)
17. Pièces froides, Danses de travers: No. 2, Passer (Transcr. for Three Marimbas) (01:26)
18. El Amor Brujo: VIII. Danza Ritual del Fuego (Transcr. for Three Marimbas) (03:49)
19. Narnchygäer (Transcr. for Three Marimbas) (08:20)
20. Pièces froides, Danses de travers: No. 3, Encore (Transcr. for Three Marimbas) (02:12)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.0.3 / Dynamic Range Meter 1.1.1
log date: 2019-01-14 13:18:10
--------------------------------------------------------------------------------
Analyzed: Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet / Alors, on danse ? (Transcr. for Three Marimbas)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.96 dB -16.84 dB 2:40 01-Suite pour trois violes: II. Allemande (Transcr. for Three Marimbas)
DR10 -1.62 dB -15.94 dB 1:35 02-Suites de Pièces, Suite in D Minor, HWV 437: II. Courante (Transcr. for Three Marimbas)
DR12 -0.15 dB -14.98 dB 1:44 03-Gavotta in D Minor, K. 64 (Transcr. for Three Marimbas)
DR10 -0.15 dB -13.46 dB 1:05 04-Les Nations, Troisième ordre in D Minor "L’Impériale": No. 6, Bourrée (Transcr. for Three Marimbas)
DR12 -3.29 dB -21.37 dB 2:26 05-Nouvelles suites de pièces de clavecin, Quatrième suite in A Minor, RCT 5: II. Sarabande (Transcr. for Three Marimbas)
DR10 -1.57 dB -17.23 dB 1:01 06-Vingt pièces pour clavier: No. 13, Menuet (Transcr. for Three Marimbas)
DR10 -0.15 dB -13.49 dB 3:15 07-6 French Suites, No. 5 in G Major, BWV 816: VII. Gigue (Transcr. for Three Marimbas)
DR10 -4.87 dB -20.32 dB 1:41 08-Pièces froides, Danses de travers: No. 1, En y regardant à deux fois (Transcr. for Three Marimbas)
DR9 -0.15 dB -14.40 dB 5:15 09-Danse, L. 69 (Transcr. for Three Marimbas)
DR10 -0.15 dB -15.09 dB 4:56 10-2 Romanian Dances, Op. 8a, Sz. 43: No. 1, Allegro vivace (Transcr. for Three Marimbas)
DR12 -0.15 dB -17.10 dB 2:48 11-Prince Igor: Danses polovtsiennes, Pt. 1. Andantino (Transcr. for Three Marimbas)
DR10 -0.15 dB -13.02 dB 1:12 12-Prince Igor: Danses polovtsiennes, Pt. 2. Allegro vivo (Transcr. for Three Marimbas)
DR9 -0.15 dB -11.63 dB 2:06 13-Prince Igor: Danses polovtsiennes, Pt. 3. Allegro: Allegro (Transcr. for Three Marimbas)
DR9 -0.15 dB -12.03 dB 1:01 14-Prince Igor: Danses polovtsiennes, Pt. 4. Presto: Presto (Transcr. for Three Marimbas)
DR11 -6.11 dB -21.06 dB 1:32 15-Prince Igor: Danses polovtsiennes, Pt. 5. Moderato alla breve (Transcr. for Three Marimbas)
DR8 -0.15 dB -11.52 dB 2:32 16-Prince Igor: Danses polovtsiennes, Pt. 6. Presto: Presto (Transcr. for Three Marimbas)
DR10 -4.07 dB -19.88 dB 1:27 17-Pièces froides, Danses de travers: No. 2, Passer (Transcr. for Three Marimbas)
DR9 -0.15 dB -12.67 dB 3:49 18-El Amor Brujo: VIII. Danza Ritual Del Fuego (Transcr. For Three Marimbas)
DR8 -0.15 dB -13.16 dB 8:21 19-Narnchygäer (Transcr. for Three Marimbas)
DR10 -5.73 dB -20.05 dB 2:13 20-Pièces froides, Danses de travers: No. 3, Encore (Transcr. for Three Marimbas)
--------------------------------------------------------------------------------
Number of tracks: 20
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2210 kbps
Codec: FLAC
================================================================================
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https://www.qobuz.com/nl-nl/album/alors-on-danse-transcr-for-three-marimbas-trio-...et/qcjlk9jf78g3b
Recording Date: September 11, 2017 - September 15, 2017
Recording Location: La ferme de Villefavard, Haute-Vienne, France
Источник (релизер): tuoro @ redacted
Композитор:
Alexander Borodin
Antoine Forqueray
Béla Bartók
Claude Debussy
Domenico Scarlatti
Erik Satie
François Couperin
François Tashdjian
Georg Friedrich Händel
Henry Purcell
Jean-Philippe Rameau
Johann Sebastian Bach
Manuel de Falla
Состав
Paul Changarnier, Nicolas Cousin, Alexandre Esperet - Marimbas
Об альбоме (сборнике)
«Be quiet and dance!», these few words are the last ones that Elektra says in the opera by Strauss and Hofmannsthal. They embody the power of dance, its vital strength, mystic and symbolic. When her brother Oreste has achieved their revenge by killing their mother Clytemnestre and her lover Egisthe, Elektra can only feel elated and victorious. No more talking, no other action to be taken but the dancing, the movement. As if dance was the best comment and the most perfect of all the conclusions, she invites everybody to join her and form a circle. The flood of energy is so strong that it kills her. But her dancing is joy, triumph and trance, probably madness too.
Dance as a stylisation of the movement associated to music has always been highly considered by philosophers. Nietzsche’s Zarathoustra declares that he could only “believe in a God who could dance”. Because dance transforms heaviness in lightness, and that is the mission of Dionysos, the God of life instinct. Nietzsche summarizes his thoughts in “The Gay Science” when he says: “I do not see what the spirit of a philosopher could desire most but to be a good dancer”. Poetry and literature also took over dance and Beaudelaire gives its own definition: “it is poetry with arms and legs, it is the material, gracious and terrible, animated and improved by the movement”.
A journey is also movement in space and time and this record travels through three dimensions of dance: the suite of baroque dances, the popular dances and the mystical dances. The Crooked Dances (Danses de travers, 1897) by Satie are the common thread running through the different stages and dimensions of the itinerary.
The baroque suite mainly represents a pastiche of those operas from the 18th century mixing and gathering various composers. It is an invitation to travel across the Baroque Europe with the Frenchmen Forqueray, Couperin and Rameau, the English Purcell, the Italian Scarlatti and the Germans Haendel and Bach. Although the baroque dances were not always intended to be danced, they belong to the long tradition of dance music and they were printed out in the form of tablature at the beginning of the Renaissance period.
Composers of the 19th century were inspired by the national and folkloric dances because they also invite to a virtual trip. In that respect, the Styrian tarantella (1890) by the French Claude Debussy is a hybrid between southern Italy, where the tarantella comes from, and southern Austria, where the region of Styria is located. The countries of Central Europe are represented by the Romanian Dance (1910) by the Hungarian Bartók and, travelling further to the Eastern countries, Asia vibrates with the Polovtsian Dances (1890) by the Russian Borodine, dances that he fantasizes as being those of a former nomadic tribe in the northern Black Sea area called the Cumans.
David danced in front of the Arch and the liturgical dances animated Christian spirituality in the West for more than a thousand years because dance has always been associated to religion, magic and the dead. In the Ritual Fire Dance by Manuel De Falla, extracted from his ballet ‘Love, the sorcerer’ (1915), the young gipsy Candela dances to make contact with the spirits. His dance is trance and magic. Lastly, with Narnchygäer, the French composer of Armenian origin François Tashdjian imagines a three head devil who enrols his victims and makes them dance to death.
With the sound of the three marimbas, we can already picture Alexandre, Paul and Nicolas playing the rosewood bars in a choreographed gesture…
Now, shall we dance?
Nicolas Dufetel https://www.prestomusic.com/classical/products/8433498--alors-on-danse-trio-sr9
For their second album on Naïve, the three percussionists (marimba players) of Trio SR9 have chosen to shine the light on the theme of dance, in all its rich variety throughout the history of Western classical music: from Rameau and Bach, to Debussy, Satie and Borodin.
So, shall we dance?
The first part of the album is a set of Baroque dances (Gavotte, Sarabande, Minuet, Gigue...) drawn from the legacy of various European composers. These pieces are presented in the form of a large suite, as was the tradition at the time.
Then we move on to explore Europe of the nineteenth century. A taste for exoticism and folk dance rhythms are here made even more sublime by Claude Debussy with his Tarentelle Styrienne, Béla Bartok with the Romanian Dances and Alexander Borodin with his Polovtsian Dances.
The last part of the disc is dedicated to the mysticism of dance and begins, perhaps unsurprisingly, with the Ritual Fire Dance by Manuel de Falla. It is followed by Narnchygäer, a new work for three marimbas and the first of its kind composed by François Tashdjian especially for the SR9 Trio.
Lastly, it is around the three Danse de Travers by Erik Satie that this programme is weaved. This common thread punctuates each part of the album with sweetness and melancholy.
After a highly-regarded first album, Bach on the marimba, this new programme allows us to go one step further in revealing the many riches of the marimba, the sumptuously-crafted five-octave rosewood instrument. It's via the sound of three marimbas that the Trio SR9 demonstrates its ability to develop the reputation of percussion, all in one choreographed gesture
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发表于 2020-12-8 15:04:11
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