Salvatore Sciarrino · Johannes Brahms · Gérard Pesson - Quasi morendo
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): ECM New Series
Продолжительность: 00:58:12
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
Salvatore Sciarrino (b. 1947)
1. Let me die before I wake
Johannes Brahms (1833 - 1897)
Clarinet Quintet in B Minor, Op. 115
2. I. Allegro
3. II. Adagio
4. III. Andantino
5. IV. Con moto
Gérard Pesson (b. 1958)
6. NebenstückReto Bieri, clarinet
Minna Pensola, violin
Tomas Djupsjöbacka, cello
Antti Tikkanen, violin
Atte Kilpeläinen, viola
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-05-10 06:06:49
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Analyzed: Reto Bieri / Quasi morendo
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DR Peak RMS Duration Track
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DR17 -7.50 dB -35.97 dB 10:00 01-Sciarrino: Let me die before I wake
DR14 -2.07 dB -22.17 dB 13:34 02-1. Allegro
DR14 -3.27 dB -24.30 dB 10:53 03-2. Adagio
DR14 -4.00 dB -23.51 dB 4:51 04-3. Andantino
DR14 -4.50 dB -23.92 dB 10:13 05-4. Con moto
DR11 -12.23 dB -35.18 dB 8:45 06-Pesson: Nebenstück
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Number of tracks: 6
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2200 kbps
Codec: FLAC
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Об альбоме (сборнике)
Reto Bieri’s solo album Contrechant, released in 2011, was widely praised for the Swiss clarinettist’s beauty of tone and his uncommon expressiveness with extended instrumental techniques.
His latest recording on ECM New Series, Quasi Morendo, begins with a new exploration of one of the pieces featured on Contrechant, Salvatore Sciarrino’s Let Me Die Before I Wake (1982), with its “whisper-quiet sound world of harmonics, multiphonics and tremolandos” (The Guardian).
Bieri is then joined by Finnish string quartet Meta4 for a profound interpretation of Johannes Brahms’s Quintet op 115 (1891). Inspired by Brahms’s friendship with clarinettist Richard Mühlfeld the quintet sounds freer, and more idyllic, than the composer’s earlier chamber music, yet is one of his most meticulously constructed works. The album closes with Gérard Pesson’s Nebenstück (1998), a ghostly re-arrangement of Brahms’s Ballade, Op. 10 No. 4.