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[古典] [tr24] [OF]索菲·耶克尔,Le Concert de L'Hostel Dieu&Franck-Emmanuel Comte - La Francesina,亨德尔的夜莺 - 2020(古典,声乐)

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发表于 2020-12-8 15:04:27 | 显示全部楼层 |阅读模式
La Francesina, Handel's nightingale
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical, Vocal
Издатель (лейбл): Aparté
Продолжительность: 01:07:36
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Georg Friedrich Händel (1685 - 1759)
01. Joseph and his Brethren, HWV 59, Act II Scene 2: Prophetic raptures swell my breast (Asenath) (8:23)
02. Ode to St. Cecilia's day, HWV 76: What passion cannot raise and quell! (7:43)
03. Deidamia, HWV 42, Act II Scene 9: Và, perfido ! Quel cor mi tradirà (Deidamia) (5:34)
04. Belshazzar, HWV 61: Sinfonia "Allegro Postillons" (1:45)
05. Semele, HWV 58, Act III Scene 3: Myself I shall adore (Semele) (7:10)
06. Semele, HWV 58: Overture (4:58)
07. Hercules, HWV 60, Act I Scene 5: My father! Ah! (Iole) (6:14)
08. The Occasional Oratorio, HWV 62: Musette from "Sinfonia" (5:06)
09. Faramondo, HWV 39, Act I Scene 15: Mi parto lieta sulla tua fede! (Clotilde) (5:49)
10. Saul, HWV 53, Act III Scene 5: In sweetest harmony they lived (Michal) (5:47)
11. Deidamia, HWV 42, Act I Scene 5: Nasconde l'usignol in alto rami il nido (Deidamia) (6:16)
12. Serse, HWV 40, Act I Scene 7: Nè men con l'ombre d'infedeltà" (Romilda) (2:57)

Исполнители:
Sophie Junker, soprano
Le Concert de l’Hostel Dieu
Franck-Emmanuel Comte, direction, harpsichord

Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-05-23 10:53:56
--------------------------------------------------------------------------------
Analyzed: Sophie Junker, Le Concert de l'Hostel Dieu & Franck-Emmanuel Comte / La Francesina, Handel's nightingale
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11      -1.11 dB   -15.81 dB      8:23 01-Joseph and his Brethren, HWV 59, Act II Scene 2: Prophetic raptures swell my breast (Asenath)
DR13      -1.12 dB   -19.68 dB      7:43 02-Ode to St. Cecilia's day, HWV 76: What passion cannot raise and quell!
DR12      -1.11 dB   -16.14 dB      5:34 03-Deidamia, HWV 42, Act II Scene 9: Và, perfido ! Quel cor mi tradirà (Deidamia)
DR12      -2.11 dB   -17.88 dB      1:45 04-Belshazzar, HWV 61: Sinfonia "Allegro Postillons"
DR11      -1.55 dB   -16.45 dB      7:10 05-Semele, HWV 58, Act III Scene 3: Myself I shall adore (Semele)
DR13      -1.27 dB   -18.56 dB      4:58 06-Semele, HWV 58: Overture
DR11      -3.19 dB   -19.33 dB      6:14 07-Hercules, HWV 60, Act I Scene 5: My father! Ah! (Iole)
DR12      -4.51 dB   -21.15 dB      5:06 08-The Occasional Oratorio, HWV 62: Musette from "Sinfonia"
DR11      -1.11 dB   -16.09 dB      5:49 09-Faramondo, HWV 39, Act I Scene 15: Mi parto lieta sulla tua fede! (Clotilde)
DR11      -1.66 dB   -18.49 dB      5:47 10-Saul, HWV 53, Act III Scene 5: In sweetest harmony they lived (Michal)
DR12      -1.11 dB   -17.22 dB      6:16 11-Deidamia, HWV 42, Act I Scene 5: Nasconde l'usignol in alto rami il nido (Deidamia)
DR12      -1.68 dB   -18.41 dB      2:57 12-Serse, HWV 40, Act I Scene 7: Nè men con l'ombre d'infedeltà" (Romilda)
--------------------------------------------------------------------------------
Number of tracks:  12
Official DR value: DR12
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2698 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
A curious time trip with Elisabeth Duparc (?–1778): born in France and trained in Italy, she found fame and recognition in London. The Francesina (“little Frenchwoman”) was one of Handel’s last muses, at a time when Handel was increasingly abandoning the splendour of Italian opera for the spiritual elevation of the oratorio. Duparc’s contemporaries praised the sound and agility of her voice, and both Mary Delany and Charles Burney gave detailed testimony to the “warbling” quality of her voice. Consequently, Handel composed “nightingale arias” for her, such as The Morning Lark (from Semele) and Nasconde l’usignol (from Deidamia). In this recording, Belgian singer Sophie Junker pays tribute to La Francesina and celebrates the fruits of her collaboration with Handel, which lasted more than a decade.
                                                                                       
                       
                       
                       
                       
                       
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