Ludwig van Beethoven - Violin Concerto in D Major, Op. 61
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 00:48:11
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
Ludwig van Beethoven
Violin Concerto in D Major, Op. 61
1. I. Allegro ma non troppo (Cadenza Kreisler) (24:35)
2. Violin Concerto in D Major, Op. 61 : II. Larghetto (9:06)
3. Violin Concerto in D Major, Op. 61 : III. Rondo. Allegro (Cadenza Kreisler) (10:00)
Johann Sebastian Bach
Sonata for Violin Solo No. 1 in G Minor, BWV 1001
4. I. Adagio (4:28)Daniel Lozakovich, violin
Münchner Philharmoniker
Valery Gergiev, conductor
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-09-25 17:44:11
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Analyzed: Daniel Lozakovich / Beethoven: Violin Concerto in D Major, Op. 61
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DR Peak RMS Duration Track
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DR13 -0.75 dB -19.93 dB 24:35 01-I. Allegro ma non troppo (Cadenza Kreisler)
DR16 -3.54 dB -25.77 dB 9:06 02-II. Larghetto
DR12 -0.75 dB -18.46 dB 10:00 03-III. Rondo. Allegro (Cadenza Kreisler)
DR13 -13.79 dB -31.63 dB 4:28 04-I. Adagio
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Number of tracks: 4
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2581 kbps
Codec: FLAC
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Об альбоме (сборнике)
Daniel Lozakovich has been dreaming about recording the Beethoven Violin Concerto since he was eight. He first performed it on stage when he was thirteen, and at fifteen was invited by Valery Gergiev to perform the concerto with him in Moscow. A few short years later, he has reunited with his mentor Gergiev to record the Beethoven with the Münchner Philharmoniker for Deutsche Grammophon The new recording captures Lozakovich’s close artistic partnership with Russian conductor Valery Gergiev Lozakovich was clear from the start that this should be a live recording: “There’s a particular magic about a live concert,” he explains. “The audience creates a unique atmosphere, without which, in my opinion, it’s almost impossible to produce a performance that will stand the test of time.”
Beethoven’s Opus 61 undeniably stands in a category by itself. Lozakovich goes as far as to call it the greatest concerto of all time and the nineteen year old is quick to clarify that he doesn’t just mean the greatest violin concerto: “No, it really is the greatest concerto ever written.” He points to the work’s incredible purity, underlining the clarity and lack of complexity with which it is written. And yet, as he adds, it has enormous depth as well: “ The beauty of its themes is almost impossible to put into words.”