The Royal Ballet Gala Performances
Orchestra Of The Royal Opera House, Covent Garden, Earnest Ansermet
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1959/2016
Жанр: Classical/Orchestral
Издатель (лейбл): RCA Victor / Stereo Sound Reference Record
Продолжительность: 01:36:52
Наличие сканов в содержимом раздачи: Да (сканы)
Orchestra of the Royal Opera House: Covent Garden
Ernest Ansermet: conductorДоп. информация: Producer: Michael Williamson
Engineer Kenneth Wilkinson
Kingsway Hall, London 13-16 January 1959
Mastered by Willem Makkee
Stereo Sound Reference Record SSHRS 007-010 (2016)
2x SACD rips via PS3 to 2x iso (7.8GB) | 2ch & Mono Hybrid
Originally Decca/Living Stereo LDS 6065 (1959)
Источник (релизер): ManWhoCan (PS³SACD) https://elusivedisc.com/ernest-ansermet-the-royal-ballet-gala-performances-hybrid...booklet-box-set/Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 (Stereo & Mono)
Треклист
Треклист:
SACD 1
Чайковский - Щелкунчик / The Nutcracker, Op.71
01-March-2:34
02-Dance Of The Sugar Plum Fairy-1:45
03-Arabian Dance-3:36
04-Chinese Dance-1:09
05-Dance Of The Toy Flutes-2:17
06-Waltz Of The Flowers-6:33
Rossini / Respighi - La Boutique Fantasque
07-Tarantella-2:08
08-Andante Mosso-2:40
09-Can-Can-2:02
Delibes - Coppélia
10-Introduction (Allegro Marcato) And Mazurka – Act 1-4:22
11-Introduction (Andante ) And Waltz – Act 1-2:58
12-Czardas – Act 1-3:41
13-Valse De La Poupee – Act 2-2:02
Adam - Giselle
14-Introduction And Waltz – Act 1-5:01
15-Pas De Deux And Variation – Act 2-4:43
16-30 Тоже самое в MONO (2.0)
SACD 2
Чайковский - Лебединое озеро / Swan Lake, Op. 20
1-Scene-2:54
2-Dance Of The Little Swans (Pas De Quatre) – Act 2-1:22
3-Scene – Pas De Deux-6:33
4-Waltz-7:48
Schumann - Carnaval, Op.9 (orch. Глазунов, Римский-Корсаков)
5-Pierror-1:10
6-Reconnaissance-1:35
7-Aveu-1:07
8-Pantalon Et Columbine-1:05
Чайковский - Спящая красавица / The Sleeping Beauty, Op. 66
9-Introduction – The Lilac Fairy-4:42
10-Rose Adagio – Pase D’Action – Act 1-6:15
11-Waltz – Act 1-4:29
Chopin - Les Sylphides (orch. Douglas)
12-Overture: Prelude In A Major, Opus 28, No. 7-1:49
13-Mazurka In C Major, Opus 67, No. 3-1:56
14-Grande Valse Brillante In E Flat Major, Opus 18-5:35
15-28 Тоже самое в MONO (2.0)
Лог DR
===============================================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2020-08-27 17:33:19
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Analyzed: Ernest Ansermet and the Orchestra of the Royal Opera House / The Royal Ballet - Gala Performances
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DR Peak RMS Duration Track
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DR11 -8.45 dB -25.07 dB 2:33 01-March, Nutcracker Ballet Suite
DR14 -17.00 dB -34.26 dB 1:46 02-Dance of the Sugar Plum Fairy, Nutcracker Ballet Suite
DR13 -17.97 dB -34.67 dB 3:37 03-Arabian Dance (Coffee), Nutcracker Ballet Suite
DR12 -14.19 dB -30.03 dB 1:09 04-Chinese Dance (Tea), Nutcracker Ballet Suite
DR14 -8.29 dB -30.78 dB 2:20 05-Dance of the Mirlitons, Nutcracker Ballet Suite
DR13 -8.56 dB -26.07 dB 6:39 06-Waltz of the Flowers, Nutcracker Ballet Suite
DR13 -8.70 dB -24.72 dB 2:08 07-Tarantella, La Boutique Fantastique
DR13 -20.08 dB -35.70 dB 2:40 08-Andante mosso, La Boutique Fantastique
DR11 -8.66 dB -24.46 dB 2:05 09-Can-Can, La Boutique Fantastique
DR13 -8.23 dB -24.50 dB 4:22 10-Prelude - Allegro marcato and Mazurka, Coppélia: Act I
DR12 -11.26 dB -29.16 dB 2:59 11-Introduction - Andante and Waltz, Coppélia: Act I
DR13 -8.55 dB -26.13 dB 3:43 12-Czardas, Coppélia: Act I
DR14 -14.34 dB -35.38 dB 2:05 13-Valse de la Poupee, Coppélia: Act II
DR12 -8.74 dB -27.63 dB 5:06 14-Introduction and Waltz, Giselle: Act I
DR16 -9.99 dB -32.69 dB 4:50 15-Pas de Duex and Variation, Giselle: Act II
DR12 -9.14 dB -26.00 dB 2:34 16-March, Nutcracker Ballet Suite (MONO)
DR13 -16.69 dB -33.61 dB 1:47 17-Dance of the Sugar Plum Fairy, Nutcracker Ballet Suite (MONO)
DR13 -18.74 dB -34.20 dB 3:38 18-Arabian Dance (Coffee), Nutcracker Ballet Suite (MONO)
DR12 -14.20 dB -28.85 dB 1:09 19-Chinese Dance (Tea), Nutcracker Ballet Suite (MONO)
DR13 -8.13 dB -31.00 dB 2:18 20-Dance of the Mirlitons, Nutcracker Ballet Suite (MONO)
DR12 -7.70 dB -24.68 dB 6:36 21-Waltz of the Flowers, Nutcracker Ballet Suite (MONO)
DR13 -8.63 dB -24.33 dB 2:08 22-Tarantella, La Boutique Fantastique (MONO)
DR12 -22.17 dB -35.46 dB 2:41 23-Andante mosso, La Boutique Fantastique (MONO)
DR11 -9.81 dB -25.01 dB 2:03 24-Can-Can, La Boutique Fantastique (MONO)
DR12 -8.60 dB -24.83 dB 4:22 25-Prelude - Allegro marcato and Mazurka, Coppélia: Act I (MONO)
DR13 -10.02 dB -28.40 dB 2:59 26-Introduction - Andante and Waltz, Coppélia: Act I (MONO)
DR13 -8.42 dB -25.45 dB 3:43 27-Czardas, Coppélia: Act I (MONO)
DR15 -14.16 dB -34.72 dB 2:04 28-Valse de la Poupee, Coppélia: Act II (MONO)
DR12 -9.43 dB -27.41 dB 5:06 29-Introduction and Waltz, Giselle: Act I (MONO)
DR16 -11.08 dB -32.09 dB 4:46 30-Pas de Duex and Variation, Giselle: Act II (MONO)
DR10 -8.84 dB -24.95 dB 3:10 01-Scene (moderato), Swan Lake: Act II
DR11 -11.34 dB -33.69 dB 1:22 02-Danse des petis cygnes (moderato), Swan Lake: Act II -
DR14 -16.84 dB -35.01 dB 6:34 03-Scene - Pas de Deux, Swan Lake: Act II
DR11 -8.18 dB -25.55 dB 7:52 04-Valse, Swan Lake: Act II
DR11 -10.75 dB -28.24 dB 1:11 05-Pierrot, Carnaval Op. 9
DR11 -16.57 dB -31.98 dB 1:36 06-Reconnaissance, Carnaval Op. 9
DR12 -16.76 dB -32.67 dB 1:08 07-Aveu, Carnaval Op. 9
DR12 -14.68 dB -31.74 dB 1:07 08-Pantalon et Colombine, Carnaval Op. 9
DR11 -8.48 dB -25.35 dB 4:44 09-Introduction: Prologue - The Lilac Fairy, The Sleeping Beauty
DR11 -8.09 dB -24.19 dB 6:17 10-Rose Adagio - Pas d' Action, The Sleeping Beauty: Act I
DR12 -10.05 dB -26.46 dB 4:30 11-Valse, The Sleeping Beauty: Act I
DR13 -14.18 dB -33.08 dB 1:48 12-Overture: Prelude in A major, Opus 28, No. 28, No. 7, Les Sylphides
DR11 -12.87 dB -29.36 dB 1:57 13-Mazurka in C major, Opus 67, No. 3, Les Sylphides
DR13 -8.78 dB -28.63 dB 5:40 14-Grande Valse Brillante in E-flat major, Opus 18, Les Sylphides
DR11 -10.29 dB -25.83 dB 3:10 15-Scene (moderato), Swan Lake: Act II (MONO)
DR11 -13.14 dB -34.03 dB 1:24 16-Danse des petis cygnes (moderato), Swan Lake: Act II (MONO)
DR14 -18.09 dB -35.27 dB 6:34 17-Scene - Pas de Deux, Swan Lake: Act II (MONO)
DR12 -7.83 dB -26.11 dB 7:50 18-Valse, Swan Lake: Act II (MONO)
DR12 -13.79 dB -30.29 dB 1:10 19-Pierrot, Carnaval Op. 9 (MONO)
DR12 -18.57 dB -33.84 dB 1:36 20-Reconnaissance, Carnaval Op. 9 (MONO)
DR12 -19.96 dB -34.49 dB 1:08 21-Aveu, Carnaval Op. 9 (MONO)
DR12 -18.22 dB -33.68 dB 1:06 22-Pantalon et Colombine, Carnaval Op. 9 (MONO)
DR11 -8.89 dB -24.70 dB 4:45 23-Introduction: Prologue - The Lilac Fairy, The Sleeping Beauty (MONO)
DR11 -7.48 dB -23.11 dB 6:17 24-Rose Adagio - Pas d' Action, The Sleeping Beauty: Act I (MONO)
DR11 -9.62 dB -25.26 dB 4:29 25-Valse, The Sleeping Beauty: Act I (MONO)
DR13 -16.55 dB -34.50 dB 1:49 26-Overture: Prelude in A major, Opus 28, No. 28, No. 7, Les Sylphides (MONO)
DR12 -15.22 dB -31.33 dB 1:57 27-Mazurka in C major, Opus 67, No. 3, Les Sylphides (MONO)
DR14 -11.03 dB -29.84 dB 5:38 28-Grande Valse Brillante in E-flat major, Opus 18, Les Sylphides (MONO)
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Number of tracks: 58
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
===============================================================================
Об альбоме (сборнике)
SACD layer contains both the stereo mix (mastered by Bernie Grundman), mono mix (mastered by Willem Makkee)
CD layer only contains the stereo mix
In the hearts of thousands, No. 1 on the Top RCA list. While the bulk of famed conductor Ernest Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.
Audiophilia Online Magazine wrote: "This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard — the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras.
"Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have its merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another.
"Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in its purely mechanical form. Its delicate sound is heard to great effect during the Nutcracker — originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful."
A ‘Classic Sound UK Ltd.,’ DSD master via Pyramix & Studer A80 2 track (see art). SACD layer contains both the 2ch mix (mastered by Bernie Grundman), & mono mix (mastered by Willem Makkee).
In the hearts of thousands, No. 1 on the Top RCA list. While the bulk of famed conductor Ernest Ansermet’s recordings were made with L’Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra & the very occasional foray into recordings with London orchestras, 1 of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.
Audiophilia Online Magazine wrote: “This is the stuff of which dreams are made. The Royal Ballet Gala is 1 of the finest RCAs recorded in London’s Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor & engineer. Performances are executed to a very high standard – the Royal Opera House Orchestra, both then & now, rank as 1 of the finest of opera orchestras.
“Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light & remains so under Ansermet’s gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have its merits. The recorded sound is simply amazing! Lustrous is 1 word that comes to mind, accurate is another.
Tonally, Messrs. Williamson & Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind & strings glow & resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly & percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in its purely mechanical form. Its delicate sound is heard to great effect during the Nutcracker – originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful.”
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发表于 2020-12-8 15:05:36
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