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[古典] [Tr24] [OF] IGOR Levit / Igor Levit - 遭遇(Feldman,Reger,Busoni,Brahms,J. S. Bach) - 2020(古典)

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发表于 2020-12-8 15:05:47 | 显示全部楼层 |阅读模式
Igor Levit - Encounter
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): Sony Classical
Продолжительность: 01:39:20
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.com
Треклист:
Johann Sebastian Bach & Ferruccio Busoni
10 Chorale Preludes, BV B 27
1. No. 1, Komm, Gott Schöpfer, Heiliger Geist, BWV 667 (2:04)
2. No. 2, Wachet auf, ruft uns die Stimme, BWV 645 (3:16)
3. No. 3, Nun komm, der Heiden Heiland, BWV 659 (4:13)
4. No. 4, Nun freut euch, lieben Christen gmein, BWV 734 (2:03)
5. No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639 (3:16)
6. No. 6, Herr Gott, nun schleuß den Himmel auf, BWV 617 (2:48)
7. No. 7a, Durch Adams Fall ist ganz verderbt, BWV 637 (2:11)
8. No. 7b, Durch Adams Fall ist ganz verderbt. Fuga, BWV 705 (5:29)
9. No. 8, In dir ist Freude, BWV 615 (2:17)
10. No. 9, Jesus Christus, unser Heiland, BWV 665 (6:17)
Johann Sebastian Bach & Ferruccio Busoni
10 Chorale Preludes, BV B 50
11. Herzlich tut mich erfreuen, Op. 122/4 (2:57)
12. Schmücke dich, o liebe Seele, Op. 122/5 (2:27)
13. Es ist ein Ros entsprungen, Op. 122/8 (2:12)
14. Herzlich tut mich verlangen, Op. 122/9 (1:40)
15. Herzlich tut mich verlangen, Op. 122/10 (3:01)
16. O Welt, ich muss dich lassen, Op. 122/11 (3:07)
Johannes Brahms & Max Reger
Vier ernste Gesänge
17. Denn es gehet dem Menschen wie dem Vieh, Op. 121/1 (4:48)
18. Ich wandte mich und sahe an alle, Op. 121/2 (3:32)
19. O Tod, wie bitter bist du, Op. 121/3 (4:52)
20. Wenn ich mit Menschen- und mit Engelszungen redete, Op. 121/4 (4:58)

Max Reger
21. Nachtlied, Op. 138/3 (Transcription for Piano) (3:06)
Morton Feldman
22. Palais de Mari (28:46)

Исполнители:
Igor Levit, piano

Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-09-12 07:42:50
--------------------------------------------------------------------------------
Analyzed: Igor Levit / Encounter
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11      -2.16 dB   -16.20 dB      2:04 01-No. 1, Komm, Gott Schöpfer, Heiliger Geist, BWV 667
DR14      -9.86 dB   -27.62 dB      3:16 02-No. 2, Wachet auf, ruft uns die Stimme, BWV 645
DR12     -10.58 dB   -28.59 dB      4:13 03-No. 3, Nun komm, der Heiden Heiland, BWV 659
DR11      -3.35 dB   -22.41 dB      2:03 04-No. 4, Nun freut euch, lieben Christen gmein, BWV 734
DR12     -15.55 dB   -33.06 dB      3:16 05-No. 5, Ich ruf zu dir, Herr Jesu Christ, BWV 639
DR11      -2.43 dB   -23.85 dB      2:48 06-No. 6, Herr Gott, nun schleuß den Himmel auf, BWV 617
DR12     -14.28 dB   -31.04 dB      2:11 07-No. 7a, Durch Adams Fall ist ganz verderbt, BWV 637
DR14     -20.61 dB   -38.58 dB      5:29 08-No. 7b, Durch Adams Fall ist ganz verderbt. Fuga,  BWV 705
DR13      -0.06 dB   -18.74 dB      2:17 09-No. 8, In dir ist Freude, BWV 615
DR12     -13.33 dB   -29.73 dB      6:17 10-No. 9, Jesus Christus, unser Heiland, BWV 665
DR14      -5.35 dB   -25.82 dB      2:57 11-Herzlich tut mich erfreuen, Op. 122/4
DR11     -15.71 dB   -30.76 dB      2:27 12-Schmücke dich, o liebe Seele, Op. 122/5
DR12     -15.36 dB   -32.69 dB      2:12 13-Es ist ein Ros entsprungen, Op. 122/8
DR11      -1.86 dB   -20.02 dB      1:40 14-Herzlich tut mich verlangen, Op. 122/9
DR13     -12.42 dB   -30.58 dB      3:01 15-Herzlich tut mich verlangen, Op. 122/10
DR13      -5.83 dB   -24.86 dB      3:07 16-O Welt, ich muss dich lassen, Op. 122/11
DR15      -2.15 dB   -23.22 dB      4:48 17-Denn es gehet dem Menschen wie dem Vieh, Op. 121/1
DR14      -6.90 dB   -28.18 dB      3:32 18-Ich wandte mich und sahe an alle, Op. 121/2
DR15      -6.72 dB   -29.24 dB      4:52 19-O Tod, wie bitter bist du, Op. 121/3
DR15      -1.87 dB   -22.85 dB      4:58 20-Wenn ich mit Menschen- und mit Engelszungen redete, Op. 121/4
DR15      -6.95 dB   -27.95 dB      3:06 21-Nachtlied, Op. 138/3 (Transcription for Piano)
DR20     -23.67 dB   -47.96 dB     28:46 22-Palais de Mari
--------------------------------------------------------------------------------
Number of tracks:  22
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1901 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
The new album ENCOUNTER by IGOR LEVIT will be released on 11 September on Sony Classical. A very personal double album marked by a desire for encounter and togetherness. The program includes rarely played arrangements of Bach and Brahms by Ferruccio Busoni and Max Reger, as well as Palais de Mari – Morton Feldman’s final work for piano.
Igor Levit’s double album “Encounter” seeks sounds that give inner strength and support for the soul. In works by Bach to Max Reger, based on poignant vocal compositions, the desire for encounters and human togetherness is given expression – at a time when isolation is the order of the day. The result is a very personal recital.
The 33-year-old once again steps beyond the limits of pure piano repertoire: in the Busoni transcriptions of Bach’s chorale preludes and the late Brahms, which are rarely heard as complete cycles, Levit assumes the role of an organist who fills vast church spaces. In Johannes Brahms’s Vier ernste Gesänge, he lends instrumental eloquence to overcoming the torments of fearing death. On the other hand, the gentle shimmer produced from its very few notes makes Morton Feldman's extremely quiet work for piano, Palais de Mari (1986), the epitome of a sensuous, transcendental realm of possibilities.
The repertoire presented by Levit here reflects the album’s title. The works create a community of experience for many individuals forced to maintain distance from one another. They establish contact with religious and inward spirituality. In addition, the inner connections between the composers and their respective aesthetics make “Encounter” a journey offering astonishing discoveries, even on ostensibly familiar terrain.
“The restricted isolation in the weeks since mid-March 2020 was often difficult for me too. As an artist, however, I have never felt so free, so open in my life as on those days when I often only decided half an hour before the live stream what I would play in my house concerts,” reports Igor Levit. The complete absence of routine concert activity also had its positive sides: “Being able to make music without any compulsion and spontaneously choosing works in which all questions about love and death, loneliness and the possibility of real love for others are examined, has given my piano playing a level of freedom that I had never before experienced in this form.”
                                                                                       
                       
                       
                       
                       
                       
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