Haydn – Symphonies 103 & 104 & Beethoven – Symphony 7
Vienna Philharmonic Orchestra, Herbert von Karajan
Формат записи/Источник записи: [DSD][SACD-R]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1959/2019
Жанр: Classical/Orchestral
Издатель (лейбл): Decca / Universal Music Japan
Продолжительность: 01:31:10
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Haydn: Symphony in D, HI No.104 – London –
01. 1 Adagio – Allegro (8:47)
02. 2 Andante (8:14)
03. 3 Menuet (Allegro) (4:22)
04. 4 Finale (Spiritoso) (4:54)
Haydn: Symphony in E flat, HI No.103 - Drum Roll -
05. 1 Adagio – Allegro con spirito (9:49)
06. 2 Andante più tosto allegretto (9:18)
07. 3 Menuet – Trio (5:27)
08. 4 Finale (Allegro con spirito) (5:23)
Beethoven: Symphony No.7 in A, Op.92
09. 1 Poco sostenuto – Vivace ( 11:43)
10. 2 Allegretto (8:44)
11. 3 Presto – Assai meno presto (7:42)
12. 4 Allegro con brio (6:47)Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: DECCA / Universal Music Japan UCGD-9072 (2019)
2ch dsf (1bit/2.8MHz) DSD64 (3.63GB) | Source Single-layer SHM SACD
Источник (релизер): wardrobemalfunction (PS³SACD) https://www.cdjapan.co.jp/product/UCGD-9072
Лог DR
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foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2020-08-12 01:12:03
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Analyzed: Wiener Philharmoniker, Herbert von Karajan/Haydn: Symphonies Nos. 103 & 104/Beethoven: Symphony No. 7
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DR Peak RMS Duration Track
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DR13 -6.77 dB -25.18 dB 8:47 01-Haydn: Symphony in D, H.I No.104 - London - 1. Adagio - Allegro
DR15 -7.74 dB -28.29 dB 8:14 02-Haydn: Symphony in D, H.I No.104 - London - 2. Andante
DR14 -6.12 dB -25.58 dB 4:22 03-Haydn: Symphony in D, H.I No.104 - London - 3. Menuet (Allegro)
DR13 -6.71 dB -23.64 dB 4:54 04-Haydn: Symphony in D, H.I No.104 - London - 4. Finale (Spiritoso)
DR13 -7.30 dB -25.49 dB 9:49 05-Haydn: Symphony in E flat, H.I No.103 - Drum Roll - 1. Adagio - Allegro con spirito
DR14 -7.96 dB -27.01 dB 9:18 06-Haydn: Symphony in E flat, H.I No.103 - Drum Roll - 2. Andante più tosto allegretto
DR13 -9.32 dB -26.07 dB 5:27 07-Haydn: Symphony in E flat, H.I No.103 - Drum Roll - 3. Menuet - Trio
DR13 -8.14 dB -25.50 dB 5:23 08-Haydn: Symphony in E flat, H.I No.103 - Drum Roll - 4. Finale (Allegro con spirito)
DR13 -7.78 dB -24.91 dB 11:43 09-Beethoven: Symphony No.7 in A, Op.92 - 1. Poco sostenuto - Vivace
DR14-10.47 dB -28.91 dB 8:44 10-Beethoven: Symphony No.7 in A, Op.92 - 2. Allegretto
DR13 -9.47 dB -28.68 dB 7:42 11-Beethoven: Symphony No.7 in A, Op.92 - 3. Presto - Assai meno presto
DR12 -8.10 dB -23.32 dB 6:47 12-Beethoven: Symphony No.7 in A, Op.92 - 4. Allegro con brio
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Number of tracks: 12
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Об альбоме (сборнике)
Herbert von Karajan’s Beethoven 7th circa 1959 contains many of the same performance characteristics familiar from his later remakes (3 in all) with the Berlin Philharmonic–namely, fast tempos, smoothed-out articulation, and an overall homogeneous sound texture. The first movement especially lives this aesthetic, with pureed orchestral sonority and excessively legato rhythms. This rhythmic gloss is especially damaging in the supposed “dances” of the Allegretto and Presto, while the finale suffers from inverted balances (the horn’s mini-fanfares are all but inaudible). It’s an odd type of Beethoven, but it’s a style that Karajan would maintain with consistency over the years right up until his final Deutsche Grammophon recording in 1984. At least with the Vienna Philharmonic you occasionally can hear some distinctive timbres (i.e., reedy oboe sound), but the orchestra’s ensemble precision at the time was markedly inferior to that of its Berlin counterpart (Vienna would go on to make superlative recordings under Kubelik and Bernstein). So, if you want Karajan in this music, you’re better off with his DG efforts.
On evidence of the coupled “London” Symphony, Karajan appears to be a much more sympathetic interpreter of Haydn. There’s greater rhythmic presence (especially in the outer movements) as well as more defined orchestral colouring (listen to the beautifully rendered woodwind and string interplay in the Andante). The Vienna Philharmonic sounds on better footing this time around as Karajan puts the orchestra through its paces in a highly charged finale. As with the Beethoven, there is a later Berlin version on DG. So, despite Decca’s labelling, this release is not exactly a “Legend”, but no doubt will serve as fodder for insatiable Karajan-philes. The remastered sound reveals quite impressive dynamic range for the period.
/1 
发表于 2020-12-8 15:05:53
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