Nathan Milstein, William Steinberg, Pittsburgh Symphony, István Kertész, London Symphony
Dvorak – Violin Concerto in A minor, Op. 53 & Overture “My Home”
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1958,1965/2012
Жанр: Classical/Orchestral/Violin
Издатель (лейбл): London / Capitol / HDTT
Продолжительность: 00:38:32
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Dvorak Violin Concerto in A minor, Op. 53
01] Allegro ma non troppo
02] Adagio ma non troppo
03] Finale: Allegro giocoso ma non troppo
Dvorak "My Home" Overture
04] Dvorak "My Home" OvertureViolin Concerto - William Steinberg & The Pittsburgh Symphony Orchestra, Nathan Milstein (Violin)
"My Home" - István Kertész & The London Symphony OrchestraКонтейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD128
Количество каналов: 2.0Доп. информация: HDTT 1209
DSF 2ch DSD128/5.64MHz (3.03GB)
Violin Concerto: Transferred from Capital 2-track tape
Date of Recording: 1958
"My Home" Overture; Transferred from a London 4-track tape
Date of Recording: 1965
Источник (релизер): wardrobemalfunction (PS³SACD) https://www.highdeftapetransfers.com/products/dvorak-violin-concerto-milstein-ove...-my-home-kertesz
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-05-06 13:41:36
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Анализ: Nathan Milstein, violin William Steinberg / Pittsburgh Symphony Orchestra / Dvorak Violin Concerto in A minor, Op. 53
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DR Пики RMS Продолжительность трека
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DR12 -6.21 дБ -23.14 дБ 9:08 01-Allegro ma non troppo
DR13 -6.25 дБ -24.85 дБ 10:35 02-Adagio ma non troppo
DR12 -6.06 дБ -23.38 дБ 9:16 03-Finale: Allegro giocoso ma non troppo
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Количество треков: 3
Реальные значения DR: DR13
Частота: 5644800 Гц / Частота PCM: 176400 Гц
Каналов: 2
Разрядность: 24
Битрейт: 11290 кбит/с
Кодек: DSD128
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Об альбоме (сборнике)
The Dvorak collaboration with William Steinberg – Milstein’s first inscription had been in Minneapolis with Antal Dorati in 1951 for RCA (LM 1147) – exemplifies what Milstein could do with material often considered less than first rate. Dvorák’s lovely concerto has been making a comeback in concert and on disc, but for years it was neglected largely because of the harsh things that Brahms and Joachim had to say about its refusal to follow strict classical form. As if that matters. The piece employs a generous, wonderful number of folkish and Bohemian tunes, and Dvorák’s decision to throw the work’s musical weight into the finale makes it one of his most satisfying formal experiments. Milstein plays the concerto beautifully, with his typically aristocratic poise and a lightness of rhythm and purity of intonation (in the finale especially) that makes the music seem to float across the bar lines.
The Istvan Kertesz 1967 inscription of Dvorak’s “My Home” fills out his survey of the complete symphony cycle for Decca. Dvorák included My Home in an 1894 concert that premiered his Symphony From the New World (and he had previously conducted the Overture in America.) It is a lively piece, with plenty of nationalistic fervour, based on a tune by Frantisek Skroup entitled ‘My Home’ and a Czech folk-song ‘In the Farmyard.’