LE PROPHÈTE - Works for Four Hands
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания: 2016
Жанр: Classical, Piano
Издатель (лейбл): trptk
Продолжительность: 01:07:57
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Источник (релизер): nativedsd.comТреклист:
Giacomo Meyerbeer
Le Prophète (ca. 1850)
01. Ouverture
Charles-Valentin Alkan
Neuf Préludes, Op. 66 (1867, arr. 1906)
02. Prlude No. 1 - Moderamente
03. Prlude No. 2 - Andantino
04. Prlude No. 3 - Allegro Moderato
05. Prlude No. 4 - Tempo Giusto
06. Prlude No. 5 - Quasi Adagio
07. Prlude No. 6 - Andantino
08. Prlude No. 7 - Alla Giudesca
09. Prlude No. 8 - Lento
10. Prlude No. 9 - Adagio
Ignaz Moscheles
Hommage à Weber, Op. 102 (1842)
11. I. Allegro Vivace
12. II. Andantino Con Moto
13. III. Allegro VivaceErin Helyard, piano
Stephanie McCallum, piano
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-08-09 12:55:04
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Analyzed: Erin Helyard & Stephanie McCallum / Le Prophète
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DR Peak RMS Duration Track
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DR15 -6.07 dB -24.60 dB 12:33 01-Le Prophète: Ouverture
DR16 -5.70 dB -25.16 dB 3:25 02-Prélude No. 1: Moderamente
DR14 -8.43 dB -26.59 dB 4:33 03-Prélude No. 2: Andantino
DR13 -8.80 dB -24.61 dB 1:55 04-Prélude No. 3: Allegro Moderato
DR15 -6.21 dB -25.07 dB 4:50 05-Prélude No. 4: Tempo Giusto
DR14 -8.29 dB -26.27 dB 5:08 06-Prélude No. 5: Quasi Adagio
DR14 -6.53 dB -25.40 dB 4:24 07-Prélude No. 6: Andantino
DR15 -8.04 dB -26.69 dB 4:30 08-Prélude No. 7: Alla Giudesca
DR15 -7.21 dB -25.96 dB 3:10 09-Prélude No. 8: Lento
DR15 -8.76 dB -26.42 dB 8:54 10-Prélude No. 9: Adagio
DR14 -5.59 dB -24.62 dB 4:30 11-Hommage à Weber, Op. 102: Allegro Vivace
DR14 -6.97 dB -25.81 dB 3:57 12-Hommage à Weber, Op. 102: Andantino Con Moto
DR14 -6.50 dB -24.57 dB 6:09 13-Hommage à Weber, Op. 102: Allegro Vivace
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Number of tracks: 13
Official DR value: DR15
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Об альбоме (сборнике)
The only way to listen to the latest symphony or opera in the nineteenth century was to either seek out a live performance or perform it at home with a piano partner, à quatre mains. Thus, an enormous amount of four-hand literature abounds from the 1820s to the 1930s. Works in transcription largely dominate this repertoire: operas, symphonies, and chamber works were adapted en masse for four hands by skilled and not so skilled musicians alike. But there were also works freshly composed in the medium, and four-handed playing could be heard in the home (its natural environment) but also on the relatively new environment of the concert stage.