Glen Gould, Leonard Bernstein, New York Philharmonic
Beethoven: Piano Concerto No. 4
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1961/2015
Жанр: Clasical/Orchestral/Piano
Издатель (лейбл): Columbia / HDTT
Продолжительность: 00:37:25
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Ludwig van Beethoven (1770–1827)
Piano Concerto No. 4 in G major, Op. 58
1. Allegro moderato 19:19
2. Andante con moto 6:39
3. Rondo: Vivace 10:46Glen Gould, piano
New York Philharmonic
Leonard Bernstein, conductorКонтейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD128
Количество каналов: 2.0Доп. информация: HDTT (2015)
DSF 2ch DSD128/5.64MHz (2.95GB)
ransferred from Columbia 4-track tape
Date of Recording: 03/20/1961
Venue: Manhattan Center, New York
Источник (релизер): wardrobemalfunction (PS³SACD) https://www.highdeftapetransfers.com/products/beethoven-piano-concerto-no-4-gould...ork-philharmonic
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-05-06 13:19:52
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Анализ: Glen Gould, New York Philharmonic, Leonard Bernstein / Beethoven: Piano Concerto No. 4
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DR Пики RMS Продолжительность трека
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DR11 -7.64 дБ -23.14 дБ 19:37 01-Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato
DR12 -8.65 дБ -27.70 дБ 6:48 02-Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto
DR12 -6.69 дБ -24.13 дБ 11:01 03-Piano Concerto No. 4 in G major, Op. 58: III. Rondo: Vivace
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Количество треков: 3
Реальные значения DR: DR12
Частота: 5644800 Гц / Частота PCM: 176400 Гц
Каналов: 2
Разрядность: 24
Битрейт: 11290 кбит/с
Кодек: DSD128
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Об альбоме (сборнике)
Beethoven’s Piano Concerto No. 4 was the piece with which Glenn Gould made his orchestral debut when he was 13, and he performed it more often than any of the composer’s other concertos. This recording, with Leonard Bernstein conducting the New York Philharmonic, was made in 1961. Gould’s performance is thoughtful, nuanced, and not at all eccentric. What’s most striking about his playing is the degree to which he’s able to bring out the individuality of the contrapuntal lines. His performance is extremely graceful. The opening of the first movement is luxuriantly fluid and sensuous, and the rhythmically driven sections are delicate and cleanly articulated. It’s an understated performance that perfectly suits the character of this most subtle of Beethoven’s piano concertos and Gould hides the work’s technical demands by making the music seem effortless and spontaneous. Bernstein leads a soulful reading that’s not at all flashy, which reveals the work’s substance without putting a hugely individualistic stamp on it. The New York Philharmonic’s sound is warm and full, and the playing is absolutely secure. Gould’s characteristic humming is occasionally audible, but at such a low level that only the purist who demands absolutely clean sound is likely to be offended. A minor quibble: the CD only lasts a little over 35 minutes, and since Sony is reissuing all Gould’s Columbia recordings, it would have made sense to pair the concerto with another piece to fill out the disc.
~ AllMusic Review by Stephen Eddins
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发表于 2020-12-8 15:06:08
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