Andreas Ottensamer · Yuja Wang - Blue Hour
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:01:44
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Интервью: Andreas OttensamerAndreas Ottensamer & Yuja Wang
Треклист:
Johannes Brahms (1833 - 1897)
Six Pieces for Piano, Op. 118 (Arr. for Clarinet and Piano by Nicolai Popov)
1. II. Intermezzo in A Major. Andante teneramente
Carl Maria von Weber (1786 - 1826)
Clarinet Concerto No. 1 in F Minor, Op. 73
2. I. Allegro
3. II. Adagio ma non troppo
4. III. Rondo (Allegretto)
Felix Mendelssohn (1809 - 1847)
Lieder ohne Worte, Op. 85 (Arr. for Clarinet and Piano by Andreas Ottensamer)
5. No. 6 Allegretto con moto
Lieder ohne Worte, Op. 102 (Arr. for Clarinet and Piano by Andreas Ottensamer)
6. No. 1 Andante un poco agitato
Johannes Brahms (1833 - 1897)
5 Lieder, Op. 105 (Transcr. for Clarinet and Piano)
7. I. Wie Melodien zieht es mir
Felix Mendelssohn (1809 - 1847)
Lieder ohne Worte, Op. 30 (Arr. for Clarinet and Piano by Andreas Ottensamer)
8. No. 4 Agitato e con fuoco
Lieder ohne Worte, Op. 67 (Arr. for Clarinet and Piano by Andreas Ottensamer)
9. No. 3 Andante tranquillo
Carl Maria von Weber (1786 - 1826)
Grand Duo Concertant, Op. 48, J. 204
10. I. Allegro con fuoco
11. II. Andante con moto
12. III. Rondo. Allegro
Felix Mendelssohn (1809 - 1847)
Lieder ohne Worte, Op. 30 (Arr. for Clarinet and Piano by Andreas Ottensamer)
13. No. 6 Allegretto tranquillo
Lieder ohne Worte, Op. 67 (Arr. for Clarinet and Piano by Andreas Ottensamer)
14. No. 2 Allegro leggiero
Lieder ohne Worte, Op. 85 (Arr. for Clarinet and Piano by Andreas Ottensamer)
15. No. 4 Andante sostenuto
Исполнители:
Andreas Ottensamer, clarinet
Yuja Wang, piano
Berliner Philharmoniker
Mariss Jansons, conductor
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-03-08 07:27:07
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Analyzed: Andreas Ottensamer/Berliner Philharmoniker/Caroline Siegers/Caroline Siegers/Alexander Feucht/Mirsat Neziraj/Alexander Feucht/Marco Buttgereit/Christoph Franke/Christoph Franke/Christoph Franke/Marco Buttgereit/Mirsat Neziraj / Blue Hour - Weber, Brahms, Mendelssohn (1-3)
Andreas Ottensamer/Yuja Wang/Alexander Feucht/Alexander Feucht/Rainer Maillard/Christoph Franke/Christoph Franke/Christoph Franke/Rainer Maillard / Blue Hour - Weber, Brahms, Mendelssohn (4-15)
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DR Peak RMS Duration Track
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DR11 -1.06 dB -18.30 dB 7:42 02-Clarinet Concerto No. 1 in F Minor, Op. 73: 1. Allegro
DR14 -6.43 dB -27.10 dB 6:33 03-Clarinet Concerto No. 1 in F Minor, Op. 73: 2. Adagio ma non troppo
DR11 -1.06 dB -17.93 dB 5:50 04-Clarinet Concerto No. 1 in F Minor, Op. 73: 3. Rondo
DR12 -2.26 dB -22.52 dB 5:47 01-Six Pieces for Piano, Op. 118: 2. Intermezzo in A Major. Andante teneramente (Arr. for Clarinet and Piano by Popov)
DR11 -3.66 dB -21.24 dB 1:52 05-Lieder ohne Worte, Op. 85: No. 6 Allegretto con moto (Arr. for Clarinet and Piano by Ottensamer)
DR11 -1.29 dB -19.81 dB 2:49 06-Lieder ohne Worte, Op. 102: No. 1 Andante un poco agitato (Arr. for Clarinet and Piano by Ottensamer)
DR11 -9.22 dB -26.62 dB 2:10 07-5 Lieder, Op. 105: 1. Wie Melodien zieht es mir (Transcr. for Clarinet and Piano)
DR12 -1.06 dB -16.63 dB 2:31 08-Lieder ohne Worte, Op. 30: No. 4 Agitato e con fuoco (Arr. for Clarinet and Piano by Ottensamer)
DR11 -2.11 dB -24.04 dB 2:26 09-Lieder ohne Worte, Op. 67: No. 3 Andante tranquillo (Arr. for Clarinet and Piano by Ottensamer)
DR13 -1.06 dB -18.16 dB 5:41 10-Grand Duo Concertant, Op. 48, J. 204: 1. Allegro con fuoco
DR12 -1.06 dB -18.23 dB 4:48 11-Grand Duo Concertant, Op. 48, J. 204: 2. Andante con moto
DR12 -1.06 dB -17.43 dB 5:43 12-Grand Duo Concertant, Op. 48, J. 204: 3. Rondo. Allegro
DR11 -5.06 dB -23.27 dB 3:08 13-Lieder ohne Worte, Op. 30: No. 6 Allegretto tranquillo (Arr. for Clarinet and Piano by Ottensamer)
DR13 -3.12 dB -22.69 dB 2:15 14-Lieder ohne Worte, Op. 67: No. 2 Allegrio leggiero (Arr. for Clarinet and Piano by Ottensamer)
DR11 -4.78 dB -21.50 dB 2:35 15-Lieder ohne Worte, Op. 85: No. 4 Andante sostenuto (Arr. for Clarinet and Piano by Ottensamer)
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Number of tracks: 15
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2296 kbps
Codec: FLAC
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Об альбоме (сборнике)
Austrian clarinettist Andreas Ottensamer has joined forces with Chinese pianist Yuja Wang to record an album of works by composers of the Romantic era. Blue Hour, set for release on March 8 by Deutsche Grammophon/Universal Music Canada, the country’s leading music company, features some of the jewels of the repertoire including Brahms’s Intermezzo in A major, Mendelssohn’s Songs without Words – arranged for clarinet and piano by Ottensamer – and Weber’s virtuosic Grand Duo concertant. The album reveals Ottensamer to be not just a sensitive and responsive chamber partner, but also a brilliant soloist, as he gives a dazzling performance of Weber’s First Clarinet Concerto, recorded with the Berliner Philharmoniker and Mariss Jansons.
Andreas Ottensamer marks the renewal of his exclusive relationship with Deutsche Grammophon artist with the release of Blue Hour. Joining him on his “comeback” album is star pianist Yuja Wang, of whom he says, “She’s a close friend and a wonderful musician.”
Ottensamer was keen to record works that have particular personal significance for him. Brahms has long been his favourite composer and the clarinettist is especially fond of his piano music so an arrangement for clarinet and piano of the Intermezzo, op.118 no.2 was an obvious choice. As Ottensamer says, “Towards the end of his life Brahms met the clarinettist Richard Mühlfeld and was inspired to write a number of works for the instrument. I feel there are a number of connections here and that transcriptions for clarinet of these solo piano works work well.”
Mendelssohn’s piano music too is very important to Ottensamer. “I think Mendelssohn has a very strong sense of structure,” he explains. “He wrote in a meticulous manner, which I really admire, but he also has the power to move you very deeply, as he does in the Songs without Words, some of which I’ve arranged for clarinet and piano for this recording. There’s a directness and profundity to the emotion they convey. I think listeners will feel it when they hear these pieces.”
What fascinates Ottensamer about these piano works is that, despite their differences, “they all have a wonderful songlike character”. This led him to the idea of placing the Songs without Words alongside Weber’s First Clarinet Concerto, a work which, as he emphasises, has “beautiful cantabile, lyrical parts” alongside passages of breathtaking virtuosity.
“The Weber Concerto was recorded live, which was a really emotional experience,” notes Ottensamer, who is principal clarinet of the Berliner Philharmoniker. “Some pretty powerful feelings take over when you’re up there on stage, especially when you’re playing with your own orchestra.” It meant a great deal to him to perform as a soloist with his colleagues: “Of course I play with them all the time, but usually I’m sitting within the ranks of the orchestra.” Another key factor here was working with Maestro Mariss Jansons: “He’s a wonderful conductor with a dynamic personality, and he’s also a good friend. It was incredibly inspiring to make this recording with him.”
The Romantic repertoire is especially close to Ottensamer’s heart, who says he feels completely at home when performing works from this period. His main concern is to bring his own character and experiences to the music and to share his interpretations with others. “That way they understand something about who you are as a person as well when they see you perform,” he observes. “Sharing that sense of yourself through a recording is a huge challenge, of course, but a really exciting one!”
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发表于 2020-12-8 15:06:09
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