Francesco Tristano (feat. Chilly Gonzales) / Piano Circle Songs
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: classical, minimalism, neoclassical
Издатель (лейбл): Sony Classical
Продолжительность: 00:54:08
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): qobuz
Треклист:
01 Circle Song (03:18)
02 This Too Shall Go (04:09)
03 Grey Light (04:51)
04 Never (04:57)
05 All I Have 3:45)
06 Triangle Song (Featuring – Chilly Gonzales) (03:33)
07 Pastoral (04:08)
08 Circle Song II (03:23)
09 Merl (03:01)
10 Circle Song III (03:03)
11 Nuria’s Lament (03:33)
12 La Franciscana (03:41)
13 Monologue For Two (Featuring – Chilly Gonzales) (03:49)
14 Tryst (Featuring – Chilly Gonzales) (03:06)
15 Third Haiku (Featuring – Chilly Gonzales) (03:23)
Композитор: Francesco Tristano (tracks: 1 to 13, 15), Jason "Chilly Gonzales" Beck (tracks: 13 to 15)
Исполнитель: Francesco Tristano, Chilly Gonzales (tracks: 6,13 to 15) – piano
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Доп. информация: http://www.francescotristano.com/discography/piano-circle-songs-feat-chilly-gonzales/
Лог проверки качества
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2017-09-10 19:14:15
--------------------------------------------------------------------------------
Analyzed: Francesco Tristano feat. Chilly Gonzales / Piano Circle Songs (1-4)
Francesco Tristano / Piano Circle Songs (5-15)
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DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -1.26 dB -16.55 dB 3:30 06-Triangle Song
DR13 -1.26 dB -18.44 dB 3:45 13-Monologue for Two
DR10 -1.26 dB -15.08 dB 3:07 14-Tryst
DR14 -1.26 dB -22.92 dB 3:09 15-Third Haiku
DR10 -1.26 dB -13.81 dB 3:15 01-Circle Song
DR10 -1.26 dB -13.88 dB 4:02 02-This Too Shall Go
DR10 -1.26 dB -15.95 dB 4:39 03-Grey Light
DR12 -1.26 dB -18.31 dB 4:50 04-Never
DR10 -1.26 dB -15.08 dB 3:40 05-All I Have
DR13 -1.26 dB -17.36 dB 4:00 07-Pastoral
DR10 -1.26 dB -14.12 dB 3:21 08-Circle Song II
DR12 -1.26 dB -16.72 dB 2:55 09-Merl
DR10 -1.26 dB -13.87 dB 2:59 10-Circle Song III
DR9 -1.26 dB -13.70 dB 3:20 11-Nuria's Lament
DR10 -1.26 dB -13.98 dB 3:35 12-La Franciscana
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Number of tracks: 15
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2387 kbps
Codec: FLAC
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Об исполнителе (рус.) | About Artist (ru)
Франческо Тристано Шлиме (итал. Francesco Tristano Schlimé; род. 16 сентября 1981) — люксембургский пианист. Учился в Люксембурге у Беатрис Раухс, затем в Риге (у Теофила Бикиса) и Париже и наконец в Джульярдской школе у Джерома Ловенталя (магистерская степень в 2003 г.). Занимался также под руководством Михаила Плетнёва, и эти занятия переросли в творческое сотрудничество: Шлиме неоднократно выступал с Плетнёвым как дирижёром, в том числе в 2005 г. в Москве с произведениями Равеля и Прокофьева. В 2004 г. завоевал первую премию и три специальных приза на Орлеанском конкурсе пианистов, посвящённом музыке XX века. Среди записей Шлиме — токкаты Фрескобальди, Гольдберг-вариации и все клавирные концерты Баха, все фортепианные сочинения Лучано Берио. Шлиме также известен как любитель импровизации, как в академическом, так и в джазовом ключе. В 2007 г. он записал альбом «Не для фортепиано» (Not For Piano), включающий фортепианные переложения произведений барочной музыки и новейшей музыки в стиле техно. wikipedia
Об исполнителе (англ.) | About Artist (en)
Francesco Tristano Schlimé, stage name Francesco Tristano, born 1981, is a Luxembourg classical and experimental pianist and composer, who also plays the clarinet. He composes both classical and electronic music. Born on 16 September 1981 in Luxembourg City, Tristano studied at conservatories in Luxembourg, Brussels, Riga and Paris before graduating in music at New York's Juilliard School where his teachers were Jerome Lowenthal, Bruce Brubaker and Jacob Lateiner. He has also studied with Emile Naoumoff, Rosalyn Tureck and Mikhail Pletnev. He debuted in 2000 with the Russian National Orchestra, with which he recorded Sergey Prokofiev's 5th Piano Concerto and Maurice Ravel's Piano Concerto years later. In 2004, he presented and conducted, at the Grand Théâtre de Luxembourg and the Beaux-Arts in Brussels, an original transcription/adaptation for piano and strings of Antonio Vivaldi's The Four Seasons. He was nominated by the Philharmonie Luxembourg for the 2008 European Concert Hall Organization's Carnegie Hall Rising Stars series. He is a specialist in Baroque music and contemporary music. In 2001, Tristano founded The New Bach Players ensemble, with which he recorded Johann Sebastian Bach's complete cycle of Keyboard concertos for Accord. He has also recorded the Goldberg Variations and the French Suites, as well as Girolamo Frescobaldi's 1st book of Toccatas. Very involved in Contemporary music, too, he has recorded Luciano Berio's complete piano works and collaborated with electronic music artists such as Carl Craig and Murcof. He won the 2004 Concours International de piano XXe siècle d'Orléans. He was a member, with Rami Khalife and Aymeric Westrich, of the Aufgang group, whose namesake album was released in 2009. The Francesco Tristano disbanded in 2013. The trio also released the albums Air on Fire and Istiklaliya. Aufgang is continuing as the duo composed by Rami Khalifé and Aymeric Westrich. wikipedia
Об альбоме (англ.) | About Album (en)
Piano Circle Songs
Unifying rather than choosing. Between his purely classical activities and his openly electro ones, Francesco Tristano Schlimé would rather not decide. For his first disc with Sony Classical, the Luxembourgish pianist and composer goes back to the solo piano. After a quick listen, we could easily place his Piano Circle Songs alongside the albums of Ludivico Einaudi, Olafur Arnalds, Nils Frahm and other Max Richter. But Francesco Tristano possesses a true musical personality. He has a relation to the music of Girolamo Frescobaldi and Carl Craig which has sculpted his musical personality. Here, the intimate and the personal are in command. The offered interlacing play as much upon the stripped-down than the repetitive. Upon the space and silence as well as the untold. The pianist avoids here the dead ends and vacuity. Recorded with a microphone put really close to the piano to pick up all the natural sounds from the instrument “as if your ear was in the piano”, this essay hosts, for four duets, another extraterrestrial pianist in the persona of Chilly Gonzales, a great magician of this type of musical miniatures… It’s a success, but above all, it’s another piece in the vast puzzle that is Francesco Tristano.