Schubert: the Complete Symphonies Vol. 3
Symphony No.9, D.94
Residentie Orkest the Hague & Jan Willem de Vriend
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: Classical/Orchestral
Издатель (лейбл): Challenge Classics
Продолжительность: 00:57:07
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Schubert: Symphony No. 9, D. 944 57:07
1] I. Andante — Allegro, ma non troppo — Più moto 14:54
2] II. Andante con moto 13:05
3] III. Scherzo. Allegro vivace — Trio 14:00
4] IV. Allegro vivace 15:08Residentie Orkest The Hague
Jan Willem de VriendКонтейнер: FLAC (*.flac)
Тип рипа: image
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0Доп. информация: Catalogue No: CC72863
Источник (релизер): WEB https://www.prestomusic.com/classical/products/8829050--schubert-the-complete-sym...mphony-no-9-d-94
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2020-10-24 01:36:08
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Анализ: Residentie Orkest The Hague / Schubert: The Complete Symphonies Vol. 3: Symphony No.9, D.944
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DR Пики RMS Продолжительность трека
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DR13 -1.08 дБ -18.48 дБ 14:54 01-Symphony No. 9, D. 944: I. Andante — Allegro, ma non troppo — Più moto
DR14 -1.08 дБ -21.53 дБ 13:05 02-Symphony No. 9, D. 944: Andante con moto
DR14 -1.11 дБ -20.98 дБ 14:00 03-Symphony No. 9, D. 944: III. Scherzo. Allegro vivace — Trio
DR13 -1.10 дБ -18.45 дБ 15:09 04-Symphony No. 9, D. 944: IV. Allegro vivace
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Количество треков: 4
Реальные значения DR: DR13
Частота: 44100 Гц
Каналов: 2
Разрядность: 24
Битрейт: 1322 кбит/с
Кодек: FLAC
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Об альбоме (сборнике)
The third installment in the ongoing Schubert Complete Symphonies series by Jan Willem de Vriend and the Residentie Orkest The Haag. For about 150 years it was believed that Schubert composed his Ninth Symphony in 1828, not long before his death but, musical scholarship being a continuous process, this theory was later disproved. It was discovered late in the 20th century that in fact he composed most of this work three years earlier and revised it in 1826 and 1827. Schubert did not hear a performance of many of his works, including this great symphony. When it was rehearsed in 1827 at the Gesellschaft der Musikfreunde in Vienna, the string-players complained that passages in which a rhythmic figure is obsessively repeated, especially in the finale, were unplayable. In May 1824 Schubert attended the first performance of Beethoven's Ninth Symphony. Beethoven revolutionised symphonic form, expanding its expressive range enormously, his Ninth Symphony in particular being conceived on a much grander scale than any previous symphony. Schubert was just one of many composers influenced by Beethoven's achievements. Many scholars have suggested the various ways in which Schubert was influenced by Beethoven, but the most extraordinary aspect of Schubert's mature music is its complete individuality. The compositional techniques, the handling of tonality and structure, and the orchestral sound of these two contemporaries have very little in common. Schubert's own profound originality is all the more striking for its emergence at a time when Beethoven's impact on the development of the symphony was so revolutionary and far-reaching.
Vol. 2, ICC72802 (2019) здесь
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发表于 2020-12-8 15:06:21
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