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[古典] [TR24] [OF]贝多芬,Clementi,Cramer - 伦敦连接 - Dejan Lazic,Netherlands Commerure Orchestra,Gordon Nikolic - 2018(古典,钢琴)

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发表于 2020-12-8 15:06:22 | 显示全部楼层 |阅读模式
Beethoven · Clementi · Cramer - The London Connection
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Piano
Издатель (лейбл): Onyx
Продолжительность: 01:18:27
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
LUDWIG VAN BEETHOVEN (1770–1827)
Piano Concerto in D Major, Op. 61a (Arr. L.V. Beethoven from Violin Concerto, Op. 61)
01. I. Allegro ma non troppo
02. II. Larghetto
03. III. Rondo. Allegro
MUZIO CLEMENTI (1752–1832)
Piano Sonata in B Minor, Op. 40/2
04. I. Molto adagio e sostenuto – Allegro con fuoco e con espressione
05. II. Largo, mesto e patetico – Allegro – Tempo 1 – Presto
JOHANN BAPTIST (JOHN) CRAMER (1771–1858)
Piano Sonata in E major op.62 ‘Le retour à Londres’
06. I. Largo assai-Allegro
07. II. Andante quasi Allegretto
08. III. Allegro non tantoDejan Lazic, piano
Netherlands Chamber Orchestra
Gordon Nikolic, conductor
Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-11-27 22:26:32
--------------------------------------------------------------------------------
Analyzed: Dejan Lazic, Netherlands Chamber Orchestra / The London Connection: Beethoven, Clementi & Cramer
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR15      -0.10 dB   -21.54 dB     10:21 01-Piano Concerto in D Major, Op. 61a: I. Allegro ma non troppo (Arr. L.V. Beethoven from Violin Concerto, Op. 61)
DR13      -1.67 dB   -20.17 dB      8:54 02-Piano Concerto in D Major, Op. 61a: II. Larghetto (Arr. L.V. Beethoven from Violin Concerto, Op. 61)
DR14      -2.99 dB   -22.37 dB      8:07 03-Piano Concerto in D Major, Op. 61a: III. Rondo. Allegro (Arr. L.V. Beethoven from Violin Concerto, Op. 61)
DR16      -1.34 dB   -22.69 dB     24:42 04-Piano Sonata in B Minor, Op. 40/2: I. Molto adagio e sostenuto – Allegro con fuoco e con espressione
DR16      -6.62 dB   -29.19 dB     10:26 05-Piano Sonata in B Minor, Op. 40/2: II. Largo, mesto e patetico – Allegro – Tempo 1 – Presto
DR14      -2.81 dB   -22.23 dB      7:35 06-Piano Sonata in E Major, Op. 62 "Le retour à Londres": I. Largo assai-Allegro
DR14      -5.86 dB   -26.57 dB      3:22 07-Piano Sonata in E Major, Op. 62 "Le retour à Londres": II. Andante quasi Allegretto
DR14      -1.67 dB   -20.96 dB      5:00 08-Piano Sonata in E Major, Op. 62 "Le retour à Londres": III. Allegro non tanto
--------------------------------------------------------------------------------
Number of tracks:  8
Official DR value: DR15
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2180 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
‘I just want to tell you that I came to a really satisfactory arrangement with Clementi – I shall receive £200 and besides I am privileged to sell the same works in Germany and France. He has also offered me other commissions’ Beethoven wrote to his friend Count Franz Brunsvik in May 1806. His dealings with fellow composer and pianist turned piano maker and publisher is one of the most interesting in Beethoven’s intricate ties with London. Clementi published the 4th Symphony, the op59 Quartets Violin Concerto and commissioned the transcription of the concerto heard on this album. England was at the forefront of piano development in the early 1800s, and Clementi ‘s former pupil ‘that very clever fellow’ the composer and pianist Johann Baptist (‘Glorious’ John) Cramer was also a major figure in the development of both piano playing and instrument building in London. As a pianist, Cramer was the only contemporary Beethoven really admired – not a ‘note spinner’ as Beethoven called others. Cramer is credited with creating the nickname for Beethoven’s 5th piano concerto ‘Emperor’.
This is a fascinating programme from Dejan Lazic who had some interesting detective work tracking down the score of the Cramer. His sonata is wonderful music that deserves to be heard, and Dejan is a superb advocate for Clementi & Cramer as well as Beethoven.
                                                                                       
                       
                       
                       
                       
                       
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