[Tr24] [OF]埃姆曼纽尔Pahud，Orchester National De France - Airlines - 2020（现代古典）

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Emmanuel Pahud, Orchestre National de France / Airlines
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: Modern Classical
Издатель (лейбл): Warner Classics
Продолжительность: 00:56:17
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
THE SHAPE OF WATER
Myriam Lafargue accordion
1 The shape of water 2:19
2 Watching Ruth 3:49
3 Elisa’s theme 4:59
PELLÉAS ET MÉLISANDE
Symphonie concertante à Solré, ma voûte étoilée, éperdument
4 « Comme un oiseau pourchassé » 7.38
5 « Ils regardent la lumière » 5.22
6 « Rosée de plomb, inexorables ténèbres » 6.19
7 LUST, CAUTION 2.22
8 GIRL WITH A PEARL EARRING 7.27
9 BIRTH 7.36
10 AIRLINES 4.20
for solo flute à Emmanuel Pahud, le flûtiste globe-trotter
11 THE GRAND BUDAPEST HOTEL 4.08
Florentino Calvo mandolin
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2020-08-29 18:23:43
--------------------------------------------------------------------------------
Analyzed: Emmanuel Pahud, Orchestre National de France, Alexandre Desplat / Airlines
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -3.92 dB   -21.76 dB      2:19 01-Desplat: The Shape of Water: I. The Shape of Water
DR12      -1.03 dB   -17.71 dB      3:50 02-Desplat: The Shape of Water: II. Watching Ruth
DR12      -1.03 dB   -20.34 dB      4:59 03-Desplat: The Shape of Water: III. Elisa's Theme
DR14      -1.04 dB   -21.00 dB      7:38 04-Desplat: Pelléas et Mélisande: I. Comme un oiseau pourchassé
DR12      -6.48 dB   -23.41 dB      5:22 05-Desplat: Pelléas et Mélisande: II. Ils regardent la lumière
DR13      -1.02 dB   -19.22 dB      6:20 06-Desplat: Pelléas et Mélisande: III. Rosée de plomb, inexorables ténèbres
DR11      -8.58 dB   -23.83 dB      2:22 07-Desplat: Lust, Caution
DR12      -1.20 dB   -18.66 dB      7:27 08-Desplat: Girl with a Pearl Earring
DR13      -2.56 dB   -20.79 dB      7:36 09-Desplat: Birth
DR15      -3.91 dB   -26.61 dB      4:20 10-Desplat: Airlines
DR12      -1.03 dB   -18.17 dB      4:08 11-Desplat: The Grand Budapest Hotel
--------------------------------------------------------------------------------
Number of tracks:  11
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2532 kbps
Codec:             FLAC
================================================================================

Источник (релизер): https://www.qobuz.com/us-en/album/airlines-emmanuel-pahud/pxf9rzo9bjwvc
Композитор: Alexandre Desplat
Состав
ALEXANDRE DESPLAT
conductor
EMMANUEL PAHUD
flute
ORCHESTRE NATIONAL DE FRANCE
artistic director : SOLREY

Об исполнителе (группе)
https://www.emmanuelpahud.net/

Об альбоме (сборнике)
Alexandre Desplat is the composer of numerous film scores both in his native France and in Hollywood, where his score for Wes Anderson's Isle of Dogs is arguably the most charming. Yet he's not a household name like other film composers of his caliber. Airlines is perhaps an attempt to raise his profile with an album devoted to his music, and it may well succeed in this respect. The album includes extracts from Desplat's film scores, arranged to offer a prominent solo flute part; these include the well-known music for The Shape of Water as well as one selection from The Grand Budapest Hotel (the whimsical quality of Desplat's orchestration seems to fit Anderson's aesthetic perfectly). There are also lesser-known Desplat film items in a variety of moods and original concert works, including a three-movement Pelléas et Mélisande, in much the same vein as his film music. The title track, Airlines, is not the soaring orchestral work that might be imagined but an engaging and virtuosic solo flute work for Emmanuel Pahud. Desplat himself conducts the Orchestre National de France and achieves an impressively homogeneous sound. Those who have enjoyed Desplat's film scores will likely already be customers for this release. The thing is that it may attract those who are less aware of his talents.
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