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[古典] [Tr24] [OF]亨德尔,思思拉,科尔利,斯特拉迪拉,蒙草 - 联合国Viaggio A罗马 - Concerto Italiano,Rinaldo Alessandrini - 2018(古典,声乐)

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发表于 2020-12-8 15:06:40 | 显示全部楼层 |阅读模式
Concerto Italiano, Rinaldo Alessandrini - un viaggio a roma
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Vocal
Издатель (лейбл): naïve
Продолжительность: 01:10:01
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com
Треклист:
GEORG FRIEDRICH HANDEL (1685-1759)
01. Overture in B-Flat Major, HWV 336
Aci, Galatea e Polifemo, HWV 72
02. I. Duetto. Sorge il dì-Spunta l'aurora
La resurrezione, HWV 47
03. Aria. Disserratevi, o porte d’averno
Il trionfo del Tempo e del Disinganno, HWV 46a
04. Pure del cielo, intelligence eterne
05. Tu del ciel ministro eletto
ALESSANDRO STRADELLA (1639-1682)
Sonata a 8 viole con una tromba in D Major
06. I. Allegro
07. II. Aria
08. III. Canzona
09. IV. Aria
San Giovanni Battista
10. Sinfonia
11. Deh, che più tardi
12. Queste lagrime, e sospiri
GEORG MUFFAT (1653-1704)
Concerto grosso No. 12 in G Major "Propitia sydera"
13. V. Ciacona
ALESSANDRO SCARLATTI (1660-1725)
Su le sponde del tebro, H. 705
14. I. Sinfonia
15. II. Recitativo. Su le sponde del tebro
16. III. Aria. Contentatevi, o fidi pensieri
17. IV. Recitativo. Mesto, stanco, e spirante
18. V. Aria. Infelici miei lumi
19. VI. Aria. Dite almeno, astri crudeli
20. VII. Recitativo. All’ aura, al cielo, ai venti
21. VIII. Aria. Tralascia Pur Di Piangere
ARCANGELO CORELLI (1653-1713)
Concerto grosso in D Major, Op. 6 No. 4
22. I. Adagio-Allegro
23. II. Adagio
24. III. Vivace
25. IV. Giga. Allegro

Исполнители:
SANDRINE PIAU, soprano
SARA MINGARDO, contralto
CONCERTO ITALIANO
RINALDO ALESSANDRINI, harpsichord and direction

Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-09-27 21:54:59
--------------------------------------------------------------------------------
Analyzed: Concerto Italiano, Rinaldo Alessandrini, Sandrine Piau, Sara Mingardo / Un viaggio a Roma (1)
          Concerto Italiano, Rinaldo Alessandrini, Sandrine Piau / Un viaggio a Roma (2-12)
          Concerto Italiano, Rinaldo Alessandrini / Un viaggio a Roma (13-25)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR14      -7.18 dB   -25.37 dB      3:35 02-Aci, Galatea e Polifemo, HWV 72 - I. Duetto. Sorge il di-Spunta l'aurora
DR14      -2.77 dB   -21.38 dB      5:09 03-La resurrezione, HWV 47 - Aria. Disserratevi, o porte d’averno
DR15      -4.00 dB   -23.84 dB      0:49 04-Il trionfo del Tempo e del Disinganno, HWV 46a - Pure del cielo, intelligence eterne
DR16      -6.82 dB   -28.43 dB      5:24 05-Il trionfo del Tempo e del Disinganno, HWV 46a - Tu del ciel ministro eletto
DR14      -4.35 dB   -24.34 dB      2:04 11-San Giovanni Battista - Deh, che piu tardi
DR14      -0.20 dB   -21.01 dB      5:15 12-San Giovanni Battista - Queste lagrime, e sospiri
DR14      -3.44 dB   -22.25 dB      2:45 16-Su le sponde del tebro, H. 705 - III. Aria. Contentatevi, o fidi pensieri
DR10      -8.41 dB   -25.48 dB      0:38 17-Su le sponde del tebro, H. 705 - IV. Recitativo. Mesto, stanco, e spirante
DR14      -2.34 dB   -23.60 dB      3:02 18-Su le sponde del tebro, H. 705 - V. Aria. Infelici miei lumi
DR15      -4.00 dB   -24.08 dB      2:27 19-Su le sponde del tebro, H. 705 - VI. Aria. Dite almeno, astri crudeli
DR14      -7.03 dB   -25.22 dB      0:47 20-Su le sponde del tebro, H. 705 - VII. Recitativo. All’ aura, al cielo, ai venti
DR14      -2.48 dB   -21.73 dB      1:35 21-Su Le Sponde Del Tebro, H. 705 - VIII. Aria. Tralascia Pur Di Piangere
DR14      -9.09 dB   -26.21 dB      5:56 01-Overture in B-Flat Major, HWV 336
DR12      -9.06 dB   -24.19 dB      1:09 06-Sonata a 8 viole con una tromba in D Major - I. Allegro
DR13      -9.44 dB   -25.09 dB      1:45 07-Sonata a 8 viole con una tromba in D Major - II. Aria
DR12      -7.70 dB   -23.15 dB      0:56 08-Sonata a 8 viole con una tromba in D Major - III. Canzona
DR14      -9.39 dB   -25.66 dB      1:59 09-Sonata a 8 viole con una tromba in D Major - IV. Aria
DR14      -9.90 dB   -27.03 dB      2:14 10-San Giovanni Battista - Sinfonia
DR14      -7.62 dB   -26.22 dB      9:28 13-Concerto grosso No. 12 in G Major 'Propitia sydera' - V. Ciacona
DR11      -7.29 dB   -23.37 dB      1:56 14-Su le sponde del tebro, H. 705 - I. Sinfonia
DR14      -1.70 dB   -22.00 dB      0:48 15-Su le sponde del tebro, H. 705 - II. Recitativo. Su le sponde del tebro
DR15      -7.28 dB   -25.47 dB      3:44 22-Concerto grosso in D Major, Op. 6 No. 4 - I. Adagio-Allegro
DR13      -9.59 dB   -28.43 dB      2:17 23-Concerto grosso in D Major, Op. 6 No. 4 - II. Adagio
DR13      -9.47 dB   -26.03 dB      1:11 24-Concerto grosso in D Major, Op. 6 No. 4 - III. Vivace
DR15      -4.06 dB   -23.70 dB      3:19 25-Concerto grosso in D Major, Op. 6 No. 4 - IV. Giga. Allegro
--------------------------------------------------------------------------------
Number of tracks:  25
Official DR value: DR14
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2619 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Handel, Scarlatti, Corelli, Stradella, Muffat ... From 1650 to the beginning of the eighteenth century, Rome exercised an immense power in attracting composers from all over Europe and experienced an intense moment of musical activity, because of - or in spite of - the papal administration. It was a prosperous period with a melting pot of influences. The programme devised here by the Roman conductor, Rinaldo Alessandrini, offers a complete and personal vision of the time, passionate and secular, lyrical (made sublime by Sandrine Piau) and orchestral, romantic in every way. Rinaldo Alessandrini is one of the leading figures in the international early music scene. His predilection for the Italian repertory and his constant preoccupation with the expressive characteristics specific to the Italian style of the seventeenth and eighteenth centuries are the decisive factors that orientate his musical approach and interpretative options, both as the head of Concerto Italiano, of which he is the founder and director, and as a soloist and guest conductor.
                                                                                       
                       
                       
                       
                       
                       
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