[tr24] [OF] Carl Maria von Weber由苏格兰牧师乐团在Alexander Janiczek - Weber - Wind Concertos - 2012年（古典）

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Carl Maria von Weber performed by Scottish Chamber Orchestra under Alexander Janiczek - Weber: Wind Concertos
Жанр: Classical
Год издания: 2012
Издатель (лейбл): Linn Records
Аудиокодек: FLAC 24bit 192kHz
Тип рипа: tracks
Продолжительность: 64:00
Треклист:
1 Clarinet Concerto No. 1 in F minor, Op. 73, J. 114: I. Allegro 07:57
2 Clarinet Concerto No. 1 in F minor, Op. 73, J. 114: II. Adagio ma non troppo 06:37
3 Clarinet Concerto No. 1 in F minor, Op. 73, J. 114: III. Rondo Allegretto 05:50
4 Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo 08:33
5 Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio 05:05
6 Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo - Allegro 04:35
7 Horn Concertino in E minor, Op. 45, J. 188: I. Adagio 02:19
8 Horn Concertino in E minor, Op. 45, J. 188: II. Andante con moto 08:55
9 Horn Concertino in E minor, Op. 45, J. 188: III. Polacca 04:55
10 Concertino for Clarinet & Orchestra in C minor/E-flat Major, Op. 26, J. 109: I Adagio ma non troppo 02:42
11 Concertino for Clarinet & Orchestra in C minor/E-flat Major, Op. 26, J. 109: II. Andante 04:28
12 Concertino for Clarinet & Orchestra in C minor/E-flat Major, Op. 26, J. 109: III. Allegro 02:00
LINN
О релизе
Alexander Janiczek leads the SCO's section principals - Maximilano Martín (clarinet), Peter Whelan (bassoon) and Alec Frank-Gemmill (horn) - in a thrilling programme by the German composer Carl Maria von Weber.
The ‘Clarinet Concerto No. 1 in F minor' and ‘Concertino for Clarinet & Orchestra in C minor / E-flat Major' were composed at a pivotal time in the instrument's development. A new style of playing which was soft, full and rich in tone inspired several composers to write for the instrument, whilst inspiring Weber to write what would become one of the cornerstone's of the clarinet repertoire. Clarinettist Maximiliano Martín was praised for his performance of Weber on 2009's Vibraciones del Alma with The Herald admiring his ‘liquid virtuosity, which flows like oil'.
Weber's background as an opera composer is apparent in the entertaining and theatrical ‘Bassoon Concerto in F Major'. As Peter Whelan commented: ‘It's terrific fun to play because Weber writes for the bassoon as though it were a tenor in an opera - so you get to play lots of different characters...from jilted lover to comic clown'. For this performance Peter has reconstructed a version of the 1822 score rather than employing the commonly used 1865 version.
With a preponderance of chromatic pitches and the requirement of multiphonic chords, the virtuosic ‘Horn Concertino in E minor' is widely-regarded as an extremely demanding work for soloists. Alec Frank-Gemmill commented: ‘Weber's clever combination of tunefulness with crazy special effects is a winner and was also unprecedented at the time'. In a unique twist Alec combines these interesting features with memories of melodies heard earlier in the piece to perform his own version of the cadenza.
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