Porpora · Mancini · Pergolesi · Fiorenza · Scarlatti - Neapolitan Concertos for Various Instruments
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical
Издатель (лейбл): Glossa
Продолжительность: 01:11:00
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88.2
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Nicola Porpora (1686 - 1768)
Sinfonia in C major for violoncello, violins and basso continuo
01. Amoroso
02. Allegro
03. Largo
04. Allegro
Francesco Mancini (1672 - 1737)
Concerto in G minor for recorder, 2 violins, violoncello and basso continuo
05. Largo
06. Fuga
07. Largo
08. Spiritoso
Giovanni Battista Pergolesi (1710 - 1736)
Concerto for 2 harpsichords and strings
09. Allegro non assai
10. Adagio tardissimo
11. Allegro
Nicola Fiorenza (c. 1700 - 1764)
Concerto in D major for cello, 2 violins and basso continuo
12. Largo
13. Allegro
14. Largo
15. Allegro
Alessandro Scarlatti (1660 - 1725)
Concerto in C major for recorder, 2 violins, violoncello and basso continuo
16. Adagio
17. Fuga
18. Adagio
19. Allegro
Nicola Fiorenza (c. 1700 - 1764)
Concerto in D major for violin and strings
20. In tempo giusto
21. Largo e staccato di molto
22. Allegro andante alla polaccha
Исполнители:
La Ritirata
Tamar Lalo, recorder
Hiro Kurosaki, Pablo Prieto, Daniel Pinteño, violins
Daniel Lorenzo, viola
Josetxu Obregón, Paz Alonso, cellos
Ismael Campanero, violone
Daniel Oyarzabal, Ignacio Prego, harpsichords
Daniel Zapico, theorbo
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-11-02 22:18:41
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Analyzed: La Ritirata, Josetxu Obregón / Neapolitan Concertos for Various Instruments
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DR Peak RMS Duration Track
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DR11 -0.03 dB -17.79 dB 2:44 01-Sinfonia in C Major for Cello, Violins & Basso continuo: I. Amoroso
DR12 -0.12 dB -16.04 dB 1:50 02-Sinfonia in C Major for Cello, Violins & Basso continuo: II. Allegro
DR9 -0.96 dB -15.83 dB 1:50 03-Sinfonia in C Major for Cello, Violins & Basso continuo: III. Largo
DR12 -1.14 dB -17.20 dB 4:18 04-Sinfonia in C Major for Cello, Violins & Basso continuo: IV. Allegro
DR10 -1.89 dB -16.48 dB 3:25 05-Recorder Concerto No. 13 in G Minor: I. Largo
DR11 0.00 dB -14.75 dB 2:54 06-Recorder Concerto No. 13 in G Minor: II. Fuga
DR9 -4.42 dB -18.19 dB 2:24 07-Recorder Concerto No. 13 in G Minor: III. Largo
DR12 -0.91 dB -18.26 dB 1:38 08-Recorder Concerto No. 13 in G Minor: IV. Spiritoso
DR14 0.00 dB -18.16 dB 5:10 09-Concerto for 2 Harpsichords & Orchestra: I. Allegro non assai
DR12 -5.36 dB -22.41 dB 3:18 10-Concerto for 2 Harpsichords & Orchestra: II. Adagio tardissimo
DR14 0.00 dB -19.05 dB 3:30 11-Concerto for 2 Harpsichords & Orchestra: III. Allegro
DR12 -0.39 dB -17.21 dB 2:51 12-Cello Concerto in D Major: I. Largo
DR13 -1.30 dB -17.30 dB 2:33 13-Cello Concerto in D Major: II. Allegro
DR11 -0.69 dB -18.33 dB 2:16 14-Cello Concerto in D Major: III. Largo
DR13 -3.17 dB -19.35 dB 2:31 15-Cello Concerto in D Major: IV. Allegro ma non presto
DR9 -1.34 dB -14.94 dB 1:33 16-Concerto for Recorder, 2 Violins & Basso continuo in C Major: I. Adagio
DR11 -2.76 dB -18.01 dB 2:23 17-Concerto for Recorder, 2 Violins & Basso continuo in C Major: II. Fuga
DR10 -4.16 dB -17.72 dB 1:29 18-Concerto for Recorder, 2 Violins & Basso continuo in C Major: III. Adagio
DR11 -3.11 dB -18.42 dB 1:40 19-Concerto for Recorder, 2 Violins & Basso continuo in C Major: IV. Allegro
DR15 -0.18 dB -17.86 dB 8:23 20-Violin Concerto in D Major: I. In tempo giusto
DR15 0.00 dB -19.34 dB 6:09 21-Violin Concerto in D Major: II. Largo e staccato di molto
DR14 -0.60 dB -18.21 dB 6:35 22-Violin Concerto in D Major: III. Allegro andante alla polacca
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Number of tracks: 22
Official DR value: DR12
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2663 kbps
Codec: FLAC
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Об альбоме (сборнике)
The Neapolitan Baroque, especially in the first half of the eighteenth century, was a vibrant and vital time for instrumental music, as Josetxu Obregón and La Ritirata now demonstrate with their new recording of six concertos from that era. The Neapolitan school – which owed so much in its formation to Francesco Provenzale – flourished in the hands of Francesco Mancini, Nicola Porpora, Nicola Fiorenza, Giovanni Battista Pergolesi and Alessandro Scarlatti, all represented with concertos on this new Glossa recording.
The four major conservatories in the city created an astonishingly productive and innovative environment for musicians – students and their teachers alike. The composers here all studied or worked in the conservatories or at the Cappella Real. The Neapolitan concerto had its own structure at this time, which was quite different to that found in the Venice of Vivaldi, and there was a constant competitive spirit for soloists to demonstrate their virtuosity. As they showed with their earlier Glossa recording of Il Spiritillo Brando, the members of La Ritirata are more than a match for their Neapolitan predecessors in both stylishness and technique. The soloists gathered by Josetxu Obregón represent some of the leading musical lights in Spain today: violinist Hiro Kurosaki (in a Fiorenza concerto), recorder-player Tamar Lalo (Scarlatti and Mancini), harpsichordists Ignacio Prego and Daniel Oyarzabal (Pergolesi) and not least, Obregón himself who is the cello soloist in works by Fiorenza and Porpora.