Netherlands Radio Philharmonic Orchestra, Jaap van Zweden - Anton Bruckner: Symphony No. 1 in C minor
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2015
Жанр: Classical, Orchestral
Издатель (лейбл): Challenge Classics
Продолжительность: 00:51:20
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Источник (релизер): spiritofturtle.comТреклист:
Symphony no. 1 in C minor (1865-1866)
1. Allegro
2. Adagio
3. Scherzo. Schnell – Trio. Langsamer
4. Finale. Bewegt, feurigExecutive producers: Anne de Jong & Marcel van den Broek
Recorded at: Studio MCO5, Hilversum, Holland
Recording dates: 10 - 13 June 2013 (Movement 1, 2 & 4), 14 June 2012 (Movement 3)
Recording: Northstar Recording Services BV
Producer, balance engineer, editing & mastering: Bert van der Wolf
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-07-30 19:36:13
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Analyzed: Netherlands Radio Philharmonic Orchestra, Jaap van Zweden / Bruckner: Symphony No. 1 in C minor (1865-1866) Edition Nowak (Linzer Fassung, 1866)
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DR Peak RMS Duration Track
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DR13 -6.12 dB -25.40 dB 13:22 01-Symphony No. 1 in C minor, WAB 101: I. Allegro
DR15 -8.53 dB -30.09 dB 16:10 02-Symphony No. 1 in C minor, WAB 101: II. Adagio
DR13 -6.13 dB -24.00 dB 8:07 03-Symphony No. 1 in C minor, WAB 101: III. Scherzo. Schnell – Trio. Langsamer
DR12 -6.12 dB -23.10 dB 13:42 04-Symphony No. 1 in C minor, WAB 101: IV. Finale: Bewegt, feurig
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Number of tracks: 4
Official DR value: DR13
Samplerate: 5644800 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
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Об альбоме (сборнике)
Anton Bruckner, born in the Austrian village of Ansfelden on 4 September 1824, first worked as assistant schoolmaster at an unsightly school in an equally unsightly hamlet not far away called Windhaag, near Linz. When he took his last breath on 11 October 1896 as one of the greatest composers Austria ever produced, in a tiny chamber (Kustodenstckl) of the Viennese palace of Belvedere that had kindly been placed at his disposal by the imperial court, the finale of his Ninth Symphony was well under way but still unfinished. Although the rapid advance of industrialisation has made great incursions here and there on the Upper Austrian landscape, and although the ravages of time have eaten away at the integrity of Bruckner’s Lebensraum, there are still more than enough sites to be found which could certainly have formed a backdrop to his early symphonies. In that sense, listening to the First Symphony is a trip of discovery through Bruckner’s countryside, within the triangle formed by Ansfelden (birthplace), St. Florian (with its famous Stift, where Bruckner, first as a choirboy and later as a mature musician, found the much-needed distance from the workaday world to play the extremely beautiful organ) and lastly Linz, with its majestic Cathedral, where Bruckner held the not inconsiderable post of organist until 1868. The powerful organ tones, with their unsuspected force, would be heard like glorious sound pillars in his symphonic epos.
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发表于 2020-12-8 15:07:35
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