Joan As Police Woman / The Classic
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2014
Жанр: Rock, Indie Rock
Издатель (лейбл): Play It Again Sam
Продолжительность: 00:52:17
Наличие сканов в содержимом раздачи: Front
Источник (релизер): 7digital
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Треклист:
01. Witness
02. Holy City
03. The Classic
04. Good Together
05. Get Direct
06. What Would You Do
07. New Year's Day
08. Shame
09. Stay
10. Ask Me
Лог проверки качества
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-12 22:51:15
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Analyzed: Joan As Police Woman / The Classic
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DR Peak RMS Duration Track
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DR7 -0.26 dB -9.87 dB 4:44 ?-Witness
DR7 0.00 dB -8.30 dB 4:45 ?-Holy City
DR10 -0.36 dB -11.54 dB 3:27 ?-The Classic
DR5 -0.14 dB -7.85 dB 7:03 ?-Good Together
DR7 0.00 dB -9.46 dB 6:44 ?-Get Direct
DR7 -0.12 dB -9.02 dB 5:43 ?-What Would You Do
DR6 -0.28 dB -8.82 dB 6:34 ?-New Year's Day
DR7 -0.08 dB -9.08 dB 4:38 ?-Shame
DR7 -0.20 dB -10.16 dB 4:41 ?-Stay
DR8 -0.28 dB -10.12 dB 3:58 ?-Ask Me
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Number of tracks: 10
Official DR value: DR7
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2915 kbps
Codec: FLAC
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Состав
Joan Wasser – vocals, guitar, strings, clavinet, electric piano
Tyler Wood – bass guitar, electronic organ, trumpet, piano, synthesizer, percussion, backing vocals
Parker Kindred – drums, percussion, backing vocals
Doug Wieselman – baritone saxophone and tenor saxophone
Oren Bloedow – guitar
Briggan Krauss – baritone saxophone, alto saxophone
Steven Bernstein – trumpet and French horn
Joseph Arthur, Nathan Larson, Michelle Zayla, Stephanie McKay, Toshi Reagon – backing vocals
Reggie Watts – outro on "Holy City"', human beatbox on "The Classic"
Об исполнителе (группе)
The Classic delivers on whatever promises Joan Wasser made three years ago with the masterful The Deep Field. If the spy-movie track “Witness” is too subtle an opener for some, “Holy City” is the explosion of melody, rhythm, and soulful production that’s made Wasser a first-rate talent. The title track shows just how badly Wasser wants your heart and your undivided attention. She's no shrinking violet; she's a vocal stylist who mixes old and new as only someone who’s studied her craft can do. (For the record, it’s “The C-L-A-S-S-I-C” as in “R-E-S-P-E-C-T.”) She's not afraid to stretch out and take her time. The album’s middle is led by a quartet of tunes looming around the six-to-seven-minute mark, where the subtler moves are made and even Wasser admits that life’s demands can get to you. But there are orchestral bits, a consistently moving arsenal of beats, and moody keyboards to provide comfort while she pumps it up for the brass section of “Shame” and the Philly soul shimmer of “Ask Me.”
Described by Joan Wasser as "punk rock R&B" and "American soul music," Joan as Police Woman combines two of the biggest influences on her music: classic soul such as Al Green and Nina Simone and the rougher experimental sounds of Sonic Youth and Bad Brains. The mix never sounds contrived, thanks to the intuitive interplay of Wasser's vocals, violins, and guitar, Rainy Orteca's bass, and Ben Perowsky's percussion in the first version of the group. Later, Wasser employed a varied cast of collaborators.
Wasser, who has played with everyone from the Scissor Sisters to Lou Reed, began playing violin at age eight while attending grade school in Norwalk, Connecticut. At Boston University, she studied violin with Yuri Mazurkevich and also played with the Boston University Symphony Orchestra, and expanded her horizons to rock with local acts including Hot Trix (which featured Autoclave member and Helium founder Mary Timony) and the Dambuilders, who went on to national success. Wasser also played with Timony and Shudder to Think's Nathan Larson in Mind Science of the Mind, who released their self-titled album in 1996. The following year, the Dambuilders disbanded and Wasser's boyfriend, Jeff Buckley, accidentally drowned in Memphis, Tennessee. Wasser kept on making music, collaborating with the Grifters' Dave Shouse and Buckley's former guitarist Michael Tighe in Those Bastard Souls in the late '90s, and then with Tighe in Black Beetle, which folded in the early 2000s.
Along with working as a violinist for hire with artists as diverse as Sheryl Crow, Hal Willner, Rufus Wainwright, and Antony and the Johnsons, Wasser developed her own songwriting, and formed Joan as Police Woman in 2002. The band released its first single, My Gurl, early in 2003, and self-released the Joan as Police Woman EP in 2004. Joan as Police Woman signed to the British label Reveal, which issued their full-length debut, Real Life, in summer 2006, along with the Eternal Flame, Christobel, and The Ride singles. Real Life was released in the U.S. in summer 2007. To Survive, which featured a cameo by Rufus Wainwright, followed in 2008. For 2011's The Deep Field, Wasser reteamed with Bryce Goggin, co-producer of Real Life, and took a happier, more upbeat approach. This uplifting feeling continued on 2014's The Classic, which channeled the feel of vintage soul albums in its often joyous songs. On 2016's Let It Be You, Wasser worked with Brooklyn multi-instrumentalist Benjamin Lazar Davis. When they met, the pair bonded over their separate trips to Africa: Wasser traveled to Ethiopia to work on Damon Albarn's Africa Express project, while Davis went to West Africa to study the region's traditional music. For the album, they drew on Central African Republic Pygmy musical patterns, which they played on more conventional rock instruments such as guitar and keyboards.
In 2017, Wasser announced her fifth studio album, Damned Devotion, with the release of lead single "Warning Bell." The record arrived in 2018 and marked a return to the stripped-back sound of Real Life and To Survive. https://en.wikipedia.org/wiki/Joan_As_Police_Woman
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发表于 2020-12-8 15:59:26
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