Bob Dylan / John Wesley Harding (Mono)
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Limited edition
Год издания/переиздания диска: 1967/2017
Жанр: Folk, country, folk rock
Издатель (лейбл): Columbia / Mobile Fidelity
Продолжительность: 00:39:00
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. John Wesley Harding 03:01
2. As I Went Out One Morning 02:53
3. I Dreamed I Saw St. Augustine 03:56
4. All Along the Watchtower 02:35
5. The Ballad of Frankie Lee and Judas Priest 05:37
6. Drifter’s Escape 02:51
7. Dear Landlord 03:20
8. I Am a Lonesome Hobo 03:23
9. I Pity the Poor Immigrant 04:17
10. The Wicked Messenger 02:05
11. Down Along the Cove 02:23
12. I’ll Be Your Baby Tonight 02:40Bass – Charles McCoy
Drums – Kenny Buttrey
Vocals, Guitar, Harmonica, Piano – Bob Dylan
Written-By – B. DylanКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 MONOДоп. информация: Released December 27, 1967
Recorded October 17, 1967 – November 29, 1967
Producer Bob Johnston
Engineer – Charlie Bragg
Mobile Fidelity UDSACD 2183
The ISO image is created using sacd-ripper for PS3 version 0.21.
Источник (релизер): pssacd (PS³SACD) http://www.elusivedisc.com/Bob-Dylan-John-Wesley-Harding-Numbered-Limited-Edition...tinfo/MOBSA2183/ https://www.discogs.com/Bob-Dylan-John-Wesley-Harding/release/10316744
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-09-10 18:55:38
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Анализ: Bob Dylan / John Wesley Harding
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DR Пики RMS Продолжительность трека
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DR9 -1.79 дБ -13.29 дБ 2:57 01-John Wesley Harding
DR13 -0.42 дБ -16.38 дБ 2:49 02-As I Went Out One Morning
DR12 -1.35 дБ -15.62 дБ 3:52 03-I Dreamed I Saw St. Augustine
DR10 -0.88 дБ -13.66 дБ 2:31 04-All Along the Watchtower
DR11 -1.51 дБ -14.32 дБ 5:32 05-The Ballad of Frankie Lee and Judas Priest
DR12 -0.77 дБ -14.29 дБ 2:46 06-Drifter's Escape
DR11 -0.43 дБ -14.40 дБ 3:17 07-Dear Landlord
DR11 -0.65 дБ -14.87 дБ 3:19 08-I Am a Lonesome Hobo
DR11 -1.68 дБ -15.66 дБ 4:13 09-I Pity the Poor Immigrant
DR10 -1.26 дБ -14.06 дБ 2:02 10-The Wicked Messenger
DR10 -1.92 дБ -14.52 дБ 2:21 11-Down Along the Cove
DR13 -1.23 дБ -16.41 дБ 2:40 12-I'll Be Your Baby Tonight
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Количество треков: 12
Реальные значения DR: DR11
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
John Wesley Harding is singer-songwriter Bob Dylan’s eighth studio album, released by Columbia Records in December 1967. Produced by Bob Johnston, the album marked Dylan’s return to acoustic music and traditional roots, after three albums of electric rock music. John Wesley Harding was recorded around the same time as (and shares many stylistic threads with) a prolific series of home recording sessions with The Band, finally released in 1975 as The Basement Tapes.
John Wesley Harding was exceptionally well received by critics and enjoyed solid sales, reaching the number 2 slot on U.S. charts and topping the British charts. The commercial performance was considered remarkable considering that Dylan had kept Columbia from releasing the album with much promotion or publicity. Less than three months after its release, John Wesley Harding was certified gold by the RIAA. “All Along the Watchtower” became one of his most popular songs after it was covered by Jimi Hendrix the following year.
In 2003, the album was ranked number 301 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
All Music Review
Bob Dylan returned from exile with John Wesley Harding, a quiet, country-tinged album that split dramatically from his previous three. A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan’s rock albums — even the then-unreleased Basement Tapes he made the previous year — but it isn’t a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as “I’ll Be Your Baby Tonight,” are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like “All Along the Watchtower,” “I Dreamed I Saw St. Augustine,” and “The Wicked Messenger” revealing several layers of meaning with repeated plays. Although the lyrics are somewhat enigmatic, the music is simple, direct, and melodic, providing a touchstone for the country-rock revolution that swept through rock in the late ’60s.