Emily Barker - Sweet Kind Of Blue
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Deluxe Edition
Год издания/переиздания диска: 2017
Жанр: Folk-Rock, Alternative Country
Издатель (лейбл): Everyone Sang
Продолжительность: 73:38
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Sweet Kind Of Blue (3:36)
02. Sister Goodbye (4:09)
03. Sunrise (3:41)
04. No 5 Hurricane (4:53)
05. If We Forget To Dance (5:07)
06. Crazy Life (3:57)
07. Over My Shoulder (4:08)
08. Change (3:31)
09. More (2:43)
10. Underneath The Honey Moon (3:00)
11. Precious Memories (2:50)
12. Blood Moon (4:51)
13. Tomorrow Be Now (with Glen Phillips) (2:52)
14. Hold On (Don't Let Me See This Night Alone (with Romeo Stodart) (3:49)
15. Black & White Video (4:03)
16. Sister Goodbye (Solo Version) (8:01)
17. No 5 Hurricane (Solo Version) (3:39)
18. Change (4:47)
Personnel:
Emily Barker - vocals, guitar, piano
Dave Cousar - guitar
Rick Steff - keyboards
Dave Smith - bass
Steve Potts - drums
Об альбоме (сборнике)
Sweet Kind of Blue was recorded at Sam Phillips Recording Service in Memphis with Grammy winner Matt Ross-Spang (Jason Isbell, Margo Price) and an all star cast of Memphis session players: Rick Steff (keys), Steve Potts (drums), Dave Smith (bass) and Dave Cousar (guitar). For Emily’s fans, it will be a new sound: as Matt Ross-Spang suggested to Emily in persuading her to record the album at Sam Phillips, there's a certain groove that only Memphis can produce. For Emily herself, it’s a return to where her love of music started: far away from Memphis or London, singing her heart out to Aretha Franklin records in her bedroom in sleepy Bridgetown, Western Australia.
When I was a teenager, I got really into sixties soul singers, Aretha being my favourite. At twelve years old, my tiny country town in the south west of Australia, Bridgetown, hosted its first Blues Festival. What was, on a daily basis, a population of 2,000 people, suddenly became 7,000 for three days on the second weekend in November 1993.
Every café and pub, the town hall, school assembly room, the show ground’s oval all became venues, with Blues music bass lines bouncing down the street and clashing in the air. The following year, my high school suddenly upped its game in the music department, and went from having the option of learning recorder or playing a Casio keyboard, to having a drum kit, a couple of electric guitars, electric basses and vocal microphones. Everyone became a musician. I became a singer. I auditioned for the school's Year 10 band, and got the role! Being in love with soul and blues, we learned Chuck Berry’s ‘Go Johnny Go!’, Wilson Pickett’s ‘Mustang Sally’, Aretha Franklin’s ‘Respect’, Koko Taylor’s ‘Wang Dang Doodle’ and many others. I performed at school assemblies and graduation ceremonies and after school I would shut myself in my room and have a Best of Aretha compilation on repeat as I taught myself how to “belt it out” without losing my voice.
So I feel like I’ve come full circle, because the album I have just recorded at Sam Phillips Recording Service in Memphis; the songs, the recording studio, the sound, the musicians, the feel; it all tips its hat and winks back to those last days before I hit my teens, falling in love with singing and falling in love with soul and blues music.
Just being in Memphis felt like one of those moments when you have to pinch yourself and say "this is really happening", and "wow, look where my life has lead me!" A south-west Aussie country bumpkin kid who used to lose her voice learning to sing in her bedroom, goes to Memphis, Tennessee, to make an album in a studio built by Sam Phillips, the man who forever changed the course of music history by bringing blues and rock ‘n’ roll to the world… without whom, that Bridgetown Blues Festival may never have happened.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2018-01-30 12:08:33
--------------------------------------------------------------------------------
Analyzed: Emily Barker / Sweet Kind Of Blue (Deluxe Edition)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.12 dB -13.29 dB 3:36 01-Sweet Kind Of Blue
DR11 -0.12 dB -14.63 dB 4:09 02-Sister Goodbye
DR10 -0.12 dB -12.86 dB 3:41 03-Sunrise
DR14 -0.12 dB -16.98 dB 4:53 04-No 5 Hurricane
DR11 -0.12 dB -13.45 dB 5:07 05-If We Forget To Dance
DR13 -0.12 dB -15.01 dB 3:57 06-Crazy Life
DR10 -0.76 dB -16.01 dB 4:08 07-Over My Shoulder
DR14 -0.12 dB -15.68 dB 3:31 08-Change
DR11 -0.12 dB -12.80 dB 2:43 09-More
DR10 -0.12 dB -14.42 dB 3:00 10-Underneath The Honey Moon
DR8 -0.19 dB -13.58 dB 2:50 11-Precious Memories
DR9 -0.10 dB -11.86 dB 4:51 12-Blood Moon
DR9 -0.10 dB -11.17 dB 2:52 13-Tomorrow Be Now (with Glen Phillips)
DR9 -0.10 dB -10.42 dB 3:49 14-Hold On (Don't Let Me See This Night Alone (with Romeo Stodart)
DR7 -0.10 dB -9.22 dB 4:03 15-Black & White Video
DR10 -0.12 dB -12.37 dB 8:01 16-Sister Goodbye (Solo Version)
DR9 -0.15 dB -12.35 dB 3:39 17-No 5 Hurricane (Solo Version)
DR11 0.00 dB -14.24 dB 4:47 18-Change
--------------------------------------------------------------------------------
Number of tracks: 18
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2532 kbps
Codec: FLAC
================================================================================
/1 
发表于 2020-12-8 16:01:12
提升卡
置顶卡