Green Day / Insomniac
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1995/2016
Жанр: Alternative Rock, Punk, Pop Rock
Издатель (лейбл): Reprise
Продолжительность: 32:55
Наличие сканов в содержимом раздачи: Front
Источник (релизер): qobuz
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Треклист:
01. Armatage Shanks
02. Brat
03. Stuck With Me
04. Geek Stink Breath
05. No Pride
06. Bab's Uvula Who?
07. 86
08. Panic Song
09. Stuart and the Ave.
10. Brain Stew
11. Jaded
12. Westbound Sign
13. Tight Wad Hill
14. Walking Contradiction
DR Log
foobar2000 1.3.13 / Dynamic Range Meter 1.1.1
log date: 2017-08-03 14:30:17
--------------------------------------------------------------------------------
Analyzed: Green Day / Insomniac
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR7 0.00 dB -7.74 dB 2:17 01-Armatage Shanks
DR6 0.00 dB -7.09 dB 1:43 02-Brat
DR6 0.00 dB -7.09 dB 2:16 03-Stuck With Me
DR6 0.00 dB -6.93 dB 2:16 04-Geek Stink Breath
DR8 0.00 dB -8.58 dB 2:20 05-No Pride
DR8 0.00 dB -8.48 dB 2:08 06-Bab's Uvula Who!
DR7 0.00 dB -7.85 dB 2:48 07-86
DR6 0.00 dB -7.76 dB 3:35 08-Panic Song
DR6 0.00 dB -7.18 dB 2:03 09-Stuart and the Ave.
DR8 0.00 dB -9.79 dB 3:13 10-Brain Stew
DR7 0.00 dB -7.64 dB 1:31 11-Jaded
DR7 0.00 dB -7.51 dB 2:13 12-Westbound Sign
DR8 0.00 dB -8.68 dB 2:01 13-Tight Wad Hill
DR8 0.00 dB -8.91 dB 2:31 14-Walking Contradiction
--------------------------------------------------------------------------------
Number of tracks: 14
Official DR value: DR7
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3420 kbps
Codec: FLAC
================================================================================
Состав
Billie Joe Armstrong – lead vocals, guitar
Mike Dirnt – bass, backing vocals
Tré Cool – drums
Об исполнителе (группе)
Dookie gave Green Day success, but it was never really clear whether they wanted it in the first place. However, given the incessantly catchy songwriting of Billie Joe, the success made sense. Green Day were traditionalists without realizing it, learning all of their tricks through secondhand records and second-generation California punk bands. They didn't change their sound in the slightest after signing to a major label, which meant that they couldn't revert back to a harsher, earlier sound as a way to shed their audience for Dookie's follow-up, Insomniac. Instead, they kept their blueprint and made it a shade darker. Throughout Insomniac, there are vague references to the band's startling multi-platinum breakthrough, but the album is hardly a stark confessional on the level of Nirvana's In Utero. It's a collection of speedy, catchy songs in the spirit of the Buzzcocks, the Jam, the Clash, and the Undertones, but played with more minor chords and less melody and recorded with a bigger, hard rock-oriented production. While nothing on the album is as immediate as "Basket Case" or "Longview," the band has gained a powerful sonic punch, which goes straight for the gut but sacrifices the raw edge they so desperately want to keep and makes the record slightly tame. Billie Joe hasn't lost much of his talent for simple, tuneful hooks, but after a series of songs that all sound pretty much the same, it becomes clear that he needs to push himself a little bit more if Green Day ever want to be something more than a good punk-pop band. As it is, they remain a good punk-pop band, and Insomniac is a good punk-pop record, but nothing more.
/1 
发表于 2020-12-8 16:01:25
提升卡
置顶卡