Bob Dylan – Blood On The Tracks (1975/2012)
Жанр: Folk Rock
Носитель: SACD
Год издания: 1975/2012
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2098
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:51:48
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Tangled Up In Blue 05:41
02.Simple Twist Of Fate 04:18
03.You’re A Big Girl Now 04:35
04.Idiot Wind 07:49
05.You’re Gonna Make Me Lonesome When You Go 02:56
06.Meet Me In The Morning 04:22
07.Lily, Rosemary And The Jack Of Hearts 08:52
08.If You See Her, Say Hello 04:49
09.Shelter From The Storm 05:02
10.Buckets Of Rain 03:24
SACD+Back
Blood On The Tracks
Blood on the Tracks is Bob Dylan’s 15th studio album, released by Columbia Records in January 1975. The album marked Dylan’s return to Columbia after a two-album stint with Asylum Records.
The album, which followed years of lukewarm reception for Dylan’s work, was greeted enthusiastically by fans and critics. In the years following its release it has come to be regarded as one of his best albums; it is quite common for subsequent records to be labeled his “best since Blood on the Tracks.” It is also commonly seen as a standard for confessional singer-songwriter albums; though Dylan has denied that the songs are autobiographical, his son Jakob Dylan has stated: “The songs are my parents talking.”Most of the lyrics on the album revolve around heartache, anger, and loneliness. In 2003, the album was ranked number 16 on Rolling Stone’s list of the 500 greatest albums of all time.
The album reached #1 on the Billboard 200 charts and #4 on the UK Albums Chart. The single “Tangled Up in Blue” peaked at #31 on the Billboard Hot 100 singles chart. The album remains one of Dylan’s all-time best-selling studio releases, with a double-platinum US certification by the Recording Industry Association of America (RIAA).
All Music Review
Following on the heels of an album where he repudiated his past with his greatest backing band, Blood on the Tracks finds Bob Dylan, in a way, retreating to the past, recording a largely quiet, acoustic-based album. But this is hardly nostalgia — this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage. This is an album alternately bitter, sorrowful, regretful, and peaceful, easily the closest he ever came to wearing his emotions on his sleeve. That’s not to say that it’s an explicitly confessional record, since many songs are riddles or allegories, yet the warmth of the music makes it feel that way. The original version of the album was even quieter — first takes of “Idiot Wind” and “Tangled Up in Blue,” available on The Bootleg Series, Vols. 1-3, are hushed and quiet (excised verses are quoted in the liner notes, but not heard on the record) — but Blood on the Tracks remains an intimate, revealing affair since these harsher takes let his anger surface the way his sadness does elsewhere. As such, it’s an affecting, unbearably poignant record, not because it’s a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. And, in a way, it’s best that he was backed with studio musicians here, since the professional, understated backing lets the songs and emotion stand at the forefront. Dylan made albums more influential than this, but he never made one better.
/1 
发表于 2020-12-8 16:01:28
提升卡
置顶卡