Linda Ronstadt / Heart Like A Wheel
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Limited edition
Год издания/переиздания диска: 1974/2017
Жанр: Country Rock, Soft Rock
Издатель (лейбл): Mobile Fidelity
Продолжительность: 00:31:36
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. You’re No Good 03:43
2. It Doesn’t Matter Any More 03:25
3. Faithless Love 03:14
4. Dark End Of The Street 03:53
5. Heart Like A Wheel 03:17
6. When Will I Be Loved 02:04
7. Willin 02:59
8. I Can’t Help It If I’m Still In Love With You 02:45
9. Keep Me From Blowing Away 03:08
10. You Can Close Your Eyes 03:09Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Released November 1974
Recorded June–September 1974
Producer Peter Asher
Mobile Fidelity UDSACD 2190
The ISO image is created using sacd-ripper for PS3 version 0.2.1
Источник (релизер): pssacd (PS³SACD) http://www.elusivedisc.com/Linds-Ronstadt-Heart-Like-A-Wheel-Numbered-Limited-Edi...tinfo/MOBSA2190/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-03-06 09:22:24
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Анализ: LINDA RONSTADT / Heart Like A Wheel
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DR Пики RMS Продолжительность трека
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DR12 -5.16 дБ -20.07 дБ 3:43 01-You're No Good
DR11 -6.13 дБ -20.20 дБ 3:25 02-It Doesn't Matter Any More
DR12 -5.71 дБ -20.52 дБ 3:14 03-Faithless Love
DR11 -6.48 дБ -19.87 дБ 3:53 04-Dark End Of The Street
DR12 -7.52 дБ -22.38 дБ 3:12 05-Heart Like A Wheel
DR11 -5.56 дБ -18.55 дБ 2:04 06-When Will I Be Loved
DR12 -4.92 дБ -20.49 дБ 2:59 07-Willin
DR12 -5.38 дБ -19.62 дБ 2:45 08-I Can't Help It If I'm Still In Love With You
DR11 -6.20 дБ -20.50 дБ 3:08 09-Keep Me From Blowing Away
DR12 -6.36 дБ -21.26 дБ 3:09 10-You Can Close Your Eyes
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Количество треков: 10
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Heart Like a Wheel is the fifth solo studio album by Linda Ronstadt, released in November 1974. Her first to reach the top of the Billboard 200 and winning a Grammy Award, it is considered to be Ronstadt’s breakthrough album. It was also Ronstadt’s last album released by Capitol Records.
All Music Review
Following the same formula as her early records, Heart Like a Wheel doesn’t appear to be a great breakthrough on the surface. However, Ronstadt comes into her own on this mix of oldies and contemporary classics. Backed by a fleet of Los Angeles musicians, Ronstadt sings with vigor and passion, helping bring the music alive. But what really makes Heart Like a Wheel a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. Finding the right note for each song — whether it’s the soulful reworking of “When Will I Be Loved,” the hit “You’re No Good,” or the laid-back folk-rock of “Willing” — the musicians help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.
ELUSIVE:
Linda Ronstadt's 1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arrangement, and Songwriting: Heart Like a Wheel Features an All-Star Instrumental Cast and Singer at Her Best
Audiophile Clarity, Profound Depth, Lifelike Naturalism, and Transfixing Warmth: Numbered, Limited-Edition Mobile Fidelity Hybrid SACD Meticulously Mastered for Supreme Sound
How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance – Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance – a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.
Mastered on Mobile Fidelity's world-renowned mastering system, this hybrid SACD presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.
Yet the advantages of this numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this SACD reissue sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.
While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple – and a lasting example of the period's laid-back West Coast sound – cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.
The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his review of the album for Rolling Stone in early 1975, "No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses – the edge between vulnerability and willfulness that I find totally, irresistibly sexy."
Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s "You're No Good," harmony-rich treatment of Hank Williams' "I Can't Help It (If I'm Still in Love with You)," folk-rock lilt of Lowell George's "Willin'," or soulful send-up of Phil Everly's "When Will I Be Loved?" Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort – the kind of record they just don't make anymore.