Bob Dylan – Another Side Of Bob Dylan (1964/2012)
Жанр: Rock, Folk, Folk Rock
Носитель: SACD
Год издания: 1964/2012
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2095
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:51:19
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.All I Really Want To Do 04:07
02.Black Crow Blues 03:17
03.Spanish Harlem Incident 02:29
04.Chimes Of Freedom 07:13
05.I Shall Be Free No. 10 04:52
06.To Ramona 03:56
07.Motorpsycho Nitemare 04:36
08.My Back Pages 04:28
09.I Don’t Believe You 04:26
10.Ballad In Plain D 08:21
11.It Ain’t Me Babe 03:34
SACD+Back
Another Side of Bob Dylan
Another Side of Bob Dylan is singer-songwriter Bob Dylan’s fourth studio album, released in August 1964 by Columbia Records.
Dylan disliked the album’s title, which was the idea of producer Tom Wilson. Nevertheless, it does mark a shift away from the more overt, issue-oriented folk music that Dylan had previously been gravitating toward, dominating his previous LP, The Times They Are A-Changin’. This break from traditionalist roots prompted sharp criticism from influential figures in the folk community. Sing Out! editor Irwin Silber famously complained that Dylan had “somehow lost touch with people” and was tangled up in “the paraphernalia of fame”.
Despite the major thematic changes, Dylan still performed his songs solo, with acoustic guitar and harmonica, and even piano on one song. Another Side of Bob Dylan reached #43 in the US (although it eventually went gold), and peaked at #8 on the UK charts in 1965.
All Music Review
The other side of Bob Dylan referred to in the title is presumably his romantic, absurdist, and whimsical one — anything that wasn’t featured on the staunchly folky, protest-heavy Times They Are a-Changin’, really. Because of this, Another Side of Bob Dylan is a more varied record and it’s more successful, too, since it captures Dylan expanding his music, turning in imaginative, poetic performances on love songs and protest tunes alike. This has an equal number of classics to its predecessor, actually, with “All I Really Want to Do,” “Chimes of Freedom,” “My Back Pages,” “I Don’t’ Believe You,” and “It Ain’t Me Babe” standing among his standards, but the key to the record’s success is the album tracks, which are graceful, poetic, and layered. Both the lyrics and music have gotten deeper and Dylan’s trying more things — this, in its construction and attitude, is hardly strictly folk, as it encompasses far more than that. The result is one of his very best records, a lovely intimate affair.