Gram Parsons - GP (2012 MFSL)
Жанр: Classic Rock, Country Rock
Годы записи материала: 1973
Год выпуска диска: 2012
Производитель диска: Mobile Fidelity UDSACD 2058
Аудио кодек: DSD 2.0
Тип рипа: image (ISO)
Битрейт аудио: 5645 kbps
Частота дискретизации: 2,8224 MHz
Продолжительность: 38:56
Наличие сканов в содержимом раздачи: да
Источник (релизер):
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper v0.21
Дополнительно: http://www.amazon.com/dp/B008645YP8
Треклист:
1. Still Feeling Blue 02:42
2. We’ll Sweep Out The Ashes In The Morning 03:15
3. A Song For You 05:01
4. Streets Of Baltimore 02:57
5. She 05:02
6. That’s All It Took 03:01
7. The New Soft Shoe 03:56
8. Kiss The Children 03:01
9. Cry One More Time 03:40
10. How Much I Lied 02:30
11. Big Mouth Blues 03:52GP is American singer-songwriter Gram Parsons’ debut solo album. It was originally released in a gatefold sleeve in 1973.
All Music Review
Given Gram Parsons’ habit of taking control of the bands he played with (and his disinclination towards staying with them for very long), it was inevitable that he would eventually strike out on his own, and his first solo album, 1973′s G.P., is probably the best realized expression of his musical personality. Working with a crack band of L.A. and Nashville’s finest (including James Burton on guitar, Ronnie Tutt on drums, Byron Berline on fiddle, and Glen D. Hardin on piano), he drew from them a sound that merged breezy confidence with deeply felt Southern soul, and he in turn pulled off some of his most subtle and finely detailed vocal performances; “She” and “A Song for You,” in particular, are masterful examples of passion finding balance with understatement. Parsons also discovered that rare artist with whom he can be said to have genuinely collaborated (rather than played beside), Emmylou Harris; Gram and Harris’ spot-on harmonies and exchanged verses on “We’ll Sweep out the Ashes in the Morning” and “That’s All It Took” are achingly beautiful and instantly established her as one country music’s most gifted vocalists. On G.P., Parsons’ ambitious vision encompassed hard-country weepers, wistful ballads, uptempo dance tunes, and even horn-driven rhythm and blues. He managed to make them all work, both as individual tunes and as a unified whole. If it falls just short of being his greatest work (an honor that goes to the Flying Burrito Brothers’ The Gilded Palace of Sin) thanks to a couple songs that are a bit too oblique for their own good (“The New Soft Shoe” may be beautiful, but who knows just what it’s supposed to be about), this album remains a haunting reminder of Parsons’ talent and influence, and has only gotten better with the passing years.
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发表于 2020-12-8 16:03:05
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