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[摇滚] [TR24] [of] Motorhead "Aftershock", 2013 (Heavy Metal), Flac (Tracks), Lossless

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发表于 2020-12-8 16:03:37 | 显示全部楼层 |阅读模式
Motorhead "Aftershock"
Жанр: Heavy Metal
Год издания: 2013
Издатель (лейбл): UDR GmbH
Аудиокодек: FLAC (*.flac), 24 bits 44.1 kHz
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:46:54
Источник (релизер): www.hdtracks.com (TestoST)
Наличие сканов в содержимом раздачи: да
Треклист:
01.Heartbreaker
02.Coup De Grace
03.Lost Woman Blues
04.End Of Time
05.Do You Believe
06.Death Machine
07.Dust And Glass
08.Going To Mexico
09.Silence When You Speak To Me
10.Crying Shame
11.Queen Of The Damned
12.Knife
13.Keep Your Powder Dry
14.Paralyzed
Об альбоме
Silence, silence
Silence when you speak to me!
-Lemmy Kilmister
Like the juggernaut you prayed would keep on crushing you, like the friend that still royally pisses off your parents and like a loyal standard of crunchy, greasy, punky, bluesy, gutsy screw-you rock’n’roll, Motorhead stride out through their 38th year brandishing more swagger and attitude then your ears could begin to comprehend.
On Oct 21st, 2013 Motorhead will deliver their 21st studio album, an enormous and prophetic Aftershock. Recorded at NRG Studios in North Hollywood,it is a true leveler, a crushing confirmation of everything Motorhead stands for, marching from the dust storm to deliver 14 belting statements which see Motorhead in perhaps their best writing form for years. There’s swagger, there’s punch, there’s speed and there’s dirty filthy grooves, Lemmy Kilmister, Phil Campbell and Mikkey Dee showing clearly that Motorhead is not simply a band, it’s a genre!
That genre, more than ever, resonates with hearty independence and swashbuckle. Whether it’s “Heartbreaker” throwing hooks and riffs into your head, the double-kick concussiveness of “Paralyzed” with Campbell’s fuelled attack, or the thunderous ride-off-the-Rickenbacker Motorcharge of “Going To Mexico”, Aftershock takes gleeful twists and turns which re-announce the Motorlegend. There’s the smokey biker bar blues in the shape of “Dust And Glass”, Lemmy’s late-night vocals evoking last-call and melancholy, the pogo-powered punk-spiked stab of “Queen Of The Damned” and the deliciously steamy, humid mournful “Lost Woman Blues” which midway through decides to kick over the stool and stomp out the saloon door.
“Steal it if you must, buy it if you can!” says Lemmy, who’s pride in the album is so immense that guests to his home and dressing room in the last couple of months have been treated to extremely loud airings of the rough mixes, while Phil Campbell adds, “I really think the variation on the album shows that we’ve dug deep and produced some of our best work for a long time.”
“It is,” says Mikkey Dee, “a really, really strong Motorhead album, one that really does define everything this band stands for.” He’s not wrong.
Because Motorhead are Motorhead are Motorhead…and their Aftershock will be felt worldwide…
                                                                                       
                       
                       
                       
                       
                       
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