Дмитрий Шостакович - Симфония №13 "Бабий Яр"
(на стихи Евгения Евтушко)
Dimiter Petkov - bass, London Symphony Orchestra and Chorus - coductor André Previn
Жанр: Classical
Носитель: LP
Год выпуска: 1980
Лейбл: Alto Records / EMI / His Master’s Voice | ASD 3911
Страна-производитель: UK
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: n/a
Формат раздачи: 24/96
Продолжительность: 01:02:36
Треклист:
A1. I. Бабий Яр - Adagio
B1. II. Юмор - Allegretto
B2. III. В магазине - Adagio
C1. IV. Страхи - Largo
C2. V. Карьера - Allegretto
Источник оцифровки: boxset.ru (THENIGHTOWL)
Код класса состояния винила: Неизвестно
Устройство воспроизведения: Technics SL1200-MK5 (modified)
Головка звукоснимателя: Audio Technica AT33PTG/II
Предварительный усилитель: AVID Pellar
АЦП: RME Hammerfall 9632
Программа-оцифровщик: Sound Forge 10
Обработка: ClickRepair (manual mode only)
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Уровень записи
Доп. информация
Поют по-русски, правда, с акцентом (Петков - с небольшим, хор - похуже).
André Previn made scores of recordings of Russian music in the 1970s and 1980s for EMI, virtually all of them stellar recordings and performances at the very least. This Shostakovich recording is among the best. A good 13th has to have a genuine Russian timber from both the chorus, soloist, and orchestra. That which is why I have disliked most Western recordings of the 13th, especially the much lauded Haitink/Concertgebouw recording on Decca/London.
Previn achieves a result that has all the Russian flavor one could ask for, and still get the more polished playing available from a Western orchestra. The chorus especially sounds more Russian than Haitink’s. Petkov is among the better soloists too. This is without a doubt the best 13th performance by a non-Russian orchestra and chorus I’ve heard.
The most interesting aspect of this set to me, though, is the audio quality. Recorded in 1979 with analogue equipment, the sound is vivid, the soundstage very real, and the tonal qualities are excellent throughout.
Randy Lane, amazon.com