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[民谣] (匈牙利进展民间,世界)[LP] [24/96]Makám--Közelíték/方法 - 1988,Flac(图片+ .cue)

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发表于 2020-12-8 17:15:23 | 显示全部楼层 |阅读模式
Makám - Közelítések/Approaches
Жанр: Hungarian Progressive Folk, World
Год выпуска: 1988
Лейбл: Hungaroton SLPX 18146
Страна-производитель: Hungary
Аудио кодек: FLAC
Тип рипа: image+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 49:22
Треклист:
A1 Keleti P.U./Eastern Railway Station 5:47
A2 Trió/Trio 1:15
A3 Indák/Trailers 11:46
A4 Panaszfal/The Waining Wall 3:37
B1 Fecskefészek-sziget/Swallow's Nest Island 7:58
B2 Közelítések/Approaches 3:17
B3 Kettős él/Double Edge 7:04
B4 Vízóra/Clepsydra 7:12
Источник оцифровки: автором раздачи
Код класса состояния винила: Ex
Устройство воспроизведения: Dual CS-505
Головка звукоснимателя: ortofon DE 165 E
Предварительный усилитель: Profitec TC-400
АЦП: EMU-0404 pci
Программа-оцифровщик: Wavelab 6
Обработка: -
Спектр-АЧХ-Уровень записи


Состав
Bencze László - bőgő, ütősök/Double bass, percussion
Krulik Zoltán - gitár, ütősök/guitar, percussion
Juhász Endre - oboa/oboe
Szalai Péter - tabla, marimba
Szőke Szabolcs - gadulka,sarangi
Thurnay Balázs - kaval,marimba
guest
Steven James sarod
Доп. информация:
Notes about the group
The group playing instrumental chamber music was formed in 1984 to establish a new music making form in which certain elements of European music, folklore of different ethnics, modern jazz and that of contemporary music would be synthetized.
One of the determining elements of the Makám Group's music is the world of harmony created by playing together on traditional instruments of geographically remote cultures and sounding these instruments differently from the traditional.
By applying various musical means-rhythmical asymmetry (Balkan), complex metrical structures of higher organization (North-Indian classical music), various tonal systems, tone models (Persian-Arabic maqams), relative twelve-note system, repetitive character, hoquet-principle (African, Malaysian pigmies, mediaeval European music)-the group tries to present the common features in the music of different peoples and ages and tries to represent that various musical instruments of different cultures can be applied at the same time thus creating a certain kind of new quality.                                                                                       
                       
                       
                       
                       
                       
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