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[民谣] (Bluegrass / Pocal)[LP] [24/96]艾莉森克鲁士&联盟站 - 这么久的错误 - 1997,FLAC(轨道)

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发表于 2020-12-8 17:15:24 | 显示全部楼层 |阅读模式
Alison Krauss & Union Station - So Long So Wrong
Жанр: Bluegrass / Vocal
Год выпуска: 1997
Лейбл: Mobile Fidelity Sound Lab (MFSL 2-276)
Страна-производитель: US
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24 bit / 96 khz
Формат раздачи: 24 bit / 96 khz
Продолжительность: 48:13Треклист:
Side One
So Long So Wrong (Patrick Brayer, Walden Dahl)
No Place to Hide (Bob Lucas)
Deeper Than Crying (Mark Simos)
I Can Let Go Now (Michael McDonald)
Side Two
The Road Is a Lover (Bob Lucas)
Little Liza Jane (Public Domain)
It Doesn't Matter (Harley Allen)
Find My Way Back to My Heart (Mark Simos)
Side Three
I'll Remember You Love in My Prayers (Public Domain)
Looking in the Eyes of Love (Kostas Lazarides, Tricia Walker)
Pain of a Troubled Life (Ron Block)
Side Four
Happiness (Michael McDonald, Viktor Krauss)
Blue Trail of Sorrow (Jeff White)
There Is a Reason (Ron Block)
Источник оцифровки: Thanks - Dr. Robert
Тех. информация
Vinyl condition: New Sealed
Nitty Gritty RCM 1.5
Technics SL-1210 MK2 DD Turntable
Origin Live OL1 fully modified tone arm (Rega RB250)
Audio-Technica AT33EV MC Cartridge
Pro-ject Tube Box SE II Preamp
Tascam US-144 external USB 2.0 Audiointerface
AudioQuest G-Snake LGC interconnects
Mac Pro Dual Zeon 2.66 GHz
Bias Peak Pro 6.2 recording software
Click Repair 3.4.1 for de-click (manual mode only)
iZotope RX Advanced 2.0 for Redbook conversion
xACT 1.71 for Redbook SBE correction
XLD Version 20110611 (135.0) for FLAC conversion
RCM > TT > AT33EV > TubeBox preamp > ADC > Mac Pro > Peak Pro @ 24/96 >
analyze (no clipping, DC Bias offset correction, each side gain adjusted to -0.5 dB) > split into individual tracks >
Click Repair 3.4.1 used in manual mode, 20~30 Rev, Pitch Protection, X2 >
FLAC encoded Level 8 with XLD

Спектр






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Уровень записи






Уровень записи
So Long So Wrong is the seventh album by Bluegrass group Alison Krauss & Union Station, released March 25, 1997. The album reached number 4 on Billboard's Country Albums chart. Some critics said it was "untraditional" and "likely [to] change quite a few... minds about bluegrass." At the Grammy Awards of 1998 So Long So Wrong won three Grammy Awards: the Grammy Award for Best Country Performance by a Duo or Group with Vocal for "Looking in the Eyes of Love", Best Country Instrumental Performance for "Little Liza Jane", and Best Bluegrass Album.
After mainstream success happened for Alison Krauss & Union Station, one would have rightly expected a commercial sweetening of their sound, resulting in diminishing (or even abandoning) the simple but very unique thing that brought them into the public eye -- and eventual public acclaim -- in the first place. But the group's first new recording in the wake of the surprise success of Now That I've Found You: A Collection finds Alison Krauss & Union Station happily keeping their eclectic focus firmly on the prize stretched before them with no silly attempts to court the hat-hunk-of-the-month or the boot-scoot-boogie crowd. Despite the media's singling out of Krauss as country's new bluegrass solo diva, Union Station (with Krauss as simply a featured member of it) remains very much a group, and that's the real refreshing news here.
It is that collective spirit that remains the reoccurring theme and the resounding musical point being made here, and it is the solid anchor that roots this album into place from beginning to end. Krauss' expert evocative way with a ballad is on full display here, with "Deeper Than Crying" and "It Doesn't Matter" featuring her on violas, adding a new voice to Union Station's sound. But the lead vocals are passed around among Krauss, mandolinist Adam Steffey, guitarist Dan Tyminski, and banjoist Ron Block, while Krauss' fiddle work in a backup capacity is an integral part of the sound as well. All in all, this is a totally un-gimmicky album that flies in the face of what usually happens when mainstream success comes calling. And, as a result of that commitment to quality and musical focus, one that makes you want to play it again when it's all over.

Состав исполнителей
Alison Krauss – vocal, fiddle
Dan Tyminski – guitar, bass, vocals
Ron Block – guitar, banjo, vocals
Barry Bales – bass, vocals
Adam Steffey – mandolin, mandola, vocals
                                                                                       
                       
                       
                       
                       
                       
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