PART 1
Janet Jackson - 33 Singles, 3 Remixes, 1 Album - 1986-2008, FLAC (tracks+.cue), lossless
专辑风格: Pop/Funk/Soul
发行年代: 1986-2008
资源: FLAC
格式: tracks+.cue总时长: 18:05:32
专辑列表：
More Control [Remix] 1986
Control - The Remixes 1987
Escapade (The Remixes) 1989
Love Will Never Do (Without You) [Remix] 1989
Black Cat [Promo CDS] 1989
Miss You Much [CDM] 1989
Black Cat [German CDS] 1990
Love Will Never Do (Without You) (The Remixes) 1990
Alright [CDM] 1990
Luther Vandross & Janet Jackson - The Best Things In Life Are Free [CDM] 1992
Throb [CDM] 1993
Because Of Love [CDM] 1993
If [CDM] 1993
That's The Way Love Goes [CDM] 1993
Any Time, Any Place [CDM] 1994
Runaway [Single] 1995
Runaway (The Remixes) [Promo CDM] 1995
Runaway [CDM] 1995
Son Of A Gun [Promo CDS] 1995
The Pleasure Principle - Alright [CDM] 1996
Twenty Foreplay [CDM] 1996
Together Again [CDM] 1997
Together Again [France CDS] 1997
Got 'Til It's Gone (feat. Q-Tip & Joni Mitchell) [CDM] 1997
Every Time [CDM] 1998
Go Deep [CDM] 1998
I Get Lonely [UK CDM] 1998
I Get Lonely [US CDM] 1998
I Get Lonely [Promo CDS] 1998
Doesn't Really Matter [CDM] 2000
All For You [CDS] 2001
Someone To Call My Lover [CDM] 2001
Just A Little While [EU CDM] 2004
Just A Little While [US Promo] 2004
20 Y.O. [Album] (Japanese) 2006
Feedback [Single] 2008
Rock With U [Promo CDS] 2008
专辑列表：
1982 - Janet Jackson
1984 - Dream Street
1986 - Control
1989 - Rhythm Nation 1814
1993 - Janet.
1995 - Janet.Remixed
1995 - Design of a Decade 1986-1996 [compilation]
1997 - The Velvet Rope
2001 - All for you
2004 - Damita Jo
2006 - 20Y.O
PART 3
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Janet Jackson - The Best (2CD)
专辑曲风: pop
发行时间: 2009
资源: FLAC
格式: image+.cue
专辑时长: 2:33:57
专辑曲目:
CD1
01. What have you done for me lately [4:43]
02. Nasty [4:04]
03. Whenk i think of you [3:55]
04. Control [5:54]
05. Let's wait awhile [4:37]
06. The pleasure principle [4:14]
07. Diamonds [4:53]
08. Miss you much [4:13]
09. Rhythm nation [5:30]
10. Escapade [4:45]
11. Alright [4:59]
12. Come back to me [5:36]
13. Black cat [4:32]
14. Love will never do (without you) [4:35]
15. The best things in life are free [4:37]
16. That's the way love goes [4:27]
17. When i think of you (morales remix edit) [3:29]
CD2
01. If [4:32]
02. Again [3:48]
03. Because of love [4:18]
04. Any time any place [5:12]
05. Scream [4:02]
06. Runaway [3:35]
07. Got 'til it's gone [3:36]
08. Together again [4:07]
09. I get lonely [4:01]
10. Go deep [4:43]
11. What's it gonna be [4:03]
12. Doesn't really matter [4:56]
13. All for you [4:32]
14. Someone to call my lover [4:15]
15. Call on me [3:35]
16. Feedback [3:56]
17. Whoops now [4:07]
18. Make me [3:38]
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Janet Jackson - Number Ones
专辑曲风: Pop
发行地区: US
发行时间: 2009
唱片公司: A&M Records
唱片编号: B0013612-02
唱片地区: United States
资源: FLAC (*.flac)
格式: tracks+.cue
专辑时长:
CD1:1:15:31
CD2:1:14:16
总时长: 2:29:47
专辑曲目:
Disc 1
01. What Have You Done For Me Lately [4:43]
02. Nasty [4:03]
03. When I Think Of You [3:55]
04. Control [5:54]
05. Let's Wait Awhile (Single Remix Version) [4:37]
06. The Pleasure Principle [4:14]
07. Diamonds (with Herb Alpert) [4:53]
08. Miss You Much [4:12]
09. Rhythm Nation [5:29]
10. Escapade [4:45]
11. Alright (7" Video Version with Rap) [4:58]
12. Come Back To Me [5:35]
13. Black Cat (Video Mix/Short Solo Single Album) [4:31]
14. Love Will Never Do (Without You) [4:34]
15. The Best Things In Life Are Free (with Luther Vandross and special guests BBD & Ralph Tresvant) [4:36]
16. That's The Way Love Goes [4:26]
Disc 2
01. If [4:32]
02. Again [3:47]
03. Because Of Love [4:17]
04. Any Time, Any Place [5:11]
05. Scream (with Michael Jackson) [4:01]
06. Runaway [3:34]
07. Got 'til It's Gone (Featuring Q-Tip & Joni Mitchell) [3:36]
08. Together Again [4:07]
09. I Get Lonely (Featuring BLACKstreet) [4:01]
10. Go Deep [4:43]
11. What's It Gonna Be?! (Featuring Busta Rhymes) [4:02]
12. Doesn't Really Matter [4:56]
13. All For You (Video Single Mix) [4:32]
14. Someone To Call My Lover [4:14]
15. All Nite (Don't Stop) [3:27]
16. Call On Me (With Nelly) [3:35]
17. Feedback [3:55]
18. Make Me [3:38]
专辑下载：
Janet Jackson的艺人档案
小简介
先是2001年初全美音乐奖的杰出艺人奖，随后是首届mtvICON荣誉艺人奖，接连而来的至高殊荣让Janet Jackson（珍妮）的倩影在2001年再度闪耀乐坛；随着全新大碟《All For You》的推出，Janet引领着歌迷继续珍爱她的美丽与音乐。
回溯至15年前的Janet，在前两张专辑惨遭滑铁卢下，印证了Jackson家族这个绿荫并不完全能够保证和帮助Janet在歌坛有所成就。一直到《Control》专辑的推出，才让人们体会年方19的Janet正努力蜕变为一个具有独立性格的新女性，与Jimmy Jam&Terry Lewis(后来成为Janet的长期御用制作人)的首度合作则展现了她对音乐制作品质上的强烈企图心。果不其然，Janet所付诸的心血让《Control》的首支单曲《What Have You Done For Me Lately?》成功进占Billboard Hot 100 singles季军，成为Janet第一首排行劲曲，而这支音乐录像带也建立了Janet予人的第一印象——甜美的笑容与俐落的舞蹈。之后《When I Think Of You》为Janet拿下首支冠军曲时，霎时Janet再也不只是Jackson家族的小妹，而是能独当一面、锋芒渐露的畅销女艺人。
1989年的《Rhythm Nation 1814》再将Janet推往乐坛巨星的地位；从《Miss You Much》之后的7支单曲惊人地全数闯入Top5，包括了《Escape》、《Black Cat》等四首冠军单曲，令Janet在单曲榜上叱咤达两个年头。全美800万张的销量也为Janet带来了“年度最畅销流行专辑”等九项Billboard音乐奖与五项全美音乐奖，重要的是她的音乐奖项更横跨了流行、R&B和舞曲等不同领域。屡次在音乐录像带的拍摄上有所突破格局的Janet，也在1990的MTV音乐录像带大奖获颁“音乐录像带先锋”奖。纵使同时期有Paula Abdul等同型女歌手不断窜起，时至今日却只有Janet仍然不减当年风光。
选自《Rhythm Nation 1814》的最后一首单曲《Love Will Never Do(Without You)》代表了Janet形象方面的转折点。之前的Janet总是摆脱不了太过“丰腴”的外型，所以常常只能以一身裹得紧紧的黑衣示人。这回在请到名摄影师Herb Ritts掌镜的音乐录像带中，Janet意外地仅着薄衫，大展瘦身成功的轻盈身型，让人们大大惊艳于Janet性感诱人的一面。这支音乐录像带不但助Janet抱走当年MTV年度最佳女歌手音乐录像带奖，也巧妙塑造了Janet的性感形象，自此以后Janet得以从害羞的邻家女孩晋身为新一代的性感女神。
1995年Janet和哥哥Micheal Jackson终于决定携手粉碎彼此感情不和的谣言，在Micheal的精选集《History》中破天荒合唱《Scream》，更为此曲拍摄出了史上花费最钜的音乐录像带。然而在老东家为她发行十年有成精选集《Design of a Decade》后不久，Janet似乎陷入了“Jackson”这个姓氏的迷思，毅然在新作《The Velevt Rope》的挂名上，拿掉了姓氏而仅以“Janet”之名出现；专辑的封面照上Janet也刻意不以正面示人，象征了此张大碟将会是她最具个人色彩，并将焦点聚光在音乐本质的作品，是一张蕴含深隧意境的近概念式专辑。
蛰伏了一段时间后，Janet于2000年重新回到电影界，与艾迪墨菲搭档演出《肥佬教授》；而Janet为电影所演绎的主题曲《Doesn't Really Matter》重返了Janet早期歌曲的欢愉流行色彩，再次为Janet夺下了单曲榜冠军佳绩，也为Janet力保天后地位的决心下了个伏笔。来到2001年，前要面临新生代小天后如Britney Spears或Christina Arguilera独领风骚的乐坛，后要淡化在同一天里“结婚又离婚”的负面新闻并摆脱前夫纠缠，虽然腹背受敌，但是将自己调整到最佳状态的Janet，总算满怀信心地推出了深具80年代流行disco风味的全新单曲《All For You》。不出所料，新单曲的佳绩让Janet重振天后封号，光凭点播率就在首周登陆了单曲榜的14名，创下排行历史新页，而在仅仅5周的爬升后更已跃入第一名，让Janet坐上相当具有纪念价值的第十次Billboard singles榜冠军宝座，也为她赢得了第44届格莱美“最佳流行女歌手”、“最佳流行演唱专辑”以及“最佳舞曲”三项大奖的提名！
Few celebrity siblings can emerge from the shadows of their already famous relations to become superstars in their own right and with their own distinct personalities. That's exactly what Janet Jackson did in becoming one of the biggest female pop and R&B stars of the '80s and '90s. Since her breakthrough in 1986 with the album Control, Jackson's career as a hitmaker has been a model of consistency, rivaling Madonna and Whitney Houston in terms of pop chart success over the long haul. A big part of the reason was that Jackson kept her level of quality control very high; her singles were always expertly crafted, with indelible pop hooks and state-of-the-art production that kept up with contemporary trends in urban R&B. Once established, her broad-based appeal never really dipped all that much; she was able to avoid significant career missteps, musical and otherwise, and successfully shifted her image from a strong, independent young woman to a sexy, mature adult. With a string of multi-platinum albums under her belt, she showed no signs of slowing down in the new millennium.
Janet Damita Jo Jackson was born May 16, 1966, in Gary, IN. She was the youngest of nine children in the Jackson family, and her older brothers had already begun performing together as the Jackson 5 by the time she was born. Bitten by the performing bug at a young age, she first appeared on-stage with the Jackson 5 at age seven, and began a sitcom acting career at the age of ten in 1977, when producer Norman Lear selected her to join the cast of Good Times. She remained there until 1979, and subsequently appeared on Diff'rent Strokes (1981-1982) and A New Kind of Family. In 1982, pushed by her father into trying a singing career, Jackson released her self-titled first album on A&M; a couple of singles scraped the lower reaches of the charts, but on the whole, it made very little noise. She was cast in the musical series Fame in 1983; the following year, she issued her second album, Dream Street, which sold even more poorly than its predecessor. Upon turning 18, Jackson rebelled against her parents' close supervision, eloping with a member of another musical family, singer James DeBarge. However, the relationship quickly hit the rocks and Jackson wound up moving back into her parents' home and having the marriage annulled.
Jackson took some time to rethink her musical career, and her father hired her a new manager, John McClain, who isolated his young charge to train her as a dancer (and make her lose weight). McClain hooked Jackson up with producers/writers Jimmy Jam and Terry Lewis, whom she'd seen perform as members of the Minneapolis funk outfit the Time. Jackson collaborated with Jam and Lewis on most of the tracks for her next album, Control, which presented her as a confident, tough-minded young woman (with a soft side and a sense of humor) taking charge of her life for the first time. In support of Jackson's new persona, Jam and Lewis crafted a set of polished, computerized backing tracks with slamming beats that owed more to hard, hip-hop-tinged funk and urban R&B than Janet's older brother Michael's music. Control became an out-of-the-box hit, and eventually spun off six singles, the first five of which — "What Have You Done for Me Lately," the catch phrase-inspiring "Nasty," the number one "When I Think of You," the title track, and the ballad "Let's Wait Awhile" — hit the Top Five on the pop charts. Jackson was hailed as a role model for young women and Control eventually sold over five million copies, establishing Jackson as not just a star, but her own woman. It also made Jam and Lewis a monstrously in-demand production team.
For the hotly anticipated follow-up, McClain wanted to push Jackson toward more overtly sexual territory, to which she objected strenuously. Instead, she began collaborating with Jam and Lewis on more socially conscious material, which formed the backbone of 1989's Rhythm Nation 1814 (the "1814" purportedly stood for either the letters "R" and "N" or the year "The Star-Spangled Banner" was written). Actually, save for the title track, most of the record's singles were bright and romantically themed; four of them — "Miss You Much," "Escapade," "Black Cat," and "Love Will Never Do (Without You)" — hit number one, and three more — "Rhythm Nation," "Alright," and "Come Back to Me" — reached the Top Five, making Jackson the first artist ever to produce seven Top Five hits off of one album (something not even her brother Michael had accomplished). Aside from a greater use of outside samples, Rhythm Nation's sound largely resembled that of Control, but was just as well crafted, and listeners embraced it enthusiastically, buying over six million copies. Jackson undertook her first real tour (she'd appeared at high schools around the country in 1982) in support of the album and it was predictably a smashing success. In 1991, Jackson capitalized on her success by jumping from A&M to Virgin for a reported $32 million, and also secretly married choreographer and longtime boyfriend René Elizondo.
Once on Virgin, Jackson set about revamping her sound and image. Her 1992 duet with Luther Vandross from the Mo' Money soundtrack, "The Best Things in Life Are Free," was a major R&B hit, also reaching the pop Top Ten. The following year, she also resumed her acting career, co-starring in acclaimed director (and former junior high classmate) John Singleton's Poetic Justice, along with rapper Tupac Shakur. But neither really hinted at the sexy, seductive, fully adult persona she unveiled with 1993's janet., her Virgin debut. Jackson trumpeted her new image with a notorious Rolling Stone cover photo, in which her topless form was covered by a pair of hands belonging to an unseen "friend." Musically, Jam and Lewis set aside the synthesized funk of their first two albums with Jackson in favor of warm, inviting, gently undulating grooves. The album's lead single, the slinky "That's the Way Love Goes," became Jackson's biggest hit ever, spending eight weeks at number one. It was followed by a predictably long parade of Top Ten hits — "If," the number one ballad "Again," "Because of You," "Any Time, Any Place," "You Want This." janet.'s debut showing at number one made it her third straight chart-topping album, and it went on to sell nearly seven million copies.
In 1995, Janet and Michael teamed up for the single "Scream," which was supported by an elaborate, award-winning, space-age video that, upon completion, ranked as the most expensive music video ever made. The single debuted at number five on the pop charts, but gradually slid down from there. In 1996, A&M issued a retrospective of her years at the label, Design of a Decade 1986-1996; it featured the Virgin hit "That's the Way Love Goes" and a few new tracks, one of which, "Runaway," became a Top Five hit. Jackson also signed a new contract with Virgin for a reported $80 million. Yet while working on her next album, Jackson reportedly suffered an emotional breakdown, or at least a severe bout with depression; she later raised eyebrows when she talked in several interviews about the cleansing value of coffee enemas as part of her treatment. Her next album, The Velvet Rope, appeared in 1997 and was touted as her most personal and intimate work to date. The Velvet Rope sought to combine the sensuality of janet. with the more socially conscious parts of Rhythm Nation, mixing songs about issues like domestic abuse, AIDS, and homophobia with her most sexually explicit songs ever. Critical opinion on the album was pided; some applauded her ambition, while others found the record too bloated. The lead American single "Together Again," an elegy for AIDS victims, was a number one hit; also popular on the radio was "Got 'til It's Gone," which featured rapper Q-Tip and a sample of Joni Mitchell over a reggae beat. "I Get Lonely," featuring Blackstreet, was another big hit; but on the whole, The Velvet Rope didn't prove to be the blockbuster singles bonanza that its predecessors were, which was probably why its sales stalled at around three million copies.
Jackson toured the world again, and stayed on the charts in 1999 with the Top Five Busta Rhymes duet "What's It Gonna Be?!"; her appearance in the video remade her as a glitzy, artificially costumed, single-name pa. In 2000, she appeared in the Eddie Murphy comedy Nutty Professor II: The Klumps, and her soundtrack contribution, "Doesn't Really Matter," became a number one single. Unfortunately, Jackson's marriage to Elizondo had become strained and the couple porced in 2000, sparking a court battle over her musical income. Jackson returned with a new album, All for You, in 2001, which largely continued the sensual tone of janet. and The Velvet Rope; it debuted at number one, selling over 600,000 copies in its first week alone. The title track was issued as the album's first single and quickly topped the charts, followed by another sizable hit in "Someone to Call My Lover."
While Jackson spent much of 2001 and 2002 on the road supporting All for You, she also found time for some guest appearances, most notably with Beenie Man on his Tropical Storm LP and Justin Timberlake on Justified. By 2003 she was back in the studio, working once again with Jam and Lewis on tracks for a new album; additional producers included Dallas Austin and Kanye West. Later that year, it was revealed Jackson would take part in an MTV-produced extravaganza during halftime at the Super Bowl. 2004 began with an Internet leak of the upbeat Austin production "Just a Little While." The singer's camp rolled with the punches, offering the track to radio as an authorized digital download, but the buzz this business caused was minuscule in comparison to the nightmare union of free exposure and bad publicity that Jackson's next adventure caused. Appearing at halftime of Super Bowl XXXVIII as scheduled, Jackson performed "All for You" and "Rhythm Nation" before bringing out surprise guest Timberlake for a duet on his hit "Rock Your Body." But the real surprise came at song's end, when a gesture from Timberlake caused Jackson's costume to tear, exposing her right, pierced breast on live television to hundreds of millions of viewers.
The incident caused furious backpedaling and apologizing from Timberlake, Jackson, the NFL, CBS, and MTV, which swore no previous knowledge of the so-called "wardrobe malfunction," and led to speculation over how Damita Jo — Jackson's upcoming album and her first in three years — would be received. But while the controversy gave Jackson both grief and a bit of free advertising, it was also the impetus for a national debate on public indecency. A federal commission was set up to investigate prurience, the FCC enacted tougher crackdowns on TV and radio programs broadcasting questionable content, and suddenly everyone from pundits to politicians to the man in the street had an opinion on Janet Jackson's chest. Later that March, the singer quietly started making the talk show rounds. She was still apologizing for the incident, but she was also promoting Damita Jo, which Virgin issued at the end of the month. Largely considered a disappointment, the album nonetheless sold over two million copies worldwide and earned three Grammy nominations. 20 Y.O. followed two years later, and though it was reviewed more favorably than Damita Jo, it was off the Billboard 200 album chart after 15 weeks. Jermaine Dupri, Jackson's love interest and the executive producer of the album, was so upset over Virgin's lack of support that he left his post as president of Virgin's urban pision. Dupri moved to Island, and so did Jackson; in 2008, Jackson released her tenth studio album, Discipline.
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