Hannes Minnaar, Jan Willem de Vriend & The Netherlands Symphony Orchestra / Ludwig van Beethoven. Piano Concertos nos. 1 & 2. Complete piano concertos vol. 2
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2016
Жанр: Classical
Издатель (лейбл): Challenge Records
Продолжительность: 01:08:22
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
Piano Concerto no. 2 in B flat major op. 19 (ca. 1788-1801)
1. Allegro con brio
2. Adagio
3. Rondo: Allegro molto
Piano Concerto no. 1 in C major op. 15 (1795; rev.1800)
4. Allegro con brio
5. Largo
6. Rondo: Allegro
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 256 (11.2MHz/1bit)
Формат: DSD256
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2019-08-24 14:01:52
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Analyzed: Hannes Minnaar, The Netherlands Symphony Orchestra, Jan Willem de Vriend / Beethoven: Piano Concertos Nos. 1 & 2 - Complete Piano Concertos, Vol. 2
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DR Peak RMS Duration Track
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DR15 -0.90 dB -22.11 dB 17:49 01-Piano Concerto No. 2 in B flat major, Op. 19: I. Allegro con brio
DR14 -7.13 dB -26.48 dB 7:29 02-Piano Concerto No. 2 in B flat major, Op. 19: II. Adagio
DR13 -4.56 dB -24.01 dB 6:11 03-Piano Concerto No. 2 in B flat major, Op. 19: III. Rondo: Allegro molto
DR15 -0.90 dB -22.11 dB 17:49 04-Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio
DR16 -6.07 dB -27.99 dB 10:13 05-Piano Concerto No. 1 in C major, Op. 15: II. Largo
DR15 -0.16 dB -21.81 dB 8:51 06-Piano Concerto No. 1 in C major, Op. 15: III. Rondo: Allegro
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Number of tracks: 6
Official DR value: DR15
Samplerate: 11289600 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 22579 kbps
Codec: DSD256
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Источник (релизер): https://www.spiritofturtle.com/shop/beethoven-piano-concertos-nos-1-2-download/?v=3943d8795e03
The Netherlands Symphony Orchestra
The Netherlands Symphony Orchestra is based in Enschede, in the province of Overijssel. Performing at an international level, as evidenced by its highly acclaimed CDs and invitations for international tours, the orchestra is fimly rooted in society.
Jan Willem de Vriend has been its artistic director and chief conductor since 2006. Under De Vriend’s leadership, the orchestra has expanded its repertoire to cover music from four centuries. Its use of period instruments in the Classical repertoire gives the orchestra a distinctive and highly individual character.
The Netherlands Symphony Orchestra performs amongst others in Amsterdam, Rotterdam, Utrecht, Enschede, Zwolle and Deventer. In addition, it often works with the Dutch National Touring Opera Company. In its home town Enschede, the orchestra builds on a symphonic tradition of more than 80 years, and it is known as one of the most modern and entrepreneurial orchestras in the Netherlands. Its international partners include the BBC Philharmonic and the Liszt School of Music Weimar.
The Netherlands Symphony Orchestra created a number of ensembles, such as a chamber orchestra, the Baroque Academy of The Netherlands Symphony Orchestra (BANSO) and various chamber music ensembles. The orchestra’s commitment to expanding its social relevance is also reflcted in the large number of projects in which education is a key element.
The Netherlands Symphony Orchestra has made successful tours of the United States, Spain, China and England, and it has performed in such famous venues as Carnegie Hall in New York and Birmingham Symphony Hall. Its CDs of the complete Beethoven symphonies (for Challenge Classics) and music by Dutch composers such as Julius Röntgen and Jan van Gilse (for the CPO label) were very well received by the international music press.
The orchestra has worked with distinguished conductors, such as its former chief conductor Jaap van Zweden, Vasily Petrenko, Edo de Waart, Hans Vonk, Gerd
Albrecht, Marc Soustrot, Eri Klas, Ed Spanjaard, Claus Peter Flor and Tan Dun.
It also has accompanied many celebrated soloists, including Gidon Kremer, Ronald Brautigam, Natalia Gutman, Charlotte Margiono, Antje Weithaas, Marie-Luise Neunecker, Hélène Grimaud, Robert Holl, Fazil Say, Jean-Yves Thibaudet and Thomas Zehetmair. The Netherlands Symphony Orchestra is fiancially supported by the Dutch Ministry of Education, Culture and Science, the Province of Overijssel and the Municipality of Enschede, as well as annual contributions from sponsors.
Композитор: Ludwig van Beethoven (17 December 1770 – 26 March 1827) was a German composer and pianist (если кто не знает).
Jan Willem de Vriend
Jan Willem de Vriend was appointed chief conductor and artistic director of The Netherlands Symphony Orchestra in 2006. Since then, The Netherlands Symphony Orchestra has become a notable phenomenon on the Netherlands’ musical scene. It has presented semi-scenic performances of works by Mozart, Beethoven, Strauss and Mendelssohn. There were premieres of works by Offenbach, Say and Mahler. And by substituting period instruments in the brass section, it has developed its own distinctive sound in the 18th and 19th century repertoire. It has recorded Beethoven’s complete symphonies conducted by de Vriend.
Opera conducting has come to play a signifiant role in de Vriend’s career. He has led the Combattimento Consort Amsterdam (being artistic director from (1982 – 2013) in unknown operas by Gassmann, Rameau, Heinchen and Haydn, among others, as well as familiar operas by such composers as Monteverdi, Handel, Rossini and Mozart. For the opera houses of Lucerne, Strasbourg, Barcelona, Moscow and Enschede, he has conducted operas by Handel, Mozart, Verdi, Strauss and others. De Vriend is music director of Opera St. Moritz. He has 12 13 conducted many distinguished Dutch orchestras, including the Royal Concertgebouw Orchestra, the Netherlands Radio Philharmonic Orchestra and The Hague Philharmonic Orchestra. De Vriend is also a welcome guest internationally and has conducted orchestras in China, Germany, Austria, Italy and France.
Состав
Hannes Minnaar - piano
Jan Willem de Vriend (cond.) & The Netherlands Symphony Orchestra
Hannes Minnaar
Hannes Minnaar received international acclaim after winning prizes at the Queen Elisabeth Competition (3rd prize) and the Geneva International Music Competition (2nd prize). He studied with Jan Wijn at the Amsterdam Conservatory, graduating with the highest distinction and took Master classes with Alfred Brendel, Menahem Pressler and Ferenc Rados. In addition, he studied organ with Jacques van Oortmerssen.
Minnaar was soloist with various orchestras, including the Royal Concertgebouw Orchestra, during which time he worked with conductors such as Marin Alsop, Herbert Blomstedt, Frans Brüggen, Eliahu Inbal and Edo de Waart. He gives recitals in many European countries and around the world. He performed at the Royal Concertgebouw (Amsterdam), Gewandhaus (Leipzig) and Musashino Hall (Tokyo) and was invited to the festivals of La Roque d’Anthéron, Bordeaux (Jacobins), Bahrein and Guangzhou.
Minnaar is also active as a chamber musician. His Van Baerle Trio won prizes at competitions in Lyon (CIMCL, 1st prize) and Munich (ARD, 2nd prize). Last season, the trio gave 18 concerts in an international tour in the “Rising Stars” series, including the Barbican, Musikverein (Vienna) and Cité de la Musique (Paris). Minnaar also performed with musicians such as Janine Jansen, Isabelle van Keulen and Mischa Maisky.
His two solo albums are highly acclaimed. His debut album was awarded an Edison and Gramophone published a full-page article about this album. The same magazine wrote this about his second album “Bach inspirations”: “After Minnaar’s debut disc, this makes two hits in a row”. BBC Music Magazine selected it as “Instrumental choice of the month” with 5 stars. Other future highlights include concerts with the Radio Philharmonic Orchestra under the baton of Markus Stenz and the London Philharmonic Orchestra conducted by Andrés Orozco-Estrada.
Об альбоме (сборнике)
Before we listen to the young Dutch pianist Hannes Minnaar play Beethoven’s first two piano concertos, it is perhaps interesting to see how another young pianist may have played them once, long ago – a German who lived in Vienna, a headstrong and temperamental genius. His name? Ludwig van Beethoven. His pupil, the famous composer of etudes and sensitive observer Carl Czerny, once described his playing: “[…] characterised by passionate strength, alternated with all the charm of a smooth cantabile. The expressiveness is often intensified to extremes, particularly when the music tends towards humour […] Passages become extremely daring by use of the pedal […] His playing does not possess that clean and brilliant elegance of certain other pianists. On the other hand, it was spirited, grand and, especially in the adagio, filled with emotion and romanticism.” Strength. Smoothness. Humour. Focus on these aspects and you will come close to Beethoven. Minnaar, De Vriend and The Netherlands Symphony Orchestra play the concertos in reverse order: first 2, then 1.Artistically, it is highly defensible: introduced as it were by the more balanced, more modest Piano Concerto no. 2, no. 1 radiates all the more festiveness (trumpets, clarinets and tympani have come to join the orchestra). Perhaps the lovely, gentle, almost feminine B flat major of Concerto no. 2 would not have been able to hold its own after the male and martial C major. But there is something else. You see, Piano Concerto no. 2 actually came first. It was composed earlier, at least in its initial version.
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发表于 2021-4-13 14:09:42
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