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[古典] [Tr24] [] Tchaikovsky - 胡桃夹子(伦敦交响乐团的Andre Previn) - 1972/2012(古典)

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发表于 2021-4-13 14:09:44 | 显示全部楼层 |阅读模式
Andre Previn with London Symphony Orchestra - Tchaikovsky: The Nutcracker
Жанр: Classical
Год записи: 1972
Год издания: 2012 (2011-Remaster)
Издатель (лейбл): EMI Classics
Аудиокодек: FLAC 24bit 96kHz
Тип рипа: tracks
Продолжительность: 86:15
Треклист:
1 Miniature Overture 3:29
2 Decoration of the Christmas Tree 4:17
3 March 2:24
4 Children's Galop and Entry of the Parents 2:27
5 Arrival of Drosselmayer 5:43
6 The Nutcracker and Grandfather Dance 5:43
7 Departure of the guests (Clara and the Nutcracker) 6:36
8 The Battle and Transformation Scene 3:21
9 The forest of fir trees in Winter (Journey through the snow) 3:58
10 Waltz of the Snowfalkes 6:21
11 The Enchanted Palace of the Kingdom of Sweets (The magic castle) 4:30
12 Arrival of Clara and the Nutcracker 4:34
13 Chocolate (Spanish Dance) 1:11
14 Coffee (Arab Dance) 3:12
15 Tea (Chinese Dance) 1:07
16 Trepak (Russian Dance) 1:07
17 Dance of the Mirlitons (Flutes) 2:17
18 Mother Gigogne and the Clowns 2:57
19 Waltz of the Flowers 6:54
20 Pas de deux 4:57
21 Variation I (Tarantella) 0:41
22 Variation II (Dance of the Sugar-Plum Fairy) & Coda 3:29
23 Final Waltz & Apotheose 5:00


О мастеринге
This stunning audiophile download celebrates one of Tchaikovsky’s most beloved works, The Nutcracker. The ballet is an absolute masterpiece from start to finish. Under the leadership of acclaimed conductor Andre Previn, the London Symphony Orchestra blends clarity with flawless technique. Upheld to the highest standards, Previn delivered a masterful interpretation of this historic work complemented by the orchestra’s relentless commitment.
About the Mastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.
In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.
Simon Gibson, January 2012
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