Beethoven: String Quartets
J.S.Bach: Violin Concertos
Barchet Quartet, Reinhold Barchet
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2016
Жанр: Classical/Strings/Orhestral/Chamber/Violin
Издатель (лейбл): Nippon / Tower
Продолжительность: 02:36:35
Наличие сканов в содержимом раздачи: Только обложка альбомаBarchet Qurtett:
Reinhold Barchet: violin, Will Beh: violin
Hermann Hirschfelder: viola, Helmut Reimann: violincelloКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Tower Records [TWSA-1035-36]
Источник (релизер): WEB https://tower.jp/item/4335535/%E3%83%99%E3%83%BC%E3%83%88%E3%83%BC%E3%83%B4%E3%82...5%AE%9A%EF%BC%9E
Треклист
Треклист:
CD1
Beethoven:String Quartet No.9 "Razumovsky No.3
01. I-Introduzione: Andante con moto-Allegro vivace 00:08:16
02. II-Andante con moto quasi Allegretto 00:10:58
03. III-Menuetto 00:05:28
04. IV-Allegro molto 00:06:51
Beethoven:String Quartet No.15
05. I-Assai sostenuto-Allegro 00:09:16
06. II-Allegro ma non tanto 00:08:59
07. III-Molto adagio-Andante 00:17:56
08. IV-Alla Marcia, assai vivace 00:02:24
09. V-Allegro appassionato 00:07:52
CD2
Beethoven:String Quartet No.1
1. I-Allegro con brio 00:07:09
2. II-Adagio affettuoso ed appassionato 00:12:18
3. III-Scherzo; Allegro molto 00:03:45
4. IV-Allegro 00:06:50
J.S.Bach:Violin Concerto No.1 BWV 1041
5. I-(Allegro) 00:04:14
6. II-Andante 00:06:44
7. III-Allegro assai 00:03:54
J.S.Bach:Violin Concerto No.2 BWV 1042
8. I-Allegro 00:08:39
9. II-Adagio 00:07:06
10. III-Allegro assai 00:03:05
J.S.Bach:Concerto for 2 Violins and Orchestra BWV 1043
11. I-Vivace 00:03:58
12. II-Largo ma non tanto 00:06:49
13. III-Allegero 00:04:57
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2020-02-01 02:11:26
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Анализ: Barchet Quartet, Reinhold Barchet / Beethoven:String Quartets, J.S.Bach:Violin Concertos
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DR Пики RMS Продолжительность трека
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DR11 -8.80 дБ -25.47 дБ 8:13 01-Beethoven:String Quartet No.9 "Razumovsky No.3 1st Movement
DR13 -8.31 дБ -25.96 дБ 10:55 02-Beethoven:String Quartet No.9 "Razumovsky No.3 2nd Movement
DR11 -9.31 дБ -24.66 дБ 5:29 03-Beethoven:String Quartet No.9 "Razumovsky No.3 3rd Movement
DR11 -8.72 дБ -23.46 дБ 6:45 04-Beethoven:String Quartet No.9 "Razumovsky No.3 4th Movement
DR11 -8.44 дБ -24.95 дБ 9:13 05-Beethoven:String Quartet No.15 1st Movement
DR12 -9.06 дБ -26.08 дБ 8:56 06-Beethoven:String Quartet No.15 2nd Movement
DR13 -8.40 дБ -25.96 дБ 17:53 07-Beethoven:String Quartet No.15 3rd Movement
DR12 -8.40 дБ -23.55 дБ 2:25 08-Beethoven:String Quartet No.15 4th Movement
DR11 -8.23 дБ -23.13 дБ 7:53 09-Beethoven:String Quartet No.15 5th Movement
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Количество треков: 9
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Анализ: Barchet Quartet, Reinhold Barchet / Beethoven:String Quartets, J.S.Bach:Violin Concertos
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DR Пики RMS Продолжительность трека
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DR11 -9.03 дБ -24.96 дБ 7:05 01-Beethoven:String Quartet No.1 1st Movement
DR12 -7.56 дБ -25.93 дБ 12:16 02-Beethoven:String Quartet No.1 2nd Movement
DR11 -10.44 дБ -25.42 дБ 3:44 03-Beethoven:String Quartet No.1 3rd Movement
DR11 -8.84 дБ -24.31 дБ 6:45 04-Beethoven:String Quartet No.1 4th Movement
DR12 -6.23 дБ -22.41 дБ 4:11 05-J.S.Bach:Violin Concerto No.1 1st Movement
DR13 -7.96 дБ -26.04 дБ 6:42 06-J.S.Bach:Violin Concerto No.1 2nd Movement
DR12 -6.14 дБ -22.01 дБ 3:49 07-J.S.Bach:Violin Concerto No.1 3rd Movement
DR13 -6.67 дБ -23.35 дБ 8:36 08-J.S.Bach:Violin Concerto No.2 1st Movement
DR12 -9.08 дБ -26.90 дБ 7:04 09-J.S.Bach:Violin Concerto No.2 2nd Movement
DR12 -6.45 дБ -21.65 дБ 2:59 10-J.S.Bach:Violin Concerto No.2 3rd Movement
DR11 -8.47 дБ -22.16 дБ 3:56 11-J.S.Bach:Concerto for 2 Violins and Orchestra 1st Movement
DR11 -8.50 дБ -23.12 дБ 6:48 12-J.S.Bach:Concerto for 2 Violins and Orchestra 2nd Movement
DR11 -6.75 дБ -20.40 дБ 4:58 13-J.S.Bach:Concerto for 2 Violins and Orchestra 3rd Movement
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Количество треков: 13
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Bach by soloist of Barchett, Beethoven of quartet led by former master Barchett.
The first SACD with a new remastering from the original master for a famous performance that everyone knows!
SACD is a two-disc set of three classical violinist Barchett's masterpieces. All are revived with fresh sound quality by new remastering from the original analog master tape. Please enjoy both the quartet performance, which can be said to be the ultimate in fulfillment, and Bach's solo performance utilizing beautiful sounds. The CD layer has also been renewed.
Reinhold Barchett (1920-62) was the last violinist to follow the flow of German string masters. The phrasing was clean, with a plain sound that did not add much vibrato, and the performance was full of subdued brilliance and subdued internality. This SACD 2-Disc set features Beethoven for two LPs of the Barchett Quartet, which he presided over, and Bach's violin, where he played solo, in order to enjoy the above-mentioned characteristics of his performance slowly with a wonderful analog sound. Contains plenty of recordings for three LPs, one of the concertos.
First, the Barchett Quartet, he became the concertmaster of the Stuttcult Chamber Orchestra soon after the war, recording Vivaldi's "Four Seasons" (Decca PROC-1706) and soon after gaining a worldwide reputation. Formed in 1952. The complete works of Mozart's string quartets and string quintets, which they recorded on VOX in the early days of LP, are also known as masterpieces. The three Beethoven songs on the Eurodisc are precious sound sources that were recorded in stereo just before he died in a car accident at the age of 42.
From the beginning of DISC1's String Quartet No. 9 《Razmovsky No. 3》, I am drawn to the tone and expression that makes me feel a deep gaze in the introduction. Although the brightness and vitality of the main part also make you feel calm and gorgeous, the contrast with the introduction part is enough, and it is tied to the dignified performance and unwavering modeling as a whole. The energetic dynamism of the ensemble, the clean rhythm, and the pulsating timbre of the light and shade make for a truly exquisite expression of the moving scene of the work. The violin and viola dialogues guided by the cello's meaningful pizzicato in the second movement also have a deep and thorough flavor that reaches deep into the listener's heart. The third movement, which starts slowly with the atmosphere of the previous movement, draws a contrast with the clever rhythmical middle part and flows into the finale with a calm appearance. Here, they carefully lay down the details while making careful sound without skipping Beethoven's notes, making use of the good flow of music and the pulsation of the rhythm, and singing the full excitement that comes from inside.
In the following string quartet No. 15, I think that their performance will open a surprisingly deep spiritual world of the work one after another. In the first movement, which starts with a suppressed tempo and facial expression, each instrument progresses while interacting with a deep voice, and slight changes in the transition of phrases and changes in tempo and tone become `` punctuation marks '' in the performance, The audience will casually impress the changes in the scene of the work. The main part of the second movement also feels a spiritual dance at a slow tempo, contrasting with the secular dance of the middle part, which imitates a bagpipe. The impressive depth of the third movement, entitled "The Sacred Thanksgiving Song to the God of the Healing," is overwhelming, with breathtaking phrasing, meticulous vibrato, and clear rhythm. One does not stop telling the heart of the work. The graceful march of the 4th movement is performed as a prelude to a new determination, and in the closing movement following the impressed recitative-style phrase, Barchett's poignant, but indelible, expression of the theme, It will echo in the listener's chest.
In DISC2's String Quartet No. 1, there is a Barkhetto figure that turns around and flies the Mozart style fascination in classical modeling, and you can realize the stunning drawing of their work style together with DISC1
~Google Interpreter