John Coltrane - Coltrane '58: The Prestige Recordings
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Hard Bop
Издатель (лейбл): Craft Recordings
Продолжительность: 05:37:46
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.com
Треклист:
1. Lush Life (13:56)
2. Come Rain Or Come Shine (08:45)
3. The Believer (13:52)
4. Nakatini Serenade (11:02)
5. Lover (07:59)
6. Russian Lullaby (05:33)
7. Theme For Ernie (04:55)
8. You Say You Care (06:16)
9. Good Bait (12:09)
10. I Want To Talk About You (10:55)
11. Lyresto (05:44)
12. Why Was I Born (03:13)
13. Freight Trane (07:20)
14. I Never Knew (07:06)
15. Big Paul (14:04)
16. I See Your Face Before Me (09:56)
17. Rise ’N’ Shine (07:17)
18. Little Melonae (14:03)
19. If There Is Someone Lovelier Than You (09:18)
20. By The Numbers (12:02)
21. Black Pearls (13:12)
22. Lover Come Back To Me (07:27)
23. Sweet Sapphire Blues (18:14)
24. Spring Is Here (06:55)
25. Invitation (10:22)
26. I'm A Dreamer (Aren't We All) (07:01)
27. Love Thy Neighbor (09:21)
28. Don't Take Your Love From Me (09:17)
29. Stardust (10:42)
30. My Ideal (07:35)
31. I'll Get By (As Long As I Have You) (08:12)
32. Do I Love You Because You're Beautiful? (05:12)
33. Then I’ll Be Tired Of You (09:27)
34. Something I Dreamed Last Night (10:48)
35. Bahia (06:15)
36. Goldsboro Express (04:45)
37. Time After Time (07:45)
Исполнители:
John Coltrane, tenor saxophone
Kenny Burrell, guitar
Donald Byrd, trumpet
Tommy Flanagan, piano
Red Garland, piano
Wilbur Harden, trumpet, flugelhorn
Freddie Hubbard, trumpet
Paul Chambers, bass
Jimmy Cobb, drums
Louis Hayes, drums
Art Taylor, drums
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-03-29 06:23:28
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Analyzed: John Coltrane / Coltrane '58: The Prestige Recordings
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DR Peak RMS Duration Track
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DR12 -1.88 dB -16.22 dB 13:55 01-Lush Life
DR12 -1.89 dB -15.74 dB 8:45 02-Come Rain Or Come Shine
DR12 -1.70 dB -16.19 dB 13:47 03-The Believer
DR11 -1.17 dB -14.21 dB 11:04 04-Nakatini Serenade
DR10 -1.59 dB -14.01 dB 7:58 05-Lover
DR11 -1.63 dB -14.31 dB 5:35 06-Russian Lullaby
DR11 -2.04 dB -15.65 dB 4:57 07-Theme For Ernie
DR11 -1.23 dB -14.51 dB 6:17 08-You Say You Care
DR12 -1.18 dB -15.71 dB 12:09 09-Good Bait
DR11 -1.38 dB -15.34 dB 10:55 10-I Want To Talk About You
DR12 -1.32 dB -15.52 dB 5:43 11-Lyresto
DR10 -1.90 dB -16.95 dB 3:13 12-Why Was I Born
DR11 -0.60 dB -13.92 dB 7:20 13-Freight Trane
DR11 -1.46 dB -14.95 dB 7:05 14-I Never Knew
DR12 -1.34 dB -15.93 dB 14:05 15-Big Paul
DR13 -0.60 dB -17.56 dB 9:57 16-I See Your Face Before Me
DR13 -0.57 dB -15.59 dB 7:15 17-Rise ’N’ Shine
DR13 -0.51 dB -16.43 dB 14:03 18-Little Melonae
DR13 -0.52 dB -15.86 dB 9:20 19-If There Is Someone Lovelier Than You
DR14 -1.28 dB -19.27 dB 12:03 20-By The Numbers
DR13 -0.59 dB -15.69 dB 13:10 21-Black Pearls
DR12 -0.59 dB -14.77 dB 7:27 22-Lover Come Back To Me
DR13 -0.57 dB -15.79 dB 18:13 23-Sweet Sapphire Blues
DR14 -0.49 dB -16.76 dB 6:54 24-Spring Is Here
DR13 -0.58 dB -17.30 dB 10:21 25-Invitation
DR13 -0.20 dB -16.76 dB 7:03 26-I'm A Dreamer (Aren't We All)
DR13 -0.59 dB -15.75 dB 9:24 27-Love Thy Neighbor
DR13 -0.71 dB -17.33 dB 9:15 28-Don't Take Your Love From Me
DR11 -1.86 dB -16.51 dB 10:42 29-Stardust
DR13 -0.48 dB -15.83 dB 7:35 30-My Ideal
DR13 -0.50 dB -16.14 dB 8:10 31-I'll Get By (As Long As I Have You)
DR12 -0.86 dB -17.91 dB 5:14 32-Do I Love You Because You're Beautiful?
DR11 -1.90 dB -16.05 dB 9:30 33-Then I’ll Be Tired Of You
DR12 -1.76 dB -17.66 dB 10:52 34-Something I Dreamed Last Night
DR11 -0.52 dB -15.81 dB 6:16 35-Bahia
DR11 -0.50 dB -14.30 dB 4:45 36-Goldsboro Express
DR12 -1.90 dB -16.81 dB 7:43 37-Time After Time
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Number of tracks: 37
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3012 kbps
Codec: FLAC
================================================================================
Об альбоме (сборнике)
Newly remastered by Paul Blakemore featuring 37 tracks: Coltrane’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. This release chronicles the exciting story session by session, featuring all 37 tracks Coltrane recorded as a leader or co-leader for the independent Prestige Records label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist Ira Gitler famously dubbed “sheets of sound.”
The timely release marks the 70th year since the founding of Prestige and comes just after the 60th anniversary of these recordings.
Coltrane '58 brims with the shared jazz repertoire of the day-blues, bebop standards and familiar ballads-as well as original compositions and obscure tunes Coltrane rediscovered. Together they offer an array of emotional depth and instrumental prowess, showing how the rising saxophonist was actively stretching sound and increasing the intensity, and shifting the direction of what jazz performance was about. Included are definitive versions of "Lush Life," "Lover Come Back to Me," "Stardust," "Good Bait" and "Little Melonae"; first recordings of originals like "Nakatini Serenade," "The Believer," "Black Pearls" and the heartfelt "Theme for Ernie"; and extended tenor saxophone tours-de-force such as "Russian Lullaby," "Sweet Sapphire Blues" and "I Want to Talk About You" that anticipate the stratospheric heights Coltrane would reach in the 1960s.
In 1958 Coltrane was still two years away from emerging as a bandleader, but his membership in ensembles led by Miles Davis and Thelonious Monk had propelled him into the spotlight as one of jazz's most exciting and controversial figures. Coltrane '58 serves as a window onto the shock and awe-and eventually deep appreciation-Coltrane generated during this period, when his sheets of sound approach pushed the bebop ideal of slaloming through a tune's chordal pathways to its extreme.
To be sure, Coltrane ’58 is more than sheets of sound: It’s the sound of Coltrane working and smoothing out those sheets and exploring other ideas as well. For example, he frequently played in double-time—as if the chords were moving twice as fast as the rest of the band—and, if the music called for it, he’d decrease the intensity, caressing and embellishing a melody, an aspect that could calm the toughest critics.
Produced by Nick Phillips, the vinyl box includes eight 180-gram LPs, remastered from the original analog tapes by Paul Blakemore (all of which were recorded by renowned engineer Rudy Van Gelder) and cut by Clint Holley from 24-bit/192kHz transfers. The lavish, linen-wrapped, portfolio-style book features an eye-catching design and includes 40 pages containing extensive liner notes by Grammy®-winning American music historian Ashley Kahn, rare ephemera and historical photographs of the saxophonist and his collaborators, including several taken by renowned jazz photographers Francis Wolff and Esmond Edwards. The 5-CD edition, containing a 76-page book, is a faithful replica of the 8-LP vinyl box.
Coltrane ’58 reveals other significant aspects of Coltrane’s emergence, too, like his growing status in the hard bop brotherhood of the day. He recorded with contemporaries (many future legends in their own right), including pianist Red Garland; guitarist Kenny Burrell; trumpeters Donald Byrd, Freddie Hubbard and Wilbur Harden; bassist Paul Chambers and drummers Art Taylor, Jimmy Cobb and Louis Hayes. The sessions all took place in Rudy Van Gelder’s legendary home studio in Hackensack, New Jersey, where so much of the best jazz of that era was recorded. Coltrane’s music of 1958 benefits from a marked blue-collar, pressure-cooker aesthetic: Born in three-hour sessions with minimal rehearsal, head arrangements and mostly first takes, these tracks provide a true and transparent view of the talent Coltrane was able to draw upon and the timeless, improvised magic they created together.
It’s a challenge today to imagine how radical Coltrane must have sounded sixty years ago to jazz listeners accustomed to a gentler, lyrical flow. In his liner notes, Ashley Kahn sees an enduring relevancy in Coltrane’s bold chance-taking, as a creative artist and an African-American: “In the context of current headlines and an overriding sense of déjà vu, Coltrane’s music rings clearer than ever, with even greater meaning than it had in 1958. What he was playing then never felt less than urgent and relevant—subversive even. It still sounds that way.”
Remarkably, the majority of this music wasn’t released until the ’60s on various albums after Coltrane’s emergence as a bandleader, denying these 37 tracks the chance to tell their own collective story. By sequencing this music in the order of its original creation, Coltrane ’58 clearly delineates Coltrane’s first full year as a recording artist, finally allowing fans to experience—track by track—the emergence of a master improviser in his first great career crest.
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发表于 2021-4-13 14:19:43
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