Miles Davis / Porgy and Bess
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Limited edition
Год издания/переиздания диска: 1959/2019
Жанр: Third stream, Big Band, Modal, Cool
Издатель (лейбл): Mobile Fidelity
Продолжительность: 00:51:19
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. The Buzzard Song 04:12
2. Bess, You Is My Woman Now 05:15
3. Gone 03:41
4. Gone, Gone, Gone 02:06
5. Summertime 03:22
6. Oh Bess, Oh Where’s My Bess 04:32
7. Prayer (Oh Doctor Jesus) 04:42
8. Fishermen, Strawberry and Devil Crab 04:09
9. My Man’s Gone Now 06:22
10. It Ain’t Necessarily So 04:27
11. Here Come de Honey Man 01:25
12. I Loves You, Porgy 03:41
13. There’s a Boat That’s Leaving Soon for New York 03:26Alto Saxophone – Cannonball Adderley
Arranged By – Gil Evans
Bass – Paul Chambers (3)
Conductor – Gil Evans
Drums – "Philly" Joe Jones (tracks: 1, 3 to 7, 9, 12, 13), Jimmy Cobb (tracks: 2, 8, 10, 11)
Engineer – Frank Laico
Flugelhorn – Miles Davis
French Horn – Gunther Schuller, Julius Watkins, Willie Ruff
Trombone – Frank Rehak, Jimmy Cleveland, Joseph Bennett, Richard Hixson
Trumpet – Bernie Glow, Ernie Royal, Johnny Coles, Louis R. Mucci, Miles Davis
Tuba – Bill BarberКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Recorded at Columbia 30th Street Studio. Engineer – Frank Laico
Producer Teo Macero, Cal Lampley
Mastered byShawn R. Britton
Mobile Fidelity Sound Lab – UDSACD 2200, Columbia – 88883731672
Relised 22 Jan 2019
Источник (релизер): pssacd (PS³SACD) https://www.mofi.com/product-p/udsacd2200.htm
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-04-21 06:47:39
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Анализ: Miles Davis / Miles Davis - Porgy and Bess
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DR Пики RMS Продолжительность трека
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DR13 -8.15 дБ -25.23 дБ 4:08 01-The Buzzard Song
DR12 -10.32 дБ -25.89 дБ 5:13 02-Bess, You Is My Woman Now
DR14 -9.97 дБ -26.63 дБ 3:38 03-Gone
DR11 -10.58 дБ -26.33 дБ 2:03 04-Gone, Gone, Gone
DR13 -11.57 дБ -27.79 дБ 3:18 05-Summertime
DR12 -9.71 дБ -26.37 дБ 4:29 06-Oh Bess, Oh Where's My Bess
DR12 -9.30 дБ -26.61 дБ 4:39 07-Prayer (Oh Doctor Jesus)
DR11 -13.22 дБ -28.23 дБ 4:06 08-Fishermen, Strawberry and Devil Crab
DR14 -10.06 дБ -28.15 дБ 6:19 09-My Man's Gone Now
DR13 -8.48 дБ -26.08 дБ 4:24 10-It Ain't Necessarily So
DR11 -14.45 дБ -29.76 дБ 1:21 11-Here Come de Honey Man
DR12 -11.05 дБ -27.65 дБ 3:40 12-I Loves You, Porgy
DR12 -8.86 дБ -24.85 дБ 3:26 13-There's a Boat That's Leaving Soon for New York
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Количество треков: 13
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 176400 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Porgy and Bess is a studio album by jazz musician Miles Davis, released in March 1959 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin’s 1935 opera of the same name. The album was recorded in four sessions on July 22, July 29, August 4, and August 18, 1958, at Columbia’s 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. Jazz critics have regarded the album as historic.
All Music Review
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin’s Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording. Few other musical teams would have had the ability to remain true to the undiluted spirit and multifaceted nuance of this epic work. However, no other musical teams were Miles Davis and Gil Evans. It was Evans’ intimate knowledge of the composition as well as the performer that allowed him to so definitively capture the essence of both. The four dates needed to complete work on Porgy and Bess include contributions from several members of his most recent musical aggregate: Julian “Cannonball” Adderley (alto sax), Paul Chambers (bass), and Jimmy Cobb (drums). Although the focus and emphasis is squarely on Davis throughout, the contributions of the quartet on “Prayer (Oh Doctor Jesus),” “I Loves You, Porgy,” and “There’s a Boat That’s Leaving Soon for New York” are immeasurable. They provide a delicate balance in style and, under the direction of Evans, incorporate much of the same energy and intonation here as they did to their post-bop recordings. There is infinitely more happening on Porgy and Bess, however, with much of the evidence existing in the subtle significance of the hauntingly lyrical passages from Danny Banks’ (alto flute) solos, which commence on “Fishermen, Strawberry and Devil Crab.” Or the emotive bass and tuba duet that runs throughout “Buzzard Song.” The impeccable digital remastering and subsequent reissue — which likewise applies to the Miles Davis & Gil Evans: The Complete Columbia Studio Recordings box set — only magnifies the refulgence of Porgy and Bess. Likewise, two previously unissued performances have been appended to the original baker’s dozen. No observation or collection of American jazz can be deemed complete without this recording.
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发表于 2021-4-13 14:19:50
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