Louis Armstrong / Louis Armstrong & His All Stars
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1954/2018
Жанр: Vocal Jazz, New Orleans Jazz, Dixieland
Издатель (лейбл): Vocal Jazz, New Orleans Jazz, Dixieland
Продолжительность: 00:40:07
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Shadrack (3:16)
02. When The Saints Go Marching In (3:02)
03. West End Blues (4:42)
04. Dummy Song (2:48)
05. Tin Roof Blues (5:08)
06. My Bucket's Got A Hole In It (2:38)
07. Indiana (Back Home Again In Indiana) (4:06)
08. Big Butter And Egg Man (3:40)
09. Back O'Town Blues (5:36)
10. When It's Sleepy Time Down South (2:51)
11. High Society (2:20)
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2019-10-22 17:40:34
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Analyzed: Louis Armstrong / Louis Armstrong & His All Stars
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DR Peak RMS Duration Track
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DR13 -6.25 dB -22.81 dB 3:16 01-Shadrack
DR14 -6.42 dB -22.71 dB 3:02 02-When The Saints Go Marching In
DR14 -7.97 dB -24.82 dB 4:42 03-West End Blues
DR13 -6.66 dB -22.40 dB 2:48 04-Dummy Song
DR14 -6.82 dB -24.45 dB 5:08 05-Tin Roof Blues
DR14 -6.71 dB -23.03 dB 2:38 06-My Bucket's Got A Hole In It
DR12 -7.13 dB -21.29 dB 4:06 07-Indiana (Back Home Again In Indiana)
DR12 -6.88 dB -21.36 dB 3:40 08-Big Butter And Egg Man
DR14 -6.88 dB -25.35 dB 5:36 09-Back O'Town Blues
DR15 -6.84 dB -23.86 dB 2:51 10-When It's Sleepy Time Down South
DR13 -6.39 dB -22.21 dB 2:20 11-High Society
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Number of tracks: 11
Official DR value: DR13
Samplerate: 5644800 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
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Об альбоме (сборнике)
Here are Louis Armstrong and his All Stars at two different locations in San Francisco 1954, doing what they loved and did best: playing Jazz of a quality defying description, and, as Louis would have said “pleasing the people”. These recordings happily capture Louis and his cohorts at the glorious height of their powers during two engagements (broadcast from the Downbeat and Hangover clubs) of the kind that often formed the All-Stars’ nightly round. Seldom, if ever, have Armstrong and his All-Stars been captured in more exultant form. Such performances as this are seminal to Jazz. Like Louis Armstrong, music like this will never come again.
From the roars of applause that greet Louis Armstrong, every track on this album reveals the All-Stars at the zenith of their creative powers. From ‘Indiana’ presented with a flaring urgency, highlighted by an exultant trumpet solo outstanding even by Armstrong standards to ‘High Society’ which reveals the staggering form that Armstrong was in that night; listen, there is a carefree humour, which shows in a nutshell how to mix hilarity and jazz of monumental worth.