找回密码
 立即注册

手机号码,快捷登录

手机号码,快捷登录

搜索
查看: 63|回复: 0

[爵士和蓝调] [DSD][OF] Randy Weston - Blue Moses - 1972/2013 (Post Bop, Modal Music, Modern Creative, Big Band, Progressive Jazz, African Jazz, World Fusion)

[复制链接]

3万

主题

211

回帖

11万

积分

青铜长老

音符
0
音乐币
68516
贡献
32791
发表于 2021-8-9 15:54:40 | 显示全部楼层 |阅读模式
Randy Weston / Blue Moses
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1972/2013
Жанр: Post Bop, Modal Music, Modern Creative, Big Band, Progressive Jazz, African Jazz, World Fusion
Издатель (лейбл): CTI
Продолжительность: 00:36:55
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
1-Ifrane 5:16
2-Ganawa (Blue Moses) 12:31
3-Night In Medina 6:50
4-Marrakesh Blues 12:17Musicians:
Randy Weston, electric piano
Freddie Hubbard, trumpet
John Frosk, Alan Rubin, Marvin Stamm, trumpet, flugelhorn
Garnett Brown, Warren Covington, trombone
Wayne Andre, trombone, baritone horn
Paul Faulise, bass trombone
James Buffington, Brooks Tillotson, French horn
Grover Washington, Jr., tenor saxophone
Hubert Laws, flute, alto flute, bass flute, piccolo
Romeo Penque, clarinet, flute, alto flute, bass flute, piccolo, oboe, English horn
George Marge, clarinet, flute, alto flute, bass flute, English horn
David Horowitz, synthesizer
Ron Carter, Vishnu Bill Wood, bass
Billy Cobham, drums
Phil Kraus, Airto Moreira, Azzedin Weston, percussion
Madame Meddah, vocals
Don Sebesky, arranger, conductorКонтейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Recorded: March–April 1972 at Van Gelder Studio, Englewood Cliffs, New Jersey
CTI Records, a division of Creed Taylor, Inc. | King Record Co., Ltd. KICJ-2335 (2013)
2ch DSF DSD64/2.82MHz (1.45GB) | Source: e-onkyo | Originally 1972
Источник (релизер): wardrobemalfunction (PS³SACD)
https://www.e-onkyo.com/music/album/kicj2335/
Лог DR

foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2019-04-21 14:17:38
--------------------------------------------------------------------------------
Анализ:   Randy Weston / Blue Moses
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR12      -8.23 дБ   -22.77 дБ      5:16 01-Ifrane
DR13      -6.68 дБ   -24.11 дБ     12:31 02-Ganawa (Blue Moses)
DR12      -8.10 дБ   -25.14 дБ      6:50 03-Night In Medina
DR14      -6.88 дБ   -26.32 дБ     12:17 04-Marrakesh Blues
--------------------------------------------------------------------------------
Количество треков: 4
Реальные значения DR: DR13
Частота:   2822400 Гц / Частота PCM: 176400 Гц
Каналов:   2
Разрядность:   24
Битрейт:   5645 кбит/с
Кодек:   DSD64
================================================================================


Об альбоме (сборнике)
Recorded in 1972, Blue Moses, the most commercially successful album in pianist/composer Randy Weston’s catalogue remains 1 of his most controversial due to his conflicted feelings about the final product, which he feels is too polished & too far from his original intent for the project. Indeed, appearing on Creed Taylor’s CTI imprint was an almost certain guarantee of polished production. Weston plays both acoustic & Rhodes piano here; he was backed by a band of CTI’s star-studded stable: trumpeter Freddie Hubbard, tenor saxophonist Grover Washington, flutists Hubert Laws & Romeo Penque, drummer Billy Cobham, alternate bassists Ron Carter & Bill Wood, & percussionists Phil Kraus, Airto Moreira, & Weston’s son Azzedin. This group was backed by a punchy Don Sebesky-arranged horn section. Blue Moses, consists of 4 compositions; it was an attempt by Weston to showcase the influence “Ganawa” music from Morocco had on him as a composer. “Ganawa (Blues Moses),” with its frenetic, minor-key piano lines, knotty, Middle Eastern-sounding charts, & skittering North African rhythms push the listener into a new space, 1 that stands outside of CTI’s usual frame in, & into, the exotic. The brass is aggressive, & while that might overshadow some recordings of lesser substance, Sebesky knew what he had in Weston’s tunes, & reigned his players in just enough to keep the dynamics fresh, open, & full of engaged call-&-response playing between Weston, Hubbard, & Laws. So too, album closer “Marrakesh Blues,” with wordless backing vocals by Madame Meddah, twinned trumpet & flute lines, gorgeous electric piano solos, & a deep, strolling bassline. It’s an Eastern modal blues with the sound of a horn section to boost its drama.”Night in the Medina” is a labyrinthine, more abstract piece, but utterly atmospheric & colourful in its arrangement, with exciting interplay between Weston’s enormous chords & Washington’s swinging, soulful saxophone & percussion instruments that create a lithe, spiritual jazz groove. No matter how Weston ultimately feels about Blue Moses, this date succeeds on all levels. Creating a commercially viable recording from the elements presented must not have been easy, but Taylor rose to the occasion & delivered a grooving beauty of an album without compromising Weston’s genius.
~ AllMusic Review by Thom Jurek
                                                                                       
                       
                       
                       
                       
                       
                                磁力下载:(论坛代下载服务)
                                                               
                                       
付费主题


                                               
  • 1.46 GB
  • 温馨提示

    记得善用社区搜索功能,那里可能会有你想要的资源;论坛站内搜索

    如果你有什么需要的资源可以去资源求档发帖,求助社区的网友,我们会在第一时间给你回复哦;资源求档

    回复

    使用道具 举报

    您需要登录后才可以回帖 登录 | 立即注册

    本版积分规则

    关闭

    站长推荐上一条 /1 下一条

    Archiver|手机版|小黑屋|捌零 ( 反馈邮箱:admin@ptcd.net ) |网站地图

    GMT+8, 2025-1-6 05:10 , Processed in 0.064461 second(s), 37 queries .

    Powered by Discuz! X3.5

    © 2001-2024 Discuz! Team.

    快速回复 返回顶部 返回列表