Ray Barretto / La Cuna
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1981/2103
Жанр: Jazz, Soul Jazz, Fusion, Latin Jazz, New York Salsa, Crossover Jazz
Издатель (лейбл): CTI
Продолжительность: 00:34:25
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
1-La Cuna 5:14
2-Doloroso 5:59
3-Mambotango 5:56
4-The Old Castle 8:42
5-Pastime Paradise 8:34Musicians:
Ray Barretto, congas, percussion
Francisco Centeno, bass
Suzanne Ciani, synthesizer
Mark Craney, Steve Gadd, drums
Joe Farrell, lute, alto, soprano, tenor sax
Carlos Franzetti, piano
Charlie Palmieri, percussion, piano
Tito Puente, timbales
Willie Torres, vocals
John Tropea, guitar
Jeremy Wall, arranger, conductor, synthesizerКонтейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Recorded: August 1979 at Van Gelder Studio, Englewood Cliffs, New Jersey
CTI Records, a division of Creed Taylor, Inc. | King Record Co., Ltd. KICJ02338 (2013)
DSF 2ch DSD64/2.82MHz (1.36GB) | Source: e-onkyo | Originally1981
Источник (релизер): wardrobemalfunction (PS³SACD) https://www.e-onkyo.com/music/album/kicj2338/
Лог DR
Об альбоме (сборнике)
Producer Creed Taylor has inspired everything from praise to anger among jazz fans. His work has been brilliant at times, detrimental at others (his worst flaw being a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort uniting Ray Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell (tenor & soprano sax, flute). As slick as things get at times on La Cuna, Taylor wisely gives the players room to blow on everything from the haunting “Doloroso” and the driving “Cocinando” (a piece by Carlos Franzetti that shouldn’t be confused with Barretto’s major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky’s “The Old Castle.” Barretto successfully moves into soul territory on Stevie Wonder’s “Pastime Paradise” (which rapper Coolio recast as his hit “Gangsta’s Paradise” in 1994). Barretto may hate the term “Latin jazz,” but make no mistake: La Cuna is one of his most memorable contributions to that genre.
~ AllMusic Review by Alex Henderson