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[爵士和蓝调] [SACD-R][OF] Miroslav Vitous and Emil Viklicky - Moravian Romance - 2018 (Post Bop)

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发表于 2021-8-9 15:54:56 | 显示全部楼层 |阅读模式
Miroslav Vitous and Emil Viklicky / Moravian Romance
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018
Жанр: Post Bop
Издатель (лейбл): Venus
Продолжительность: 00:59:32
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
1. Sweet Basil
2. Highlands, Lowlands
3. Clarinet Theme From 5th Part Of Sinfoniette
4. Hawk - piano solo
5. I Fall In Love Too Easily - bass solo
6. (Applause)
7. Love, Oh Love (Moravian folk song)
8. Desire
9. Gone With Water (Moravian folk song)
10. (Applause)
11. Footprints
12. (Applause)Musicians:
Miroslav Vitous, bass
Emil Viklicky, pianoКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0http://www.elusivedisc.com/Miroslav-Vitous-And-Emil-Viklicky-Moravian-Romance-Sin...tinfo/VENSA0320/
http://www.cdjapan.co.jp/product/VHGD-320
Лог DR

foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2019-02-02 08:00:02
--------------------------------------------------------------------------------
Анализ:   MIROSLAV VITOUS AND EMIL VIKLICKY / Moravian Romance ~ Live At JazzFest Brno 2018
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR9       -3.81 дБ   -15.73 дБ      8:15 01-Sweet Basil
DR6       -3.98 дБ   -13.11 дБ      6:58 02-Highlands, Lowlands
DR8       -4.01 дБ   -15.02 дБ      7:34 03-Clarinet Theme From 5th Part Of Sinfonietta
DR12      -4.40 дБ   -19.68 дБ      5:06 04-Hawk
DR8       -4.02 дБ   -14.81 дБ      6:02 05-I Fall In Love Too Easily
DR11      -8.94 дБ   -24.68 дБ      0:26 06-~ Applause ~
DR9       -3.97 дБ   -16.21 дБ      5:37 07-Love, Oh Love
DR8       -4.10 дБ   -14.81 дБ      7:34 08-Desire
DR8       -4.15 дБ   -15.07 дБ      5:10 09-Gone With Water
DR13      -4.42 дБ   -21.73 дБ      1:02 10-~ Applause ~
DR7       -4.01 дБ   -13.50 дБ      4:48 11-Footprints
DR15      -4.77 дБ   -23.32 дБ      1:01 12-~ Applause ~
--------------------------------------------------------------------------------
Количество треков: 12
Реальные значения DR: DR10
Частота:   2822400 Гц / Частота PCM: 176400 Гц
Каналов:   2
Разрядность:   24
Битрейт:   5645 кбит/с
Кодек:   DSD64
================================================================================

Доп. информация: Live Recording at Goose On A String Theater, Brno, Czech Republic, On March 23, 2018
Recorded by Lukas Dolesji, Tomas Reznicek. Mixed, mastered by Tetsuo Hara.
Venus VHGD-320
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked
Источник (релизер): jazzyman (PS³SACD)
Об альбоме (сборнике)
Live At JazzFest Brno 2018 on SACD!
Miroslav Vitous is a Czech jazz bassist who has had an extensive career in the US. In 1967, in Chicago, Miles Davis saw Vitous playing with Clark Terry and invited him to join his group for a residency at New York's The Village Gate. He has worked with Larry Coryell, Jan Hammer, Freddie Hubbard, Miles Davis, Chick Corea, Wayne Shorter, Joe Zawinul, Jan Garbarek and Michel Petrucciani. In 1970 he was a founding member of the celebrated jazz fusion group Weather Report.
Emil Viklicky is a Czech jazz pianist and composer. Since 1994 he has worked with the Ad lib Moravia ensemble, whose performances combine elements of Moravian folk music, modern jazz and contemporary serious music. Emil has become noted for his unique synthesis of the melodicism and tonalities of Moravian folk song with modern jazz. As English critic Euan Dixon wrote in 2005, "Emil Viklicky is one of those European jazz pianists who successfully incorporated elements of his indigenous folk culture into jazz". As a composer Viklicky has attracted attention abroad primarily for having created a synthesis of the expressive elements of modern jazz with the melodicism and tonalities of Moravian folk song, which is distinctly individual in contemporary jazz. Besides this, however, he also composes "straight-ahead" modern jazz as well as chamber and orchestral works that utilize certain elements of the New Music, and at times his music requires a combination of classical and jazz performers.
                                                                                       
                       
                       
                       
                       
                       
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