[SACD-R][OF] The Red Garland Quintet - All Mornin’ Long - 1958/2012 (Hard Bop)

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The Red Garland Quintet
All Mornin’ Long
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1958/2012
Жанр: Hard Bop
Издатель(лейбл): Prestige / Analogue Productions
Продолжительность: 00:37:10
Наличие сканов в содержимом раздачи: ДаТреклист:
01-All Mornin’ Long
Written-By – Garland
02-They Can’t Take That Away From Me
Written-By – Gershwin
03-Our Delight
Written-By – DameronArthur Taylor, Drums
Donald Byrd, Trumpet
Red Garland, Piano
George Joyner, Bass
John Coltrane, Tenor SaxophoneКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 MONO
Доп. информация: Analogue Productions CPRJ 7130 SA (2012)
Originally Prestige PRLP 7130 (1958). Mastered by Kevin Gray. Recorded at Rudy Van Gelder Studio, Hackensack, NJ, November 15, 1957
Supervised By – Bob Weinstock
Источник (релизер): ManWhoCan (PS³SACD)
http://sa-cd.net/showtitle/8852
Об альбоме (сборнике)
Though I regularly encounter Coltrane fans who worship his “spiritual” phase after he cleaned up, from 1960 onward, I much prefer his earlier, less introspective joyous playing in these 50s blowing sessions, as exemplified by this 1957 session for Prestige. That’s me taken off the Jazz Bohemians Christmas Party invitation list. The black beret has moth-holes in it anyway.
Garland keeps the wheels on the trolley with Art Taylor & George Joyner, while Byrd & Coltrane offer up extended solos, with the classic standard Gershwin tune occasionally showing through amidst the permanently inventive flow of notes. That’s half the fun with standards – checking how long it is before the soloists take off in his own direction, & any sly references to the tune during extended improvisations.
AllMusic:
On November 15, 1957, a quintet headed by pianist Red Garland recorded enough material for 2 records. This CD reissue (whose companion is Soul Junction) has a 20-minute version of “All Mornin’ Long,” along with briefer renditions of “They Can’t Take That Away from Me” (a mere 10 minutes) & Tadd Dameron’s “Our Delight.” More important than the material is that, in addition to Garland, the main soloists are John Coltrane & trumpeter Donald Byrd. Byrd was on his way to getting his sound together, while Trane, very much in his sheets-of-sound period, was already blazing a new path for jazz to follow. An excellent & often quite colorful jam session-flavoured hard bop set.
                                                                                       
                       
                       
                       
                       
                       
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