Stan Getz & Joao Gilberto / Getz-Gilberto '76
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2016
Жанр: Jazz
Издатель (лейбл): 2xHD
Продолжительность: 00:50:35
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Spoken Intro by Stan Getz
02. É Preciso Perdoar
03. Aguas de Março
04. Retrato em Branco e Preto
05. Samba da minha terra
06. Chega de saudade
07. Rosa Morena
08. Eu vim da bahia
09. Doralice
10. Morena boca de ouro
11. Um Abraço no Bonfa
12. É Preciso Perdoar: E Preciso Perdoar (encore)
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.16 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-11-16 23:28:42
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Анализ: Stan Getz & João Gilberto / Getz/Gilberto '76
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DR Пики RMS Продолжительность трека
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DR16 -7.78 дБ -28.73 дБ 0:54 01-Spoken Intro by Stan Getz
DR14 -7.65 дБ -27.18 дБ 5:42 02-É Preciso Perdoar
DR13 -10.42 дБ -26.72 дБ 5:55 03-Aguas de Março
DR14 -6.97 дБ -28.04 дБ 4:31 04-Retrato em Branco e Preto
DR13 -9.58 дБ -25.96 дБ 3:39 05-Samba da minha terra
DR11 -9.04 дБ -23.80 дБ 3:52 06-Chega de saudade
DR16 -11.02 дБ -30.70 дБ 4:27 07-Rosa Morena
DR13 -8.85 дБ -25.86 дБ 4:24 08-Eu vim da bahia
DR11 -7.33 дБ -24.19 дБ 3:55 09-Doralice
DR15 -9.82 дБ -28.91 дБ 3:31 10-Morena boca de ouro
DR17 -6.28 дБ -27.05 дБ 3:42 11-Um Abraço no Bonfa
DR12 -9.25 дБ -26.07 дБ 6:02 12-É Preciso Perdoar: E Preciso Perdoar (encore)
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Количество треков: 12
Реальные значения DR: DR14
Частота: 5644800 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 1
Битрейт: 11290 кбит/с
Кодек: DSD128
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Скриншот спектра частот
Источник (релизер): HDTracks
Состав
Clint Houston, double bass
Billy Hart, drums
Joanne Brackeen, piano
Stan Getz, tenor saxophone
João Gilberto, vocals, guitar
Об альбоме (сборнике)
Tenor titan Stan Getz and Bossanova legend João Gilberto reunite in 1976 with never-before-released recordings from the famed Keystone Korner jazz club in San Francisco featuring pianist Joanne Brackeen, bassist Clint Houston and drummer Billy Hart. This deluxe HighRes-Remaster includes booklet of essays by author James Gavin, Bossanova pioneer Carlos Lyra, Stan's son Steve Getz, and producers Zev Feldman and Todd Barkan, as well as previously unpublished photos from the archives of acclaimed music photographer Tom Copi. Also available as a limited edition 12 LP, Getz/Gilberto 76 is a notable follow-up to one of the bestselling jazz albums of all time, 1964's Getz/Gilberto (Verve) and includes such Bossanova favorites as Doralice, Chega de Saudade and Eu Vim da Bahia. A beautifully vibrant painting ( Equilibrium Verde ) by celebrated Puerto Rican abstract expressionist artist, Olga Albizu, graces the cover. Her paintings can also be seen on the covers of Getz/Gilberto and Getz/Gilberto #2 (1966, Verve).
„Having reunited for 1976's The Best of Two Worlds, saxophonist Stan Getz and Brazilian singer/guitarist João Gilberto celebrated the album's release with a week of shows at San Francisco's Keystone Corner. Marking over a decade since the pair had made history with 1964's landmark Getz/Gilberto album, the shows, which took place between May 11-16, 1976, would prove one of the rare times they appeared live together. Resonance Records' 2016 album, Getz/Gilberto '76 (and the separate release Moments in Time), documents these shows via live recordings made by Keystone Korner club owner Todd Barkan. Produced by Barkan and Resonance's Zev Feldman, Getz/Gilberto '76 is a superb package featuring not only some of Getz and Gilberto's best live performances of the period, but also liner notes from Feldman, Barkan, and others, as well as interviews with bandmembers like drummer Billy Hart and pianist Joanne Brackeen. The '70s were a fruitful time for Getz, a star of the cool jazz scene who had been playing professionally since the '40s. While he achieved fame and wealth with his innovative bossa nova albums during the '60s, he remained creatively hungry as the years wore on, surrounding himself with young, forward-thinking jazz musicians like Hart, Brackeen, and bassist Clint Houston, who also appears here. Despite this contemporary attitude, Getz and his band were more than amenable to backing the enigmatic Gilberto, who appears here in a variety of settings, from solo to duo to accompaniment by the full band. What's particularly fascinating is hearing how the band adjusts to Gilberto's distinctive and subtle phrasing, his steady guitar pulse anchoring his delicate, fluid vocal melodies. While cuts like "Chega de Saudade" and "Doralice" retain all the warmth and beauty of the original 1964 recordings, at the Keystone Getz and his band color them in surprising yet still thoughtful ways. The result is an evening of organic, dreamlike splendor.“ (Matt Collar, AMG)
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发表于 2021-8-9 15:56:34
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