Mozart's Bassoon: Works for Solo Bassoon
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2022
Жанр: Classical
Издатель (лейбл): Linn
Продолжительность: 00:51:49
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
Wolfgang Amadeus Mozart
Bassoon Concerto in B-Flat Major, K. 191
1. I. Allegro (6:38)
2. II. Andante ma adagio (6:23)
3. III. Rondo (Tempo di menuetto) (4:22)
Sonata in B-Flat Major, K. 292
4. I. Allegro (5:07)
5. II. Andante (4:27)
6. III. Rondo (Allegro) (3:02)
Serenade in C Minor, K. 388
7. I. Allegro (8:04)
8. II. Andante (3:52)
9. III. Menuetto in canone (3:45)
10. IV. Allegro (6:14)Kristian Bezuidenhout, fortepiano
Ensemble Marsyas
Peter Whelan, bassoon & director
Лог проверки качества
foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2022-03-12 05:35:52
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Analyzed: Peter Whelan / Mozart's Bassoon. Works for Solo Bassoon
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DR Peak RMS Duration Track
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DR13 -0.60 dB -19.94 dB 6:38 01-I. Allegro
DR12 -7.65 dB -25.02 dB 6:23 02-II. Andante ma adagio
DR12 -4.50 dB -21.48 dB 4:22 03-III. Rondo (Tempo di menuetto)
DR12 -9.17 dB -25.12 dB 5:07 04-I. Allegro
DR12 -9.83 dB -25.76 dB 4:27 05-II. Andante
DR12 -9.24 dB -25.02 dB 3:02 06-III. Rondo (Allegro)
DR14 -2.65 dB -21.43 dB 8:04 07-I. Allegro
DR13 -6.46 dB -24.19 dB 3:52 08-II. Andante
DR12 -4.46 dB -21.23 dB 3:45 09-III. Menuetto in canone
DR14 -5.23 dB -23.60 dB 6:14 10-IV. Allegro
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Number of tracks: 10
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2257 kbps
Codec: FLAC
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Об альбоме (сборнике)
Returning to his beloved bassoon, Peter Whelan takes a fresh look at the two surviving works by Mozart for the instrument: the Concerto, K191, and Sonata, K292. These attractive early works were most likely composed during the composer’s time in Salzburg. The Concerto is the earliest of his woodwind concertos, and has become a staple work for every bassoon player: it showcases the tremendous capabilities of the pre-nineteenth-century instrument, its agility, extraordinary range and tone colour. Whelan and his virtuoso Ensemble Marsyas are playing from the original printed parts since the autograph score has not survived.
While the Sonata’s original medium is uncertain – for two bass instruments or bassoon and keyboard – Whelan makes it his own with Kristian Bezuidenhout performing the continuo line. Ensemble Marsyas rounds off the programme with Mozart’s most dramatic work for winds, the Serenade in C minor. Composed in Vienna for the Harmonie (the bassoon’s natural home), it served as a musical laboratory where Mozart could experiment with the virtuoso and lyrical possibilities of his Viennese wind soloists who later animated his greatest operas.
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发表于 2022-3-13 14:33:24
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